Jim Phelps en zijn elite-team bereiden in Praag een minutieus plan voor om een computerdiskette met de identiteit van de Amerikaanse spionnen uit de handen van de vijand te houden. Het team, bestaande uit Ethan Hunt, Phelps' mooie vrouw Claire, Sarah Davies en een electronische expert, weet dat een diefstal gepland is op een ambassade-gala in Kiev.
Nee, helaas is Mission Impossible nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Penny Rose | Costume Design |
| Crew | Ian Wingrove | Special Effects |
| Production | Paula Wagner | Producer |
| Art | Norman Reynolds | Production Design |
| Sound | Danny Elfman | Original Music Composer |
| Writing | David Koepp | Screenplay |
| Costume & Make-Up | Jiří Farkaš | Makeup Artist |
| Writing | Robert Towne | Screenplay |
| Camera | Stephen H. Burum | Director of Photography |
| Sound | Ellen Segal | Music Editor |
| Crew | Greg Powell | Stunt Coordinator |
| Editing | Paul Hirsch | Editor |
| Directing | Brian De Palma | Director |
| Production | Tom Cruise | Producer |
| Visual Effects | John Knoll | Visual Effects Supervisor |
| Art | Fred Hole | Supervising Art Director |
| Visual Effects | Eve Ramboz | Visual Effects |
| Production | Mali Finn | Casting |
| Production | Patsy Pollock | Casting |
| Production | Paul Hitchcock | Executive Producer |
| Production | J.C. Calciano | Associate Producer |
| Production | Steve Harding | Unit Production Manager |
| Visual Effects | Roni McKinley | Visual Effects Producer |
| Editing | Dennis McNeill | Color Timer |
| Production | Christine Bodelot | Production Manager |
| Camera | Tony Cridlin | Grip |
| Crew | Tony Allard | Propmaker |
| Sound | Tom Bellfort | Supervising Sound Editor |
| Camera | Rawdon Hayne | First Assistant Camera |
| Crew | David Coley | Carpenter |
| Directing | Chris Soldo | First Assistant Director |
| Production | Michal Přikryl | Unit Manager |
| Art | David Lee | Assistant Art Director |
| Crew | Tim Monich | Dialect Coach |
| Crew | Kathy Orloff | Unit Publicist |
| Visual Effects | Mathew C. Judd | 3D Modeller |
| Crew | Ruth Hasty | Post Production Supervisor |
| Crew | Lee Millham | Utility Stunts |
| Production | David Kerney | Production Accountant |
| Costume & Make-Up | Hana Kučerová | Costume Supervisor |
| Crew | Rob Bottin | Makeup Effects |
| Sound | Philip Rogers | Sound Recordist |
| Sound | Michael Silvers | Dialogue Editor |
| Lighting | Laurie Shane | Gaffer |
| Sound | David Crozier | Sound Mixer |
| Costume & Make-Up | Timothy Everest | Costume Design |
| Camera | Larry McConkey | Steadicam Operator |
| Crew | Douglas D. Kelley | Special Effects Coordinator |
| Camera | Gordon Hayman | Camera Operator |
| Costume & Make-Up | Lynn Rodgers | Hairstylist |
| Costume & Make-Up | Sarka Zvolenska | Set Costumer |
| Camera | Michael Kelem | Aerial Camera |
| Camera | Richard Blanshard | Still Photographer |
| Crew | Václav Kocman | Driver |
| Crew | Zdeněk Flídr | Transportation Captain |
| Visual Effects | Eric Allard | Special Effects Supervisor |
| Costume & Make-Up | Margaret Prentice | Prosthetic Makeup Artist |
| Crew | Michael Gleason | Visual Effects Editor |
| Crew | George Hull | Visual Effects Art Director |
| Art | Dawn Swiderski | Set Designer |
| Costume & Make-Up | Kirsten Hecktermann | Assistant Costume Designer |
| Lighting | Ron Shane | Best Boy Electric |
| Sound | Steve Bartek | Orchestrator |
| Art | Tony Chance | Production Illustrator |
| Crew | Jon Baker | Armorer |
| Directing | Diana Dill | Script Supervisor |
| Production | Emily Schweber | Casting Associate |
| Production | Sandrine Ageorges | Location Manager |
| Production | Patsy de Lord | Production Coordinator |
| Art | Jonathan McKinstry | Art Direction |
| Art | Moto Hata | Sculptor |
| Camera | Kevin Fraser | Key Grip |
| Crew | Kim Libreri | Digital Effects Supervisor |
| Sound | Clive Copland | Boom Operator |
