Na 12 jaar in de gevangenis te hebben gezeten, keert Walter (Kevin Bacon) terug naar huis. Hij vindt werk in een houtzagerij maar krijgt al snel af te rekenen met de demonen uit zijn verleden. Want hoewel hij zich onberispelijk gedraagt, wordt hij voortdurend in de gaten gehouden door de secretaresse Mary Kay en politie-inspecteur Lucas. De enige die hem troost biedt en die hem niet veroordeelt omwille van zijn verleden is Vicki (Kyra Sedgwick). Maar één enkele misstap is voldoende om alles te verliezen.
Nee, helaas is The Woodsman nog niet beschikbaar op Netflix in Nederland.
| Production | Brook Lenfest | Executive Producer |
| Writing | Steven Fechter | Theatre Play |
| Editing | Brian A. Kates | Editor |
| Sound | Nathan Larson | Original Music Composer |
| Production | Damon Dash | Executive Producer |
| Production | Dawn Lenfest | Executive Producer |
| Production | Kevin Bacon | Executive Producer |
| Camera | Xavier Grobet | Director of Photography |
| Directing | Nicole Kassell | Director |
| Production | Lee Daniels | Producer |
| Editing | Lisa Fruchtman | Editor |
| Production | Billy Hopkins | Casting |
| Art | Stephen Beatrice | Production Design |
| Production | Kerry Barden | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Mark Bennett | Casting |
| Costume & Make-Up | Frank L. Fleming | Costume Design |
| Costume & Make-Up | Lisa R. Frucht | Costume Supervisor |
| Art | Christine Wick | Set Decoration |
| Costume & Make-Up | Teresa Binder Westby | Costume Supervisor |
| Directing | Anthony Pettine | Script Supervisor |
| Sound | Brian A. Kates | Music Editor |
| Production | Marvet Britto | Co-Executive Producer |
| Production | Simone Sheffield | Associate Producer |
| Production | David Robinson | Co-Producer |
| Production | Candice Williams | Associate Producer |
| Sound | Linda Cohen | Music Supervisor |
| Writing | Steven Fechter | Screenplay |
| Production | Missy Moyer | Production Supervisor |
| Production | Lisa Cortés | Co-Producer |
| Costume & Make-Up | Diane Dixon | Key Hair Stylist |
| Production | Valerie Hoffman | Co-Producer |
| Writing | Nicole Kassell | Screenplay |
| Crew | Dakota Anderson | Stunt Coordinator |
| Lighting | Andrew Reed Conner | Gaffer |
| Production | Debra J. Olchick | Unit Production Manager |
| Crew | Norman Douglass | Stunts |
| Directing | Thomas Fatone | First Assistant Director |
| Directing | Patrick D. Gibbons | Second Assistant Director |
| Camera | Adger W. Cowans | Still Photographer |
| Sound | Thomas Varga | Sound Mixer |
| Sound | Karl Wasserman | Boom Operator |
| Sound | Chris Kellett | Boom Operator |
| Sound | Michael Primmer | Boom Operator |
| Sound | Aaron Rudelson | Boom Operator |
| Sound | Brian Jordan | Boom Operator |
| Art | Christine Sysko | Leadman |
| Art | Sharon Potts | Property Master |
| Art | Tom West | Assistant Property Master |
| Art | Alan J. Mehlbrech | Key Construction Grip |
| Costume & Make-Up | Kara Morasco | Seamstress |
| Lighting | Richard Asbury | Best Boy Electric |
| Camera | Chris Beattie | Key Grip |
| Camera | Kimberly Rial | Best Boy Grip |
| Lighting | Timothy Weston | Rigging Grip |
| Camera | Mark Catania | Dolly Grip |
| Camera | Kevin Hackenberg | Dolly Grip |
| Production | Amy Comstock | Production Accountant |
| Production | Steven Holtzman | First Assistant Accountant |
| Production | Steven Holtzman | Payroll Accountant |
| Crew | William M. Hamilton Jr | Transportation Coordinator |
| Crew | Jeremy Walker | Unit Publicist |
| Crew | Michael Mezaros | Post Production Supervisor |
| Crew | Kelley Cribben | Post Production Supervisor |
| Sound | Joe Caterini | Supervising Sound Editor |
| Sound | Will Ralston | Supervising Dialogue Editor |
| Sound | Matthew Haasch | Foley Editor |
| Sound | Igor Nikolic | Sound Effects Editor |
| Sound | Jay Peck | Foley Artist |
| Sound | Paul Sacco | Dolby Consultant |
| Sound | Joe Caterini | Sound Re-Recording Mixer |
| Editing | Noëlle Penraat | Negative Cutter |
| Editing | Fred Heid | Color Timer |
