Drie verhalen verkennen de liefde in alle vormen. In 'Two for Dinner' ontdekt het getrouwde koppel Chris en Joanne een onconventionele manier om met behulp van de technologie de lange afstand tussen hen te overbruggen. Ook Diana en John zijn in 'Sailing Lesson' als getrouwd stel op verkenningstocht. Tijdens een zeiltrip pogen ze hun bruidsweken van weleer te herbeleven. In 'Late Lunch' tenslotte nodigt Caroline de vrienden van haar net overleden moeder uit.
Nee, helaas is Love Is Love Is Love nog niet beschikbaar op Netflix in Nederland.
| Production | Fred Roos | Casting |
| Camera | Mihai Malaimare Jr. | Director of Photography |
| Sound | Laura Karpman | Original Music Composer |
| Camera | Toby Irwin | Director of Photography |
| Editing | Robert Schafer | Editor |
| Production | Adriana Rotaru | Producer |
| Production | Anahid Nazarian | Producer |
| Camera | Hiro Narita | Director of Photography |
| Writing | Eleanor Coppola | Screenplay |
| Writing | Karen Leigh Hopkins | Screenplay |
| Camera | Alex Blum | Best Boy Grip |
| Sound | Corryn Deegan | Sound Assistant |
| Costume & Make-Up | Anaiis Cisco | Costume Assistant |
| Production | Peter Moody | Location Manager |
| Costume & Make-Up | Kekepania Vasquez-Tamali'i | Hair Department Head |
| Art | Willem Zumwalt | Property Master |
| Costume & Make-Up | Jillian Johns | Costumer |
| Costume & Make-Up | Molly Irelan | Costume Assistant |
| Costume & Make-Up | Kristen Kirchen | Key Hair Stylist |
| Sound | Michael Primmer | Boom Operator |
| Costume & Make-Up | Lisa Poe | Makeup Artist |
| Camera | Dyanna Taylor | Camera Operator |
| Lighting | Eric Blum | Gaffer |
| Costume & Make-Up | Antoinette Yoka | Key Makeup Artist |
| Costume & Make-Up | Elizabeth Fox | Makeup Artist |
| Directing | Paula Lima | First Assistant Director |
| Camera | Paciano Triunfo | Key Grip |
| Directing | Hilton Jamal Day | Second Assistant Director |
| Sound | Brian Copenhagen | Sound Mixer |
| Production | Nathan Burgett | Production Assistant |
| Crew | James Beaumonte | Thanks |
| Sound | Bart Samolis | Musician |
| Sound | Rita Wilson | Theme Song Performance |
| Sound | Mona Tavakoli | Musician |
| Sound | Rita Wilson | Music Producer |
| Crew | Paula Tracy-Smuin | Choreographer |
| Sound | Colin W. Guthrie | Sound Supervisor |
| Camera | Kalman Muller | Still Photographer |
| Sound | Pete Horner | Sound Designer |
| Sound | Kim Foscato | Dialogue Editor |
| Crew | Andrei Zincă | Thanks |
| Art | Elisa Tanaka | Title Designer |
| Crew | Stefan Wanigatunga | Thanks |
| Sound | John Yoakum | Musician |
| Sound | Laura Karpman | Musician |
| Production | Nancy DeMerritt | Production Accountant |
| Crew | Sarah Bylsma | Choreographer |
| Sound | Lori Andrews | Musician |
| Production | Courtney Garcia | Production Assistant |
| Production | Gwendolyn Infusino | Production Manager |
| Camera | Jeremy Wong | Second Assistant Camera |
| Camera | Paul Marbury | First Assistant Camera |
| Camera | Roxanne Fischer | Camera Intern |
| Directing | Liv Li | Second Second Assistant Director |
| Production | George Hope | Art Department Production Assistant |
| Editing | Gary Coates | Colorist |
| Costume & Make-Up | Josie Rodriguez | Makeup Department Head |
| Crew | Clare Kirkconnell | Thanks |
| Sound | Darrell Brown | Music Producer |
| Costume & Make-Up | Shawn Burke | Makeup & Hair |
| Camera | John Parson | Second Assistant Camera |
| Camera | Jared Nangle | Digital Imaging Technician |
| Editing | Liz Bird | Editorial Consultant |
| Camera | Jeremy Wong | First Assistant Camera |
| Lighting | Drew Nelson | Gaffer |
| Production | Jenny Nigro | Production Assistant |
| Crew | George Hayum | Legal Services |
| Camera | Roxanne Fischer | Second Assistant Camera |
| Production | Courtney Garcia | Production Coordinator |
| Camera | Andy Bertelson | Key Grip |
| Camera | Paul Parson | Best Boy Grip |
| Crew | Anthony Vetter | Thanks |
| Lighting | Jeff Renlie | Gaffer |
| Art | Willem Zumwalt | Assistant Art Director |
| Camera | Chris Strauser | First Assistant Camera |
| Crew | John Lockwood | Thanks |
| Camera | Mike Booth | Key Grip |
| Production | Coleman Burke | Production Assistant |
| Sound | Colin W. Guthrie | Sound Recordist |
| Crew | David Hopp | Thanks |
| Visual Effects | George Hope | Visual Effects |
| Crew | Janet Folk | Thanks |
| Crew | Gordon Wang | Thanks |
| Crew | Jack Childs | Thanks |
| Production | Willem Zumwalt | Production Assistant |
| Crew | Masa Tsuyuki | Thanks |
| Crew | Andrea Bechard | Thanks |
| Editing | Ryan Bozajian | Colorist |
| Crew | John Polley | Thanks |
| Crew | Glen Scantlebury | Thanks |
| Sound | Colin W. Guthrie | Sound Re-Recording Mixer |
| Sound | Pete Horner | Sound Re-Recording Mixer |
| Writing | Eleanor Coppola | Story |
| Production | Fred Roos | Executive Producer |
| Art | Barbara Munch | Art Direction |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Designer |
| Art | Jimmy DiMarcellis | Art Direction |
| Costume & Make-Up | Jacqui Getty | Costume Designer |
| Directing | Eleanor Coppola | Director |
| Sound | Nora Kroll-Rosenbaum | Scoring Mixer |
| Sound | Brad Haehnel | Scoring Mixer |
| Sound | Chris Lord Alge | Scoring Mixer |
| Writing | Laura Karpman | Lyricist |
| Writing | Rita Wilson | Lyricist |
| Crew | David Hopp | Other |