| Sound | Chris Scarabosio | Sound Effects Editor |
| Art | Kate Garbett | Art Department Coordinator |
| Art | Olivier Servanin | Location Scout |
| Crew | Graham Bartram | Software Engineer |
| Sound | Jessica Bellfort | Assistant Sound Editor |
| Sound | Christopher Boyes | Sound Designer |
| Visual Effects | Stéphane Bidault | Digital Compositors |
| Visual Effects | Alexandra Altrocchi | Visual Effects Coordinator |
| Directing | Nick Moore | First Assistant Director |
| Lighting | Andy Cole | Electrician |
| Crew | Gary Fry | Stunts |
| Art | Peter Howitt | Set Decoration |
| Sound | Gary Rydstrom | Sound Re-Recording Mixer |
| Visual Effects | Ed Hawkins | Digital Compositor |
| Editing | Stephen Sobisky | Project Manager |
| Crew | Sharon Lark | Digital Effects Producer |
| Sound | John Casali | Utility Sound |
| Production | Martin Sebik | Key Production Assistant |
| Art | Kyle Cooper | Title Designer |
| Sound | Artie Kane | Conductor |
| Visual Effects | Kim Marks | VFX Director of Photography |
| Production | Mickey McDermott | Executive Assistant |
| Crew | Sean Garman | Set Runner |
| Art | Tom Martin | Supervising Carpenter |
| Production | Hugh Gourlay | Location Assistant |
| Production | Pavlina Prikrylova | Production Secretary |
| Directing | Ernest Day | Second Unit Director |
| Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Costume & Make-Up | Jemma Scott-Knox-Gore | Contact Lens Technician |
| Directing | Michael Stevenson | Second Assistant Director |
| Sound | Tony Eckert | Foley Mixer |
| Directing | Kate Hazell | Third Assistant Director |
| Production | Nicolas Foulatier | Assistant Location Manager |
| Production | John Eccleston | Assistant Accountant |
| Production | Marianne Jenkins | Assistant Production Coordinator |
| Crew | Trevor Butterfield | Special Effects Technician |
| Visual Effects | Robert Hill | Visual Effects Camera |
| Editing | Michael Healey | Colorist |
| Sound | Michael Silvers | ADR Editor |
| Art | Colin Thurston | Dressing Prop |
| Camera | Sandra Dillon | Assistant Camera |
| Camera | Peter Batten | Clapper Loader |
| Directing | Paul Bernard | Second Second Assistant Director |
| Editing | Simon Cozens | Assistant Editor |
| Crew | Karl Nettmann | Pyrotechnician |
| Crew | David j Watson | Special Effects Assistant |
| Visual Effects | Dan Glass | Visual Effects Designer |
| Crew | Sue Doucette | Technical Advisor |
| Sound | Steve Slanec | Assistant Dialogue Editor |
| Crew | Keith Campbell | Stunt Double |
| Costume & Make-Up | Verity Jackson | Wardrobe Assistant |
| Production | Stefano Priori | Accountant |
| Production | Phil Stoole | Production Assistant |
| Art | Jim Feldman | Concept Artist |
| Sound | Tom Barwick | Foley Artist |
| Crew | Robin Demetriou | Catering |
| Crew | Constantine Gregory | Dialogue Coach |
| Directing | Oldřich Mach | Assistant Director |
| Crew | Russ Woolnough | Visual Effects Editor |
| Writing | David Koepp | Story |
| Sound | Larry Mullen Jr. | Theme Song Performance |
| Sound | Adam Clayton | Theme Song Performance |
| Crew | Gary Powell | Stunts |
| Crew | Tracey Eddon | Stunts |
| Crew | Chrissy Monk | Stunts |
| Crew | Vincent Keane | Stunts |
| Crew | Lee Sheward | Stunts |
| Crew | Sarah Franzl | Stunts |
| Crew | Dinny Powell | Stunts |
| Crew | Keith Campbell | Stunts |
| Crew | Sarah Franzl | Stunt Double |
| Crew | Tom Lucy | Stunts |
| Crew | Paul Jennings | Stunts |
| Crew | Gary Fry | Stunts |
| Crew | Jamie Edgell | Stunts |
| Crew | Mick Hodge | Stunts |
| Crew | Graeme Crowther | Stunts |
| Crew | Gerard Naprous | Stunts |
| Crew | Dean Forster | Stunts |
| Crew | Ray De-Haan | Stunts |
| Production | Kenneth Chamitoff | Extras Casting |
| Sound | Lalo Schifrin | Main Title Theme Composer |
| Writing | Bruce Geller | Original Series Creator |
| Writing | Steven Zaillian | Story |
