De Londense bankier Max Skinner vertrekt voor het afhandelen van een erfenis naar de Provence in Frankrijk. Zijn oom Henry laat hem een landgoed en een aangrenzende wijngaard na, maar Max wil alles zo snel mogelijk verkopen. Eenmaal in Frankrijk aangekomen, ontmoet hij de mooie Fanny. Wat begint als een kort zakenbezoek, loopt al snel uit tot een veel langer verblijf. Maar dan komt plots Christie op de proppen die beweert een buitenechtelijk kind van Henry te zijn.
Nee, helaas is A Good Year nog niet beschikbaar op Netflix in Nederland.
| Sound | Marc Streitenfeld | Original Music Composer |
| Camera | Philippe Le Sourd | Director of Photography |
| Directing | Ridley Scott | Director |
| Editing | Dody Dorn | Editor |
| Production | Ridley Scott | Producer |
| Art | Sonja Klaus | Production Design |
| Crew | Ernie Malik | Unit Publicist |
| Art | Bárbara Pérez-Solero | Set Decoration |
| Production | Jina Jay | Casting |
| Costume & Make-Up | Catherine Leterrier | Costume Design |
| Production | Antoinette Boulat | Casting |
| Art | Frederic Evard | Art Direction |
| Costume & Make-Up | Hayat Ouled Dahhou | Hairstylist |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Directing | Nikki Clapp | Script Supervisor |
| Art | Robert Cowper | Art Direction |
| Art | Amy Simons | Art Department Coordinator |
| Production | Erin Upson Cuevas | Co-Producer |
| Production | Branko Lustig | Executive Producer |
| Production | Julie Payne | Executive Producer |
| Production | Lisa Ellzey | Executive Producer |
| Crew | Philippe Guégan | Stunt Coordinator |
| Production | Mark Allan | Unit Production Manager |
| Production | Branko Lustig | Unit Production Manager |
| Directing | Darin Rivetti | First Assistant Director |
| Directing | Emilie Cherpitel | Second Assistant Director |
| Camera | Marco Sacerdoti | First Assistant Camera |
| Camera | Basil Smith | Second Assistant Camera |
| Camera | Rico Torres | Still Photographer |
| Sound | Jean-Paul Mugel | Production Sound Mixer |
| Sound | Samuel Cohen | Boom Operator |
| Crew | Teresa Kelly | Post Production Supervisor |
| Visual Effects | Wesley Sewell | Visual Effects Supervisor |
| Sound | Del Spiva | Music Editor |
| Sound | Chris Benstead | Music Editor |
| Sound | Per Hallberg | Supervising Sound Editor |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Sound | Paul Massey | Sound Mixer |
| Sound | Doug Hemphill | Sound Mixer |
| Lighting | Franck Barrault | Gaffer |
| Costume & Make-Up | Camille Janbon | Assistant Costume Designer |
| Costume & Make-Up | Karen Muller Serreau | Wardrobe Supervisor |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Costume & Make-Up | Raffaella Iorio | Makeup Artist |
| Sound | Chris Jargo | Supervising ADR Editor |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Sound | Philip D. Morrill | Assistant Sound Editor |
| Sound | Tony Negrete | Assistant Sound Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Dino DiMuro | Sound Effects Editor |
| Sound | Dan Hegeman | Sound Effects Editor |
| Sound | Peter Staubli | Sound Effects Editor |
| Sound | Kerry Ann Carmean | Sound Effects Editor |
| Sound | Patrick J. Foley | Dialogue Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Kimaree Long | ADR Editor |
| Sound | Frederick H. Stahly | ADR Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Dawn Fintor | Foley Artist |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Jim Passon | Color Timer |
| Production | Dixie Chassay | Casting Assistant |
| Writing | Marc Klein | Screenplay |
| Writing | Peter Mayle | Novel |
