Een 43-jarige huisvrouw en moeder die op het punt staat te scheiden van haar man, bezoekt een schoolreünie waar zij plotseling flauwvalt. Dan gaat zij terug naar de tijd waar ze nog een schoolmeisje was, en dit geeft haar de kans om bepaalde dingen in het verleden te kunnen veranderen.
Nee, helaas is Peggy Sue Got Married nog niet beschikbaar op Netflix in Nederland.
Production | Barrie M. Osborne | Executive Producer |
Production | Paul R. Gurian | Producer |
Camera | Jordan Cronenweth | Director of Photography |
Directing | Francis Ford Coppola | Director |
Sound | John Barry | Original Music Composer |
Editing | Barry Malkin | Editor |
Production | Francis Ford Coppola | Producer |
Camera | Bob Gilles | Camera Intern |
Writing | Jerry Leichtling | Writer |
Writing | Arlene Sarner | Writer |
Sound | Tom Fleischman | Sound Re-Recording Mixer |
Costume & Make-Up | Theadora Van Runkle | Costume Designer |
Art | Dean Tavoularis | Production Design |
Production | Pennie DuPont | Casting |
Art | James J. Murakami | Assistant Art Director |
Camera | Bing Sokolsky | First Assistant Camera |
Production | Barrie M. Osborne | Unit Production Manager |
Art | Alex Tavoularis | Art Direction |
Directing | Doug Claybourne | First Assistant Director |
Art | Marvin March | Set Decoration |
Crew | Steve Holladay | Stunts |
Camera | John Toll | Camera Operator |
Directing | Mark Radcliffe | Second Assistant Director |
Sound | Carl Fischer | Boom Operator |
Sound | Thomas A. Gulino | Sound Editor |
Camera | Jane O'Neal | Still Photographer |
Camera | Jeff Cronenweth | Second Assistant Camera |
Sound | Louis Bertini | Sound Editor |
Sound | Lee Dichter | Sound Re-Recording Mixer |
Crew | Lawrence J. Cavanaugh | Special Effects Coordinator |
Sound | Richard Bryce Goodman | Production Sound Mixer |
Sound | Michael Kirchberger | Supervising Sound Editor |
Sound | Elisha Birnbaum | Foley Artist |
Camera | Gregg Guellow | Best Boy Grip |
Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
Editing | Debra Bard | Assistant Editor |
Camera | Billy Beaird | Dolly Grip |
Sound | Bitty O'Sullivan-Smith | Sound Editor |
Editing | Dennis Brookins | Negative Cutter |
Lighting | Rick Martens | Gaffer |
Camera | Cary Griffith | Key Grip |
Sound | Darrell Hanzalik | ADR Editor |
Sound | George Craig | Music Editor |
Lighting | Jack Kirk | Best Boy Electric |
Costume & Make-Up | Frank Griffin | Makeup Artist |
Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
Sound | Neil L. Kaufman | Sound Editor |
Costume & Make-Up | Candida Conery | Hairstylist |
Costume & Make-Up | John Rizzo | Makeup Artist |
Sound | Dorian Harris | ADR Editor |
Sound | Marko Costanzo | Foley Artist |
Sound | D. G. Fisher | Boom Operator |
Art | Douglas T. Madison | Property Master |
Art | Gary Fettis | Assistant Property Master |
Production | Sam Mercer | Location Manager |
Directing | Wilma Garscadden-Gahret | Script Supervisor |
Crew | James Davis | Transportation Coordinator |
Directing | Carey Dietrich | Second Second Assistant Director |
Production | Lisbeth Wynn-Owen | Production Coordinator |
Art | John J. Rutchland III | Construction Foreman |
Production | Eileen McGuire | Assistant Accountant |
Production | Elizabeth Yanoska | Production Accountant |
Crew | Toni Basil | Choreographer |
Crew | Kerry Orent | Post Production Supervisor |
Art | John J. Rutchland Jr. | Construction Coordinator |
Art | Paul Myerberg | Leadman |
Crew | Daniel R. Suhart | Dialogue Coach |
Production | George Parra | Production Assistant |