Wanneer de liefdevolle moeder van vier geadopteerde jongens wordt omgelegd, keren de vier mannen terug naar Detroit waar ze de moord op hun adoptiemoeder trachten te wreken.
| Writing | David Elliot | Writer |
| Production | Kimberly Hardin | Casting |
| Editing | Billy Fox | Editor |
| Writing | Paul Lovett | Writer |
| Editing | Bruce Cannon | Editor |
| Sound | David Arnold | Original Music Composer |
| Production | Lorenzo di Bonaventura | Producer |
| Camera | Peter Menzies Jr. | Director of Photography |
| Directing | John Singleton | Director |
| Costume & Make-Up | Ruth E. Carter | Costume Design |
| Production | Erik Howsam | Executive Producer |
| Art | Keith Brian Burns | Production Design |
| Sound | Paul Stewart | Music Supervisor |
| Production | Ric Kidney | Executive Producer |
| Camera | George Kraychyk | Still Photographer |
| Sound | Larry Kemp | Sound Effects Editor |
| Art | Phillip Tellez | Construction Coordinator |
| Crew | Ed Shearmur | Additional Music |
| Costume & Make-Up | Jennifer Bower O'Halloran | Hairstylist |
| Production | Ric Kidney | Unit Production Manager |
| Art | Clive Thomasson | Set Decoration |
| Editing | Justin Bourret | Additional Editing |
| Production | Fred Kamping | Location Manager |
| Art | Rudy Braun | Set Designer |
| Sound | Greg Hedgepath | Supervising Sound Editor |
| Crew | Terra Abroms | Post Production Supervisor |
| Sound | Glen Gauthier | Sound Mixer |
| Directing | Samantha Armstrong | Script Supervisor |
| Sound | Steve Switzer | Boom Operator |
| Crew | Scott Janush | Visual Effects Editor |
| Sound | Robb Boyd | Music Editor |
| Art | Michael Shocrylas | Set Designer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Camera | Angelo Colavecchia | Camera Operator |
| Visual Effects | David Neil Trifunovich | Special Effects Supervisor |
| Costume & Make-Up | Leslie A. Sebert | Makeup Artist |
| Production | Sabine Graham | Production Coordinator |
| Sound | Richard Adrian | Sound Effects Editor |
| Production | Michelle Adams | Casting Associate |
| Visual Effects | Dennis Berardi | Visual Effects Supervisor |
| Visual Effects | Fiona Campbell Westgate | Visual Effects Producer |
| Sound | Dan DiPrima | Music Editor |
| Art | Andrew M. Stearn | Art Direction |
| Camera | Angelo Colavecchia | Steadicam Operator |
| Costume & Make-Up | Linda Petty | Costume Supervisor |
| Production | Robin D. Cook | Casting |
| Crew | Karen Pidgurski | Unit Publicist |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Production | Lyn Lucibello | Production Manager |
| Visual Effects | Allen Maris | Visual Effects Producer |
| Sound | Mark Larry | Sound Effects Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Vic Radulich | Dialogue Editor |
| Sound | Bobbi Banks | Supervising ADR Editor |
| Sound | Simon Coke | Dialogue Editor |
| Art | Deryck Blake | Property Master |
| Sound | Jeremy Pitts | Foley Editor |
| Sound | Thomas W. Small | Foley Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Valerie Davidson | Foley Editor |
| Sound | Frank Smathers | Supervising Dialogue Editor |
| Sound | Mike Szakmeister | Dialogue Editor |
| Sound | Kimberly Lowe Voigt | ADR Editor |
| Sound | Mark Johnston | Sound Recordist |
| Sound | Jonathan Klein | Foley Editor |
| Costume & Make-Up | Donald Mowat | Makeup Artist |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Desmond Campbell | Stunts |
| Crew | Alison Reid | Stunts |
| Directing | Doug Coleman | Second Unit Director |
| Crew | Gilbert B. Combs | Stunts |
| Crew | Henry Kingi Jr. | Stunts |
