Het vliegtuig van piloot Keller (Powell) ontploft door een bom. Keller wordt als enige overlevende gevonden. Hij is verbaasd en kan niet begrijpen hoe hij het enorme ongeluk heeft overleefd. Keller schakelt de hulp in van een medium, omdat hij geplaagd wordt door beelden van mensen die zijn omgekomen. Dan sterft iedereen die aan het onderzoek heeft meegeholpen. Zal Keller de volgende zijn?
Nee, helaas is The Survivor nog niet beschikbaar op Netflix in Nederland.
| Writing | James Herbert | Novel |
| Directing | David Hemmings | Director |
| Writing | David Ambrose | Screenplay |
| Art | Bernard Hides | Production Design |
| Editing | Tony Paterson | Editor |
| Camera | John Seale | Director of Photography |
| Production | Antony I. Ginnane | Producer |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Sound | Brian May | Original Music Composer |
| Production | William Fayman | Executive Producer |
| Production | Jane Scott | Associate Producer |
| Crew | Billy Malcolm | Scenic Artist |
| Crew | Dennis Hunt | Stunt Coordinator |
| Camera | Robert Verkerk | Assistant Grip |
| Sound | Bruce Lamshed | Sound Editor |
| Crew | Simon Perton | Generator Operator |
| Camera | Peter Moss | Camera Operator |
| Camera | Daro Gunzberg | Clapper Loader |
| Lighting | Nick Morris | Gaffer |
| Camera | Mike Giddens | Still Photographer |
| Costume & Make-Up | Sash Lamey | Hairstylist |
| Art | Lee Carey | Construction Foreman |
| Camera | Jan Kenny | Focus Puller |
| Sound | Jack Friedman | Boom Operator |
| Camera | Martin Turner | Assistant Camera |
| Camera | Ross Erickson | Key Grip |
| Art | Owen Paterson | Property Buyer |
| Art | Dennis Smith | Construction Foreman |
| Art | Peter Templeton | Construction Foreman |
| Lighting | Sam Bienstock | Electrician |
| Art | Herbert Pinter | Construction Coordinator |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Tim Lloyd | Sound Recordist |
| Costume & Make-Up | Jill Porter | Makeup Artist |
| Art | Virginia Bieneman | Assistant Art Director |
| Crew | Steve Courtley | Propmaker |
| Camera | Robin Morgan | Grip |
| Camera | Geoff Tanner | Assistant Camera |
| Lighting | Reg Garside | Best Boy Electric |
| Production | Tim Sanders | Location Manager |
| Writing | Russell Hagg | Script Editor |
| Directing | Caroline Stanton | Script Supervisor |
| Crew | Lynette Thorburn | Unit Publicist |
| Lighting | Graeme Shelton | Electrician |
| Crew | Richard Boué | Stunts |
| Crew | Michael Read | Stunts |
| Sound | Roger Savage | Recording Supervision |
| Art | Owen Paterson | Set Dresser |
| Crew | William Fayman | Presenter |
| Editing | Arthur Cambridge | Color Grading |
| Editing | Margaret Cardin | Negative Cutter |
| Crew | Glenn Boswell | Stunts |
| Production | Jennifer Barty | Production Secretary |
| Directing | Marshall Crosby | Third Assistant Director |
| Crew | Claude Lambert | Stunts |
| Production | Janene Knight | Production Assistant |
| Production | Catherine Barber | Production Accountant |
| Art | John Carroll | Props |
| Crew | Vic Wilson | Special Effects |
| Visual Effects | Roger Cowland | Visual Effects |
| Crew | Laurence Myers | Presenter |
| Crew | Antony I. Ginnane | Presenter |
| Crew | Marijke Rikki van Gyen | Stunts |
| Crew | Chris Murray | Special Effects |
| Directing | Steve E. Andrews | Second Assistant Director |
| Sound | Brian May | Conductor |
| Editing | Carmen Galán | Assistant Editor |
| Crew | Mont Fieguth | Special Effects Assistant |
| Directing | Mark Egerton | First Assistant Director |
| Costume & Make-Up | Heather McLaren | Wardrobe Assistant |
| Costume & Make-Up | Stirling Cooper | Dresser |
| Art | Herbert Pinter | Construction Manager |
| Crew | Ian Scarffe | Stand In |
