In de late negentiende eeuw reist een jonge Deense priester naar een afgelegen plek in IJsland. Hij wil er een kerk bouwen en de lokale inwoners op beeld vastleggen. Hoe meer hij zich in het brute natuurgebied begeeft, hoe meer hij van zijn missie en normen en waarden afwijkt.
Nee, helaas is Vanskabte land nog niet beschikbaar op Netflix in Nederland.
| Production | Anton Máni Svansson | Producer |
| Production | Katrin Pors | Producer |
| Writing | Hlynur Pálmason | Writer |
| Directing | Hlynur Pálmason | Director |
| Editing | Julius Krebs Damsbo | Editor |
| Crew | Maria von Hausswolff | Cinematography |
| Production | Peter Possne | Co-Producer |
| Crew | Árni Jónsson | Carpenter |
| Directing | Tommy Oksen | Script Supervisor |
| Production | Didar Domehri | Co-Producer |
| Production | Clas Hakeröd | Post Producer |
| Production | Þórgunnur Þórsdóttir | Production Runner |
| Art | Kristinn Guðmundsson | Set Dresser |
| Art | Guðmundur Óskar Sigurmundsson | Assistant Property Master |
| Art | Elísabet 'Linda' Þórðardóttir | Art Department Coordinator |
| Production | Rie Hedegaard | Casting |
| Production | Magnea Helgadottir | Production Manager |
| Costume & Make-Up | Hanna Björk Valsdóttir | Costume Assistant |
| Production | Eva Jakobsen | Producer |
| Production | Hlynur Pálmason | Executive Producer |
| Sound | Alex Zhang Hungtai | Music |
| Production | Arnor Trausti Halldorsson | Production Runner |
| Production | Guðmundur Arnar Guðmundsson | Co-Producer |
| Costume & Make-Up | Nina Grønlund | Costume Design |
| Crew | Anton Björn Árnason | Carpenter |
| Costume & Make-Up | Sesselja Fanneyjardóttir | Costume Assistant |
| Camera | Aron Davidsson | Camera Trainee |
| Production | Birgitta Björnsdottir | Line Producer |
| Production | Alicia Hansen | Associate Producer |
| Art | Frosti Fridriksson | Production Design |
| Crew | Oddur Roth | Driver |
| Costume & Make-Up | Sigríður Þórunn Þorvaldsdóttir | Costume Assistant |
| Production | Giulia Triolo | Associate Producer |
| Art | Árni Jónsson | Set Dresser |
| Art | Rikhardur Hjartar Magnusson | Set Dresser |
| Production | Ingvar E. Sigurðsson | Executive Producer |
| Directing | Hilmar Guðjónsson | First Assistant Director |
| Directing | Kristín Ósk Sævarsdóttir | Second Assistant Director |
| Art | Ingjaldur Kárason | Set Painter |
| Crew | Matija Mihaljenovic | Carpenter |
| Art | Jóhannes Ottóson | Head Carpenter |
| Production | Emil Morávek | Location Manager |
| Directing | Tommy Oksen | Assistant Director |
| Camera | Leon Czajkowski | Additional Grip |
| Production | Johnny Andersen | Supervising Producer |
| Production | Mikkel Jersin | Producer |
| Costume & Make-Up | Katrine Tersgov | Makeup Artist |
| Costume & Make-Up | Sigrún Ásta Jörgensen | Costume Assistant |
| Camera | Haraldur Hrafn Thorlacius | Key Grip |
| Sound | Kristian Eidnes Andersen | Sound Designer |
| Production | Mimmi Spång | Co-Producer |
| Art | Rebekka A. Ingimundardóttir | Art Direction |
| Crew | Róbert Smári Daðason | Carpenter |
| Art | Þorvaldur Böðvar Jónsson | Set Painter |
| Lighting | Dagur Benedikt Reynisson | Gaffer |
| Visual Effects | Zafer Fanari | Visual Effects Compositor |
| Camera | Jana Noel | Second Assistant Camera |
| Visual Effects | Per Nyman | Visual Effects Compositor |
| Sound | Stéphane De Rocquigny | Foley Recordist |
| Art | Emil Petursson | Construction Manager |
| Production | Signe Höeg | Associate Producer |
| Production | Emil Morávek | Production Manager |
| Camera | Marta Natoli | Second Assistant Camera |
| Visual Effects | Pär Olsson | Visual Effects Compositor |
| Camera | Kristófer Smári Leifsson | Third Assistant Camera |
| Camera | Sveinbjörn Óli Ólason | Best Boy Grip |
| Visual Effects | Anders Nyman | Visual Effects Supervisor |
| Sound | Jacob Langkjær Davidsen | Sound Editor |
| Sound | Peter Seeba | ADR Recording Engineer |
| Production | Elliott Crosset Hove | Executive Producer |
| Production | Anthony Muir | Co-Producer |
| Camera | Heiða Ósk Gunnarsdóttir | Third Assistant Camera |
| Camera | Julian Lalinde Martinez | First Assistant Camera |
| Sound | Nanna Dam-Hendriksen | Sound Assistant |
| Costume & Make-Up | Louise Weiland | Makeup Artist |
| Art | Áslákur Ingvarsson | Art Department Assistant |
| Art | Steingrímur Þorvaldsson | Set Painter |
| Costume & Make-Up | Charlotte Scheffmann Weber | Costume Assistant |
| Camera | Agathe Corniquet | First Assistant Camera |
| Sound | Eyþór Örn Margrétarson | Boom Operator |
| Sound | Eyþór Örn Magnússon | Boom Operator |
| Crew | Ingibjörg Helga Arnþórsdóttir Imma | Stunt Coordinator |
| Lighting | Óttar Andri Óttarsson | Electrician |
| Crew | Jón Viðar Arnþórsson | Stunt Coordinator |
| Sound | Nicolas Liebing | Dialogue Editor |
| Lighting | Oddur Elíasson | Electrician |
| Camera | Julian Lalinde Martinez | Focus Puller |
| Lighting | Kari Valdimarsson | Best Boy Lighting Technician |
| Visual Effects | Emil Gunnarsson | Pipeline Technical Director |
| Visual Effects | Ruben Ejdestig | Visual Effects Compositor |
| Sound | Björn Viktorsson | Sound Designer |
| Camera | Maria von Hausswolff | Director of Photography |
