Het is 2050. Kate Bowman leidt de belangrijkste missie van de 21ste eeuw: het voortbestaan van het menselijke ras. Ter voorbereiding van de kolonisatie gaat Bowman met haar crew naar Mars om de gebreken te herstellen van het Mars Terraforming Project.
Nee, helaas is Red Planet nog niet beschikbaar op Netflix in Nederland.
| Editing | Robert K. Lambert | Editor |
| Production | Jorge Saralegui | Producer |
| Production | Andrew Mason | Executive Producer |
| Sound | Graeme Revell | Original Music Composer |
| Directing | Antony Hoffman | Director |
| Writing | Jonathan Lemkin | Screenplay |
| Production | Chuck Pfarrer | Executive Producer |
| Editing | Dallas Puett | Editor |
| Camera | Peter Suschitzky | Director of Photography |
| Production | Bruce Berman | Producer |
| Production | Mark Canton | Producer |
| Writing | Chuck Pfarrer | Screenplay |
| Costume & Make-Up | Kym Barrett | Costume Design |
| Production | Lora Kennedy | Casting |
| Crew | Rachel Wyn Dunn | Compositors |
| Production | Charles J.D. Schlissel | Executive Producer |
| Production | Stephen Jones | Associate Producer |
| Art | Steve Riera | Art Department Assistant |
| Art | Gavin Jones | Sculptor |
| Camera | Richard Bradshaw | First Assistant Camera |
| Costume & Make-Up | Erica Wells | Hairstylist |
| Lighting | Gary Hill | Rigging Gaffer |
| Production | Dick Beckett | Location Manager |
| Sound | Eric Lindemann | Sound Effects Editor |
| Visual Effects | Steve Markowski | Animation Supervisor |
| Crew | Scott Oshita | Machinist |
| Costume & Make-Up | Paul Engelen | Makeup Artist |
| Crew | Fiona Searson | Unit Publicist |
| Sound | Wolfgang Amadeus | Scoring Mixer |
| Art | David Russell | Production Illustrator |
| Crew | Mike Hardison | CG Supervisor |
| Art | Brian Dusting | Set Decoration |
| Art | Fiona Donovan | Set Designer |
| Crew | John Suhr | Transportation Coordinator |
| Lighting | Tom Stanger | Electrician |
| Lighting | Andy Rennie | Rigging Grip |
| Production | Bill Draper | Executive In Charge Of Production |
| Sound | Rod Conder | Boom Operator |
| Sound | Ashley Revell | Music Editor |
| Visual Effects | Thomas Boland | Visual Effects Producer |
| Production | Paul Messer | Unit Manager |
| Art | John Pickering | Construction Coordinator |
| Directing | Sophie Fabbri-Jackson | Script Supervisor |
| Sound | Thom Brennan | Foley |
| Art | Owen Paterson | Production Design |
| Art | David Monzingo | Painter |
| Camera | Jasin Boland | Still Photographer |
| Costume & Make-Up | John Casey | Costume Supervisor |
| Production | Vicki Popplewell | Production Manager |
| Sound | Tim Simonec | Orchestrator |
| Visual Effects | Kenneth Au | Digital Compositors |
| Visual Effects | Cosmas Paul Bolger Jr. | Visual Effects Supervisor |
| Crew | Jerry Weil | Digital Effects Supervisor |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Visual Effects | Rodney Burke | Special Effects Supervisor |
| Crew | Guy Norris | Stunt Coordinator |
| Crew | Damian Bradford | Stunts |
| Sound | Paul 'Salty' Brincat | Production Sound Mixer |
| Sound | Eric Cameron Hosmer | Sound Editor |
| Visual Effects | Mark Kochinski | 3D Supervisor |
| Crew | Suzanne Lowe | Digital Producer |
| Art | Hugh Bateup | Art Direction |
| Visual Effects | Tony Anderson | Visual Effects |
| Crew | Debbi Bossi | Post Production Supervisor |
| Visual Effects | Jack Geist | Visual Effects Coordinator |
| Production | Stephen Jones | Unit Production Manager |
| Crew | Gus Duron | Visual Effects Editor |
| Crew | Jay Torta | Loader |
| Crew | Peta Black | Scenic Artist |
| Crew | Tom Davies | Special Effects Coordinator |
| Sound | Nancy Barker | First Assistant Sound Editor |
| Camera | Pete Cavaciuti | Steadicam Operator |
| Crew | Ben Farris | Systems Administrators & Support |
| Crew | Dave Heazlewood | Transportation Captain |
| Art | Catherine Mansill | Art Direction |
