De voormalige crimineel Jacob Sternwood (Mark Strong) wordt gedwongen terug te keren naar Londen vanuit zijn schuilplaats in IJsland wanneer zijn zoon betrokken is bij een overval die misgelopen is. Dit geeft de verbeten rechercheur Max Lewinsky (James McAvoy) een laatste kans om de man waar hij altijd achteraan heeft gezeten op te pakken.
Nee, helaas is Welcome to the Punch nog niet beschikbaar op Netflix in Nederland.
| Directing | Eran Creevy | Director |
| Production | Sasha Robertson | Casting |
| Costume & Make-Up | Natalie Ward | Costume Design |
| Production | Ben Pugh | Producer |
| Sound | Harry Escott | Music |
| Production | Nina Gold | Casting |
| Production | Rory Aitken | Producer |
| Production | Brian Kavanaugh-Jones | Producer |
| Writing | Eran Creevy | Writer |
| Art | Yasmin Al-Naib | Art Department Assistant |
| Visual Effects | Paul Boyd | 3D Artist |
| Crew | Steve Wilkinson | Armorer |
| Sound | Christer Melén | Sound Effects Editor |
| Art | Hauke Richter | Art Direction |
| Visual Effects | Rob Ride | 3D Artist |
| Camera | Julian Morson | Steadicam Operator |
| Camera | Gerry Vasbenter | Steadicam Operator |
| Camera | John Marzano | Aerial Director of Photography |
| Sound | Per Boström | Sound Re-Recording Mixer |
| Art | Aine Smith | Assistant Art Director |
| Camera | Thomas English | Steadicam Operator |
| Camera | Ed Wild | Director of Photography |
| Art | Mickey Woolfson | Property Master |
| Camera | Stuart Howell | Steadicam Operator |
| Costume & Make-Up | Kate Warwick-Oliver | Hairstylist |
| Camera | Ed Wild | Camera Operator |
| Camera | Zac Nicholson | Steadicam Operator |
| Sound | Linda Forsén | ADR Editor |
| Sound | Fredrik Stålne | Sound Re-Recording Mixer |
| Visual Effects | Mike Kelt | Special Effects Supervisor |
| Costume & Make-Up | Alex King | Hairstylist |
| Crew | Toby Lloyd | Visual Effects Editor |
| Camera | Christopher Raphael | Still Photographer |
| Art | Geraint Powell | Set Decoration |
| Camera | Danielle Lomas | Epk Camera Operator |
| Costume & Make-Up | Marese Langan | Hair Designer |
| Production | Nicky Earnshaw | Production Manager |
| Lighting | Dan Lowe | Rigging Gaffer |
| Crew | Liam Byrne | Armorer |
| Crew | Lucia Foster Found | Aerial Coordinator |
| Crew | Dan Osborne | Armorer |
| Lighting | Mark Stibbs | Rigging Grip |
| Editing | Chris Gill | Editor |
| Camera | Malcolm Huse | Key Grip |
| Costume & Make-Up | Luan Placks | Costume Supervisor |
| Visual Effects | Patrick Macdonald | 3D Artist |
| Camera | John Attwell | Steadicam Operator |
| Sound | Jennie Evans | ADR Editor |
| Sound | Niklas Skarp | Sound Effects Editor |
| Sound | Joakim Sundström | Supervising Sound Editor |
| Crew | James Clark | Video Assist Operator |
| Art | Crispian Sallis | Production Design |
| Visual Effects | Emma Symes | Visual Effects Producer |
| Lighting | Jim Beeby | Gaffer |
| Camera | Daniel Smith | Still Photographer |
| Production | Vanessa Baker | ADR Voice Casting |
| Costume & Make-Up | Marese Langan | Makeup Designer |
| Sound | Ulf Olausson | Foley |
| Production | Stuart Ford | Executive Producer |
| Production | Ridley Scott | Executive Producer |
| Production | Vicki Cherkas | Co-Executive Producer |
| Production | Andrew Warren | Co-Producer |
| Production | Molly Conners | Executive Producer |
| Production | Jan Pace | Executive Producer |
| Production | Christopher Woodrow | Executive Producer |
| Production | Daniel LeBlanc | Co-Executive Producer |
| Production | Liza Marshall | Executive Producer |
| Production | Ronald Guttman | Co-Executive Producer |
| Production | Hakan Kousetta | Co-Executive Producer |
| Production | Maria Cestone | Executive Producer |
| Production | Xavier Marchand | Executive Producer |
| Production | Jack Arbuthnott | Co-Producer |
| Production | Sarah E. Johnson | Executive Producer |
| Production | James Atherton | Executive Producer |
| Sound | Colin Nicolson | Sound Mixer |
