Terwijl hij het aangrenzende bos verkent, ontdekt de 13-jarige John een onafgemaakte bunker: een diep gat in de grond. Schijnbaar zonder enige provocatie drogeert hij zijn welvarende ouders en oudere zus en sleept hun bewusteloze lichamen de bunker in, waar hij ze gevangen houdt. Terwijl ze angstig wachten tot John hen uit het gat bevrijdt, keert de jongen terug naar huis, waar hij eindelijk kan doen wat hij wil.
Nee, helaas is John and the Hole nog niet beschikbaar op Netflix in Nederland.
| Directing | Pascual Sisto | Director |
| Sound | Jeremy Eisener | Sound Mixer |
| Production | P. Jennifer Dana | Executive Producer |
| Production | Nicolás Giacobone | Producer |
| Production | Phil Hoelting | Executive Producer |
| Production | Ross Jacobson | Executive Producer |
| Production | Alex Orlovsky | Producer |
| Production | Tony Pachella | Executive Producer |
| Production | Marco Vicini | Executive Producer |
| Production | Elika Portnoy | Producer |
| Production | Fernando Tsai | Co-Executive Producer |
| Editing | Sara Shaw | Editor |
| Camera | Chris Malenfant | Second Assistant Camera |
| Directing | Frankie Ferrari | Script Supervisor |
| Crew | Greg Bernstein | Legal Services |
| Crew | Mary-Ling Gregory | Production Office Assistant |
| Crew | Russ Riggins | Other |
| Art | Jacqueline Abrahams | Production Design |
| Costume & Make-Up | Alex Bovaird | Costume Designer |
| Production | Heather Whitty | Casting |
| Sound | Kelly Gallanar | Boom Operator |
| Editing | Thomas Emmet Ashton | Editorial Services |
| Camera | Paul Ozgur | Director of Photography |
| Costume & Make-Up | Jen Bennett | Key Costumer |
| Editing | Michael Maida | Editorial Production Assistant |
| Production | Elliott Adkins | Production Coordinator |
| Production | Angela Peri | Casting |
| Art | Alexander Linde | Art Direction |
| Costume & Make-Up | Maya Landi | Makeup Department Head |
| Production | Rowan Riley | Co-Producer |
| Production | Sam Slater | Co-Producer |
| Production | Michael Bowes | Producer |
| Production | Teddy Pryor | Key Set Production Assistant |
| Sound | Caterina Barbieri | Original Music Composer |
| Visual Effects | Thomas Marinello | Visual Effects |
| Sound | Jaime Baksht | Sound Re-Recording Mixer |
| Sound | Nicolas Becker | Sound Designer |
| Sound | Carlos Cortés Navarrete | Sound Re-Recording Mixer |
| Sound | Michelle Couttolenc | Sound Re-Recording Mixer |
| Sound | Beau Emory | ADR Mixer |
| Sound | Elliot Hartley | ADR Mixer |
| Directing | David Ketterer Spencer | First Assistant Director |
| Production | Jessica Kelly | Casting |
| Crew | John Vincent Mason | Stunt Coordinator |
| Camera | Cheyenne Capri | Camera Loader |
| Camera | Felix Giuffrida | First Assistant Camera |
| Camera | Zachary Green | Grip |
| Lighting | Ben Heald | Gaffer |
| Lighting | Zachariah Suto | Best Boy Electric |
| Editing | Sam Daley | Colorist |
| Production | E.K.M. Watson | Location Manager |
| Sound | Joe Rudge | Music Consultant |
| Production | Pascual Sisto | Executive Producer |
| Production | Mark Roberts | Executive Producer |
| Writing | Nicolás Giacobone | Short Story |
| Writing | Nicolás Giacobone | Screenplay |
| Sound | Maria Carolina Santana Caraballo-Gramcko | Assistant Dialogue Editor |
| Production | Jake Swartz | Production Secretary |
