Clark Kellog is naar New York gekomen om aan de filmacademie te gaan studeren. Deze plattelandsjongen maakt geen beste start in de grote stad, want binnen een half uur is hij beroofd van zijn bagage en al zijn geld. Er zit niets anders op dan een baantje te zoeken. Zo komt Clark in contact met Carmine Sabatini, een heer van stand met een beeldschone dochter. Maar Sabatini blijkt ook de leider van de georganiseerde misdaad te zijn. De eerstejaars student komt al snel tot de conclusie dat de werkelijkheid spannender is dan alles wat hij ooit op het witte doek heeft gezien.
Nee, helaas is The Freshman nog niet beschikbaar op Netflix in Nederland.
| Directing | Andrew Bergman | Director |
| Writing | Andrew Bergman | Screenplay |
| Production | Mike Lobell | Producer |
| Sound | David Newman | Original Music Composer |
| Camera | William A. Fraker | Director of Photography |
| Editing | Barry Malkin | Editor |
| Crew | Shelley Cook | Stunts |
| Crew | John Stead | Stunts |
| Crew | John Stoneham Sr. | Stunts |
| Production | Lacia Kornylo | Production Manager |
| Directing | Louis D'Esposito | First Assistant Director |
| Directing | Tom Quinn | Second Assistant Director |
| Art | Alicia Keywan | Art Direction |
| Art | Gordon Sim | Set Decoration |
| Camera | Harald Ortenburger | Camera Operator |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Production | Mike Fenton | Casting |
| Production | Judy Taylor | Casting |
| Production | Lynda Gordon | Casting |
| Art | Ken Adam | Production Design |
| Art | Paul Harding | Property Master |
| Costume & Make-Up | Patricia Green | Makeup Artist |
| Costume & Make-Up | James D. Brown | Hairstylist |
| Production | Michael MacDonald | Executive In Charge Of Production |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Editing | Peter B. Ellis | First Assistant Editor |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Neil L. Kaufman | Sound Editor |
| Sound | Ira Spiegel | Sound Editor |
| Sound | Louis Bertini | Sound Editor |
| Sound | Elliot Deitch | Sound Editor |
| Sound | Dan Korintus | Assistant Sound Editor |
| Sound | Dan Edelstein | Assistant Sound Editor |
| Sound | Tom Villano | Supervising Music Editor |
| Sound | Joseph S. DeBeasi | Music Editor |
| Sound | Michael Jacobi | ADR Editor |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Sound | David Boulton | ADR Recordist |
| Sound | Elisha Birnbaum | Foley Artist |
| Sound | Richard Lightstone | Sound Mixer |
| Lighting | Chris Holmes | Gaffer |
| Production | Dominique Bruballa | Production Accountant |
| Camera | Kerry Hayes | Still Photographer |
| Crew | David R. Ellis | Stunt Coordinator |
| Directing | Susanna David | Script Supervisor |
| Crew | Shelley Kirkwood | Unit Publicist |
| Art | Bill Harman | Construction Coordinator |
| Directing | David McLennan | Second Second Assistant Director |
| Editing | Ron Lambert | Color Timer |
| Costume & Make-Up | Kim W. Chow | Wardrobe Master |
| Crew | David Neil Trifunovich | Special Effects Coordinator |
| Camera | Michael Kohne | Key Grip |
| Lighting | Eric Holmes | Rigging Gaffer |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Costume & Make-Up | Phil Rhodes | Hairstylist |
| Costume & Make-Up | Phil Rhodes | Makeup Artist |
| Directing | Julie A. Bloom | Second Assistant Director |
| Directing | Cynthia Clayton | Third Assistant Director |
| Crew | Mick O'Rourke | Stunts |
| Crew | Anne Wootten | Choreographer |
