Max (Gibson) wordt beroofd van al zijn bezittingen en kan nog net de stad Bartertown bereiken, die gerund wordt door Aunt Entity (Turner). Hij sluit een deal met Entity en vecht namens haar in de Thunderdome, een kooi waarin gevechten op leven en dood worden gehouden. Entity belazert hem en gooit hem de woestijn in. Met hulp van een groep kinderen die hij bij een oase vindt, gaat Max weer terug naar Bartertown, om met Entity af te rekenen.
Nee, helaas is Mad Max 3 nog niet beschikbaar op Netflix in Nederland.
| Editing | Richard Francis-Bruce | Editor |
| Art | Graham 'Grace' Walker | Production Design |
| Writing | Terry Hayes | Screenplay |
| Directing | George Miller | Director |
| Production | Alison Barrett | Casting |
| Production | George Miller | Producer |
| Sound | Maurice Jarre | Original Music Composer |
| Writing | George Miller | Screenplay |
| Camera | Dean Semler | Director of Photography |
| Directing | George Ogilvie | Director |
| Visual Effects | Michael Wood | Special Effects Supervisor |
| Costume & Make-Up | Norma Moriceau | Costume Design |
| Production | Doug Mitchell | Co-Producer |
| Production | Terry Hayes | Co-Producer |
| Production | Antonia Barnard | Production Manager |
| Production | Su Armstrong | Executive In Charge Of Production |
| Production | Steve Amezdroz | Associate Producer |
| Production | Marcus D'Arcy | Associate Producer |
| Art | Anni Browning | Art Direction |
| Sound | Roger Savage | Sound Supervisor |
| Sound | Bruce Lamshed | Sound Designer |
| Directing | Steve E. Andrews | First Assistant Director |
| Directing | Stuart Freeman | First Assistant Director |
| Directing | Chris Webb | Second Assistant Director |
| Directing | Ian Kenny | Second Assistant Director |
| Directing | Murray Robertson | Third Assistant Director |
| Directing | Ian Freeman | Third Assistant Director |
| Directing | Daphne Paris | Script Supervisor |
| Production | Mike Fenton | Casting |
| Production | George Mannix | Location Manager |
| Camera | Irvine G. McLaughlin | Key Grip |
| Camera | Pat Nash | Grip |
| Costume & Make-Up | Julie Frankham | Seamstress |
| Costume & Make-Up | Rosalina Da Silva | Makeup Artist |
| Costume & Make-Up | Helen Evans | Makeup Artist |
| Costume & Make-Up | Elizabeth Ann Fardon | Key Makeup Artist |
| Costume & Make-Up | Cheryl Newton | Wigmaker |
| Art | Martin O'Neill | Set Decoration |
| Sound | Joe Spinelli | Boom Operator |
| Sound | Lloyd Carrick | Sound Recordist |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Editing | Louise Innes | First Assistant Editor |
| Editing | Claire O'Brien | First Assistant Editor |
| Sound | Tim Jordan | Dialogue Editor |
| Sound | Karin Whittington | Dialogue Editor |
| Sound | Annabelle Sheehan | Dialogue Editor |
| Sound | Frank Lipson | Sound Effects Editor |
| Sound | Craig Carter | Sound Effects Editor |
| Sound | Tim Chau | Sound Effects Editor |
| Camera | Jim Sheldon | Still Photographer |
| Crew | Steve Courtley | Special Effects Coordinator |
| Crew | Billy Malcolm | Key Scenic Artist |
| Crew | Ray Pedler | Scenic Artist |
| Crew | Grant Page | Stunt Coordinator |
| Crew | Marijke Rikki van Gyen | Stunts |
| Crew | Spike Cherrie | Stunts |
| Crew | Zenda Graves | Stunts |
| Crew | Rangi Nikora | Stunts |
| Crew | Ian Lind | Stunts |
