Een 43-jarige huisvrouw en moeder die op het punt staat te scheiden van haar man, bezoekt een schoolreünie waar zij plotseling flauwvalt. Dan gaat zij terug naar de tijd waar ze nog een schoolmeisje was, en dit geeft haar de kans om bepaalde dingen in het verleden te kunnen veranderen.
Nee, helaas is Peggy Sue Got Married nog niet beschikbaar op Netflix in Nederland.
| Editing | Barry Malkin | Editor |
| Production | Barrie M. Osborne | Executive Producer |
| Sound | John Barry | Original Music Composer |
| Production | Paul R. Gurian | Producer |
| Camera | Jordan Cronenweth | Director of Photography |
| Directing | Francis Ford Coppola | Director |
| Camera | Bob Gilles | Camera Intern |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Costume & Make-Up | Theadora Van Runkle | Costume Designer |
| Art | Dean Tavoularis | Production Design |
| Production | Pennie DuPont | Casting |
| Crew | Steve Holladay | Stunts |
| Production | Barrie M. Osborne | Unit Production Manager |
| Directing | Doug Claybourne | First Assistant Director |
| Directing | Mark Radcliffe | Second Assistant Director |
| Art | Alex Tavoularis | Art Direction |
| Art | James J. Murakami | Assistant Art Director |
| Art | Marvin March | Set Decoration |
| Camera | John Toll | Camera Operator |
| Camera | Bing Sokolsky | First Assistant Camera |
| Camera | Jeff Cronenweth | Second Assistant Camera |
| Camera | Jane O'Neal | Still Photographer |
| Editing | Debra Bard | Assistant Editor |
| Editing | Dennis Brookins | Negative Cutter |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Neil L. Kaufman | Sound Editor |
| Sound | Thomas A. Gulino | Sound Editor |
| Sound | Bitty O'Sullivan-Smith | Sound Editor |
| Sound | Louis Bertini | Sound Editor |
| Sound | Dorian Harris | ADR Editor |
| Sound | Darrell Hanzalik | ADR Editor |
| Sound | George Craig | Music Editor |
| Sound | Elisha Birnbaum | Foley Artist |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Sound | Carl Fischer | Boom Operator |
| Sound | D. G. Fisher | Boom Operator |
| Lighting | Rick Martens | Gaffer |
| Lighting | Jack Kirk | Best Boy Electric |
| Camera | Cary Griffith | Key Grip |
| Camera | Gregg Guellow | Best Boy Grip |
| Camera | Billy Beaird | Dolly Grip |
| Crew | Lawrence J. Cavanaugh | Special Effects Coordinator |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Costume & Make-Up | John Rizzo | Makeup Artist |
| Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Production | Sam Mercer | Location Manager |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Art | Douglas T. Madison | Property Master |
| Art | Gary Fettis | Assistant Property Master |
| Crew | James Davis | Transportation Coordinator |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Art | John J. Rutchland III | Construction Foreman |
| Art | Paul Myerberg | Leadman |
| Directing | Carey Dietrich | Second Second Assistant Director |
| Crew | Kerry Orent | Post Production Supervisor |
| Production | Elizabeth Yanoska | Production Accountant |
| Production | Eileen McGuire | Assistant Accountant |
| Production | Lisbeth Wynn-Owen | Production Coordinator |
| Production | George Parra | Production Assistant |
| Crew | Daniel R. Suhart | Dialogue Coach |
| Crew | Toni Basil | Choreographer |
| Writing | Arlene Sarner | Writer |
| Writing | Jerry Leichtling | Writer |
