Drie verhalen verkennen de liefde in alle vormen. In 'Two for Dinner' ontdekt het getrouwde koppel Chris en Joanne een onconventionele manier om met behulp van de technologie de lange afstand tussen hen te overbruggen. Ook Diana en John zijn in 'Sailing Lesson' als getrouwd stel op verkenningstocht. Tijdens een zeiltrip pogen ze hun bruidsweken van weleer te herbeleven. In 'Late Lunch' tenslotte nodigt Caroline de vrienden van haar net overleden moeder uit.
Nee, helaas is Love Is Love Is Love nog niet beschikbaar op Netflix in Nederland.
| Production | Adriana Rotaru | Producer |
| Production | Anahid Nazarian | Producer |
| Camera | Hiro Narita | Director of Photography |
| Production | Fred Roos | Casting |
| Camera | Mihai Malaimare Jr. | Director of Photography |
| Camera | Toby Irwin | Director of Photography |
| Editing | Robert Schafer | Editor |
| Sound | Laura Karpman | Original Music Composer |
| Writing | Karen Leigh Hopkins | Screenplay |
| Writing | Eleanor Coppola | Screenplay |
| Camera | Paciano Triunfo | Key Grip |
| Costume & Make-Up | Kristen Kirchen | Key Hair Stylist |
| Directing | Hilton Jamal Day | Second Assistant Director |
| Sound | Brian Copenhagen | Sound Mixer |
| Production | Peter Moody | Location Manager |
| Sound | Corryn Deegan | Sound Assistant |
| Costume & Make-Up | Anaiis Cisco | Costume Assistant |
| Directing | Paula Lima | First Assistant Director |
| Camera | Alex Blum | Best Boy Grip |
| Costume & Make-Up | Elizabeth Fox | Makeup Artist |
| Camera | Roxanne Fischer | Camera Intern |
| Lighting | Eric Blum | Gaffer |
| Production | Gwendolyn Infusino | Production Manager |
| Camera | Dyanna Taylor | Camera Operator |
| Sound | Michael Primmer | Boom Operator |
| Camera | Jeremy Wong | Second Assistant Camera |
| Costume & Make-Up | Josie Rodriguez | Makeup Department Head |
| Directing | Liv Li | Second Second Assistant Director |
| Camera | Paul Marbury | First Assistant Camera |
| Art | Willem Zumwalt | Property Master |
| Costume & Make-Up | Lisa Poe | Makeup Artist |
| Crew | Andrei Zincă | Thanks |
| Sound | Mona Tavakoli | Musician |
| Sound | Darrell Brown | Music Producer |
| Crew | Paula Tracy-Smuin | Choreographer |
| Sound | Laura Karpman | Musician |
| Production | Jenny Nigro | Production Assistant |
| Editing | Liz Bird | Editorial Consultant |
| Crew | Clare Kirkconnell | Thanks |
| Production | Nancy DeMerritt | Production Accountant |
| Production | George Hope | Art Department Production Assistant |
| Crew | Sarah Bylsma | Choreographer |
| Sound | Pete Horner | Sound Designer |
| Sound | Lori Andrews | Musician |
| Crew | Stefan Wanigatunga | Thanks |
| Sound | Colin W. Guthrie | Sound Supervisor |
| Sound | John Yoakum | Musician |
| Art | Elisa Tanaka | Title Designer |
| Sound | Rita Wilson | Theme Song Performance |
| Crew | George Hayum | Legal Services |
| Costume & Make-Up | Jillian Johns | Costumer |
| Costume & Make-Up | Molly Irelan | Costume Assistant |
| Costume & Make-Up | Antoinette Yoka | Key Makeup Artist |
| Costume & Make-Up | Kekepania Vasquez-Tamali'i | Hair Department Head |
| Production | Nathan Burgett | Production Assistant |
| Editing | Gary Coates | Colorist |
| Crew | James Beaumonte | Thanks |
| Sound | Bart Samolis | Musician |
| Camera | Kalman Muller | Still Photographer |
| Sound | Kim Foscato | Dialogue Editor |
| Production | Courtney Garcia | Production Assistant |
| Sound | Rita Wilson | Music Producer |
| Art | Willem Zumwalt | Assistant Art Director |
| Crew | David Hopp | Thanks |
| Camera | Andy Bertelson | Key Grip |
| Camera | Roxanne Fischer | Second Assistant Camera |
| Camera | Mike Booth | Key Grip |
| Visual Effects | George Hope | Visual Effects |
| Camera | Chris Strauser | First Assistant Camera |
| Camera | John Parson | Second Assistant Camera |
| Costume & Make-Up | Shawn Burke | Makeup & Hair |
| Sound | Colin W. Guthrie | Sound Recordist |
| Camera | Jeremy Wong | First Assistant Camera |
| Lighting | Drew Nelson | Gaffer |
| Production | Courtney Garcia | Production Coordinator |
| Production | Coleman Burke | Production Assistant |
| Camera | Paul Parson | Best Boy Grip |
| Camera | Jared Nangle | Digital Imaging Technician |
| Crew | Anthony Vetter | Thanks |
| Lighting | Jeff Renlie | Gaffer |
| Crew | John Lockwood | Thanks |
| Editing | Ryan Bozajian | Colorist |
| Crew | Glen Scantlebury | Thanks |
| Crew | Andrea Bechard | Thanks |
| Production | Willem Zumwalt | Production Assistant |
| Crew | Janet Folk | Thanks |
| Crew | Gordon Wang | Thanks |
| Crew | Masa Tsuyuki | Thanks |
| Crew | Jack Childs | Thanks |
| Crew | John Polley | Thanks |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Designer |
| Sound | Pete Horner | Sound Re-Recording Mixer |
| Art | Barbara Munch | Art Direction |
| Sound | Colin W. Guthrie | Sound Re-Recording Mixer |
| Art | Jimmy DiMarcellis | Art Direction |
| Production | Fred Roos | Executive Producer |
| Writing | Eleanor Coppola | Story |
| Costume & Make-Up | Jacqui Getty | Costume Designer |
| Directing | Eleanor Coppola | Director |
| Sound | Nora Kroll-Rosenbaum | Scoring Mixer |
| Sound | Brad Haehnel | Scoring Mixer |
| Sound | Chris Lord Alge | Scoring Mixer |
| Writing | Laura Karpman | Lyricist |
| Writing | Rita Wilson | Lyricist |
| Crew | David Hopp | Other |
