Weinigen weten dat dictator Joseph Stalin de laatste nacht van zijn leven doorbracht in de armen van de vurige Australische communist Joan Fraser. Als resultaat van die vluchtige relatie zou Joe Welch geboren worden, een gewone zoon die veel te maken zou hebben met het uitbreken van de Australische Burgeroorlog. Maar dat was allemaal in de jaren vijftig. Nu, in 1990, is Joe een vooraanstaand politicus geworden die in ernstige moeilijkheden zal belanden...
Nee, helaas is Children of the Revolution nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Terry Ryan | Costume Design |
| Editing | Simon Martin | Editor |
| Art | Roger Ford | Production Design |
| Production | Tristram Miall | Producer |
| Sound | Nigel Westlake | Original Music Composer |
| Writing | Peter Duncan | Author |
| Camera | Martin McGrath | Director of Photography |
| Art | Kerrie Brown | Set Decoration |
| Production | Robyn Kershaw | Casting |
| Art | Laurie Faen | Art Direction |
| Production | Peter Duncan | Casting |
| Directing | Peter Duncan | Director |
| Directing | John Martin | Second Assistant Director |
| Camera | Robert Agganis | Steadicam Operator |
| Directing | Jennifer Leacey | Third Assistant Director |
| Directing | P.J. Voeten | First Assistant Director |
| Writing | Simon Martin | Script Editor |
| Camera | Katrina Crook | Focus Puller |
| Camera | Brett McDowell | Key Grip |
| Camera | Michele Duval | Clapper Loader |
| Camera | Martin Lee | Steadicam Operator |
| Lighting | Greg Rawson | Best Boy Electric |
| Camera | John Tate | Assistant Grip |
| Camera | Graham Sharpe | Camera Operator |
| Camera | Philip le Masurier | Still Photographer |
| Camera | Danny Batterham | Camera Operator |
| Camera | Colin Deane | Focus Puller |
| Camera | Ian Phillips | Focus Puller |
| Camera | James Rickard | Focus Puller |
| Directing | Kate Dennis | Continuity |
| Production | Greg Ricketson | Associate Producer |
| Sound | Guntis Sics | Sound Recordist |
| Costume & Make-Up | Yvonne Savage | Hairstylist |
| Costume & Make-Up | Wendy Sainsbury | Prosthetic Makeup Artist |
| Editing | Gregory Klumov | Archival Footage Research |
| Crew | Richard Boué | Stunt Coordinator |
| Sound | Libby Villa | Dialogue Editor |
| Sound | Antony Gray | Sound Effects Editor |
| Art | Tracey Hyde-Moxham | Art Department Coordinator |
| Writing | Peter Duncan | Screenplay |
| Costume & Make-Up | Kirsten Veysey | Makeup Artist |
| Costume & Make-Up | Kirsten Veysey | Prosthetic Makeup Artist |
| Production | Georgina Burke | Researcher |
| Costume & Make-Up | Ann-Maree Hurley | Prosthetic Makeup Artist |
| Crew | John O'Connell | Choreographer |
| Crew | Simon Martin | Post Production Supervisor |
| Editing | John Lee | Assistant Editor |
| Costume & Make-Up | Nik Dorning | Prosthetic Makeup Artist |
| Sound | Christine Woodruff | Music Coordinator |
| Production | Greg Ricketson | Production Supervisor |
| Crew | John Bowring | Special Effects |
| Editing | Martin Connor | First Assistant Editor |
| Crew | John Bowring | Armorer |
| Sound | Andrew Plain | Supervising Sound Editor |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Art | Libby Blainey | Title Designer |
