Yvan De Wiel is een privébankier uit Genève. In de jaren 80 trekt hij te midden van een dictatuur naar Argentinië om er op zoek te gaan naar zijn zakenpartner, die spoorloos is verdwenen. Tijdens zijn verblijf stuit Yvan op illegale praktijken waarin zijn bank een aandeel heeft.
Nee, helaas is Azor nog niet beschikbaar op Netflix in Nederland.
| Production | Simone Bosshart | Production Manager |
| Art | Gisela Zicarelli | Assistant Art Director |
| Sound | Philippe Penot | Foley Artist |
| Sound | Paul Courlet | Original Music Composer |
| Costume & Make-Up | Katrine Zingg | Makeup Department Head |
| Production | Denise Brion | Assistant Production Manager |
| Sound | Pierre Collodin | Boom Operator |
| Costume & Make-Up | Simona Martínez | Costume Design |
| Directing | Lucas Outeda | Second Assistant Director |
| Crew | Billy Bains | Post Production Supervisor |
| Sound | Etienne Curchod | Sound Re-Recording Mixer |
| Production | Facundo Baldissera | Assistant Production Manager |
| Sound | Etienne Curchod | Sound Editor |
| Production | Cecilia Ventorutti | Assistant Production Manager |
| Art | Mercedes Sarmiento | Set Dresser |
| Costume & Make-Up | Lucas Perrone | Assistant Makeup Artist |
| Sound | Jérôme Cuendet | Dialogue Editor |
| Editing | Jürgen Kupka | Colorist |
| Production | Kévin Rousseau | Post Production Coordinator |
| Directing | Ana Laura Urriza | Second Assistant Director |
| Sound | Xavier Lavorel | Sound Recordist |
| Production | Typhaine Mauget | Production Assistant |
| Camera | Yanina Puntorello | Second Assistant Camera |
| Lighting | Guillermo Saposnik | Gaffer |
| Production | Tamara Savia | Assistant Location Manager |
| Lighting | Sebastián Mendelberg | Chief Lighting Technician |
| Lighting | Matías Lanatta | Electrician |
| Costume & Make-Up | Mariana Schurink | Assistant Costume Designer |
| Directing | Marcela Guelfi | Continuity |
| Camera | Alejo Giles | First Assistant Camera |
| Writing | Miguel Machalski | Script Consultant |
| Art | Sebastián Caldi | Location Scout |
| Lighting | Manuel Juncker | Best Boy Electric |
| Camera | Mariano Poleri | Digital Imaging Technician |
| Production | Martin Iturri | Location Manager |
| Lighting | Sergio Céliz | Genetator Operator |
| Lighting | Francisco Nishimoto | Electrician |
| Production | Billy Bains | Post Production Coordinator |
| Writing | Mariano Llinás | Writer |
| Crew | Kévin Rousseau | Post Production Supervisor |
| Directing | Andreas Fontana | Director |
| Production | David Epiney | Producer |
| Production | Violeta Bava | Co-Producer |
| Production | Rosa Martínez Rivero | Co-Producer |
| Production | Eugenia Mumenthaler | Producer |
| Camera | Gabriel Sandru | Director of Photography |
| Production | Alexandre Nazarian | Casting Director |
| Production | Nicolas Brevière | Co-Producer |
| Directing | Marcello Pozzo | First Assistant Director |
| Writing | Andreas Fontana | Writer |
| Production | María Laura Berch | Casting Director |
| Lighting | Silvia Fafa Fierz | Gaffer |
| Art | Ana Cambre | Art Direction |
| Editing | Nicolas Desmaison | Editor |