| Art | Constantine Sekeris | Conceptual Design |
| Camera | Mitchell Amundsen | Camera Operator |
| Camera | Ray Brown | Grip |
| Costume & Make-Up | Jeanne DuPont | Assistant Costume Designer |
| Crew | Brett Praed | Utility Stunts |
| Production | Daniel R. Chavez | Executive In Charge Of Post Production |
| Production | Lorelle Adamson | Production Coordinator |
| Sound | Dane A. Davis | Sound Designer |
| Production | Gary Jones | Production Accountant |
| Editing | David Orr | Color Timer |
| Sound | Chad Algarin | Sound Recordist |
| Sound | Andrew Lackey | Sound Effects Designer |
| Sound | Joe Dorn | Supervising ADR Editor |
| Sound | Richard Adrian | Sound Effects Designer |
| Directing | Colin Fletcher | First Assistant Director |
| Directing | Graeme Burfoot | Second Unit Director |
| Sound | Jeremy Peirson | Sound Effects Editor |
| Sound | Stephanie Flack | Supervising Dialogue Editor |
| Sound | Julia Evershade | Supervising Sound Editor |
| Editing | Mark Bourgeois | Assistant Editor |
| Production | John Follmer | Head of Production |
| Production | Cian O'Clery | Production Runner |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Camera | Jean-Yves Le Poulain | Assistant Camera |
| Sound | Jeffrey Pollack | Music Consultant |
| Costume & Make-Up | Brenda Donoho | Key Costumer |
| Art | Liz van den Berg | Set Painter |
| Production | Simon Lucas | Assistant Unit Manager |
| Lighting | Peter Bushby | Chief Lighting Technician |
| Costume & Make-Up | Lois DeArmond | Costume Illustrator |
| Art | Timothy Burgard | Storyboard Artist |
| Production | Ray Scalice | General Manager |
| Visual Effects | Erin M. Cullen | Roto Supervisor |
| Production | Rutie Blum | Additional Casting |
| Visual Effects | Constance Bracewell | Lead Animator |
| Sound | Paul Haslinger | Music Programmer |
| Directing | Noni Roy | Assistant Director |
| Art | Brad Diebert | Standby Carpenter |
| Camera | Illya Smith | Additional Grip |
| Editing | Mo Henry | Negative Cutter |
| Production | Jacqueline King | Assistant Production Coordinator |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Sound | Carolyn Tapp | Foley Recordist |
| Visual Effects | Ramprasad Sampath | Visual Effects Technical Director |
| Visual Effects | Feliciano di Giorgio | Compositing Supervisor |
| Production | Mandy Butler | First Assistant Accountant |
| Camera | Ian Bird | Best Boy Grip |
| Lighting | Matt Buchan | Assistant Chief Lighting Technician |
| Costume & Make-Up | Clare Howie | Costume Assistant |
| Art | Niamh Murphy | Textile Artist |
| Crew | Dave Barkovitz | Special Effects Technician |
| Production | Patrick Plummer | Assistant Accountant |
| Visual Effects | Christian Hatfield | CG Artist |
| Costume & Make-Up | Vera Mitchell | Hairdresser |
| Visual Effects | Lynne Cartwright | Additional Visual Effects |
| Sound | Mary Jo Lang | Foley Mixer |
| Production | Jo Pinter | Production Secretary |
| Directing | Giovanni Pacialeo | Third Assistant Director |
| Crew | Adam Khamis | Special Effects Assistant |
| Camera | Steve Harding | Dolly Grip |
| Production | Jake Richter | Casting Assistant |
| Production | Abbie Mawhinney | Production Assistant |
| Production | Michael Taylor | Production Executive |
| Crew | Laura Sivis | Security Coordinator |
| Sound | Alyson Dee Moore | Foley Artist |
| Visual Effects | Kelly L'Estrange | Visual Effects Production Manager |
| Crew | Annette van Moorsel | Stunt Double |
| Production | Vicky Roper | Extras Casting |
| Camera | Katrina Crook | First Assistant "A" Camera |
| Camera | Jem Rayner | First Assistant "B" Camera |
| Camera | Geoffrey Wharton | Second Unit Director of Photography |
| Camera | Harry Panagiotidis | Steadicam Operator |
| Camera | Randy Nolen | Steadicam Operator |
| Camera | Aron Walker | Dolly Grip |
| Camera | Greg Tuohy | Dolly Grip |
| Art | Fletcher Moules | Props |
