De Londense bankier Max Skinner vertrekt voor het afhandelen van een erfenis naar de Provence in Frankrijk. Zijn oom Henry laat hem een landgoed en een aangrenzende wijngaard na, maar Max wil alles zo snel mogelijk verkopen. Eenmaal in Frankrijk aangekomen, ontmoet hij de mooie Fanny. Wat begint als een kort zakenbezoek, loopt al snel uit tot een veel langer verblijf. Maar dan komt plots Christie op de proppen die beweert een buitenechtelijk kind van Henry te zijn.
Nee, helaas is A Good Year nog niet beschikbaar op Netflix in Nederland.
| Camera | Philippe Le Sourd | Director of Photography |
| Directing | Ridley Scott | Director |
| Production | Ridley Scott | Producer |
| Sound | Marc Streitenfeld | Original Music Composer |
| Editing | Dody Dorn | Editor |
| Production | Dixie Chassay | Casting Assistant |
| Writing | Marc Klein | Screenplay |
| Writing | Peter Mayle | Novel |
| Art | Amy Simons | Art Department Coordinator |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Art | Frederic Evard | Art Direction |
| Crew | Ernie Malik | Unit Publicist |
| Art | Bárbara Pérez-Solero | Set Decoration |
| Production | Antoinette Boulat | Casting |
| Production | Jina Jay | Casting |
| Art | Robert Cowper | Art Direction |
| Costume & Make-Up | Catherine Leterrier | Costume Design |
| Art | Sonja Klaus | Production Design |
| Costume & Make-Up | Hayat Ouled Dahhou | Hairstylist |
| Directing | Nikki Clapp | Script Supervisor |
| Production | Mark Allan | Unit Production Manager |
| Crew | Philippe Guégan | Stunt Coordinator |
| Directing | Darin Rivetti | First Assistant Director |
| Sound | Per Hallberg | Supervising Sound Editor |
| Sound | Paul Massey | Sound Mixer |
| Sound | Del Spiva | Music Editor |
| Sound | Dino DiMuro | Sound Effects Editor |
| Production | Branko Lustig | Unit Production Manager |
| Costume & Make-Up | Camille Janbon | Assistant Costume Designer |
| Sound | Samuel Cohen | Boom Operator |
| Sound | Chris Benstead | Music Editor |
| Sound | Patrick J. Foley | Dialogue Editor |
| Costume & Make-Up | Karen Muller Serreau | Wardrobe Supervisor |
| Costume & Make-Up | Raffaella Iorio | Makeup Artist |
| Camera | Rico Torres | Still Photographer |
| Crew | Teresa Kelly | Post Production Supervisor |
| Sound | Dan Hegeman | Sound Effects Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Directing | Emilie Cherpitel | Second Assistant Director |
| Sound | Doug Hemphill | Sound Mixer |
| Sound | Christopher Assells | Sound Effects Editor |
| Visual Effects | Wesley Sewell | Visual Effects Supervisor |
| Sound | Jean-Paul Mugel | Production Sound Mixer |
| Sound | Tony Negrete | Assistant Sound Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Chris Jargo | Supervising ADR Editor |
| Production | Erin Upson Cuevas | Co-Producer |
| Production | Julie Payne | Executive Producer |
| Camera | Marco Sacerdoti | First Assistant Camera |
| Camera | Basil Smith | Second Assistant Camera |
| Sound | Philip D. Morrill | Assistant Sound Editor |
| Sound | Frederick H. Stahly | ADR Editor |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Lighting | Franck Barrault | Gaffer |
| Sound | Peter Staubli | Sound Effects Editor |
| Production | Branko Lustig | Executive Producer |
| Production | Lisa Ellzey | Executive Producer |
| Sound | Kimaree Long | ADR Editor |
| Editing | Jim Passon | Color Timer |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | Kerry Carmean-Williams | Sound Effects Editor |
| Sound | Dawn Fintor | Foley Artist |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Yvan Quehec | Best Boy Electric |
| Crew | Alistair Williams | Special Effects Technician |
| Camera | Tobias Eedy | Second Assistant Camera |
