Alicia Tate, moeder van twee en 16 jaar getrouwd, wordt verliefd op de saxofoon-speler Joe. Voor haar pijnlijke rug gaat ze naar Dr. Yang, een oriëntaalse kruidendokter die ontdekt dat de problemen niet door haar rug komen, maar door haar geestelijke toestand. Dr. Yang's magische kruiden geven Alice speciale krachten, die haar uit de dagelijkse sleur weten te halen.
Nee, helaas is Alice nog niet beschikbaar op Netflix in Nederland.
| Editing | Susan E. Morse | Editor |
| Production | Robert Greenhut | Producer |
| Camera | Carlo Di Palma | Director of Photography |
| Art | Santo Loquasto | Production Design |
| Directing | Woody Allen | Director |
| Costume & Make-Up | Jeffrey Kurland | Costume Design |
| Production | Juliet Taylor | Casting |
| Art | Susan Bode Tyson | Set Decoration |
| Writing | Woody Allen | Screenplay |
| Production | Jack Rollins | Executive Producer |
| Production | Charles H. Joffe | Executive Producer |
| Production | Thomas A. Reilly | Associate Producer |
| Production | Jonathan Filley | Assistant Production Manager |
| Production | Helen Robin | Co-Producer |
| Directing | Richard Patrick | Second Assistant Director |
| Directing | Thomas A. Reilly | First Assistant Director |
| Production | Jane Read Martin | Associate Producer |
| Production | Joseph Hartwick | Production Manager |
| Production | Joseph Hartwick | Co-Producer |
| Directing | Kay Chapin | Script Supervisor |
| Production | Helen Robin | Production Coordinator |
| Art | Speed Hopkins | Art Direction |
| Camera | Michael Caracciolo | Second Assistant Camera |
| Camera | Brian Hamill | Still Photographer |
| Art | Glenn Lloyd | Art Department Coordinator |
| Camera | Dick Mingalone | Camera Operator |
| Camera | Michael Green | Assistant Camera |
| Production | Ellen Lewis | Casting Associate |
| Art | Dave Weinman | Set Dresser |
| Art | Ron Petagna Sr. | Construction Coordinator |
| Crew | Cosmo Sorice | Scenic Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Costume & Make-Up | Romaine Greene | Hairstylist |
| Art | James Mazzola | Property Master |
| Editing | Mark Livolsi | Assistant Editor |
| Camera | Robert Ward | Key Grip |
| Art | Joseph A. Alfieri Jr. | Standby Carpenter |
| Sound | Louis Sabat | Boom Operator |
| Art | Vincent Guarriello | Key Construction Grip |
| Costume & Make-Up | Donna Zakowska | Assistant Costume Designer |
| Costume & Make-Up | Patricia Eiben | Wardrobe Supervisor |
| Editing | William Kruzykowski | Assistant Editor |
| Sound | Tony Martinez | Sound Editor |
| Costume & Make-Up | Lauren Gibson | Costume Assistant |
| Crew | Peter Tavis | Transportation Captain |
| Sound | Frank Graziadei | Sound Recordist |
| Sound | Jay Rabinowitz | Assistant Sound Editor |
| Art | Antoine Douaihy | Location Scout |
| Crew | James Sorice | Key Scenic Artist |
| Sound | James Sabat | Production Sound Mixer |
| Costume & Make-Up | Fern Buchner | Makeup Artist |
| Camera | Jim Vecchio | Camera Trainee |
| Production | Dana Robin | Location Manager |
| Art | James A. Davis | Location Scout |
| Crew | Carl Turnquest | Projection |
| Camera | Ronald Burke | Dolly Grip |
| Lighting | Ray Quinlan | Gaffer |
| Lighting | Jim Manzione | Best Boy Electric |
| Sound | Robert Hein | Supervising Sound Editor |
| Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
| Sound | Sylvia Menno | Assistant Sound Editor |
| Art | Megan Monaghan | Location Scout |
| Art | Jody Banks | Location Scout |
| Costume & Make-Up | Eric Mendelsohn | Costume Assistant |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Production | Justin Moritt | Production Assistant |
| Production | Laura Rosenthal | Casting Assistant |
| Production | Judie Fixler | Additional Casting |
| Crew | Harold 'Whitey' McEvoy | Transportation Captain |
| Production | Jerry Caron | Assistant Production Coordinator |
| Crew | Scott Schaffer | Craft Service |
| Production | Danielle Rigby | Production Assistant |
| Production | Todd M. Thaler | Additional Casting |
