Luik, de jaren 30. De vijftiger Albert neemt beroepshalve de zorg over de twaalfjarige Mia op zich. Voornamelijk haar gebit vergt meerdere keren per dag extra aandacht. De twee leven alleen in een groot appartement waar Mia zich 24 uur per dag ophoudt en waar de rolluiken steeds neergelaten zijn. Elk dag is hetzelfde, net als de wekelijkse telefoontjes van een man die naar de gezondheid van het meisje vraagt. Maar op een dag krijgt Albert het verzoek om het meisje naar Parijs te brengen.
Nee, helaas is Earwig nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Sound | Ken Yasumoto | Sound Designer |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Visual Effects | Denis Bedlow | VFX Editor |
| Writing | Lucile Hadzihalilovic | Screenplay |
| Writing | Geoff Cox | Screenplay |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Editing | Adam Finch | Editor |
| Production | Christophe Hollebeke | Executive Producer |
| Production | Amélie Jacquis | Producer |
| Art | Julia Irribarria | Production Design |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Art | Julien Dubourg | Art Direction |
| Art | Julia Irribarria | Art Direction |
| Art | Jeanne Fonsny | Set Decoration |
| Production | Anne-Laure Declerck | Production Assistant |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Sound | Warren Ellis | Original Music Composer |
| Sound | Augustin Viard | Original Music Composer |
| Production | Sebastiàn Moradiellos | Casting |
| Production | Nanw Rowlands | Casting |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Production | Serge Catoire | Production Manager |
| Directing | Maéva Buisse | First Assistant Director |
| Directing | Adèle Edwards | Third Assistant Director |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Théodore Brisset | Props |
| Art | Julien Dubourg | Assistant Art Director |
| Art | Laurent Gooris | Construction Manager |
| Art | Amandine Grafé | Graphic Designer |
| Art | Emilie Nelis-Culot | Decorator |
| Art | Louise Toby | Assistant Property Master |
| Sound | Matt Coster | ADR Recordist |
| Sound | Jo Masset | ADR Supervisor |
| Sound | Laurence Morel | Boom Operator |
| Sound | Bruno Schweisguth | Sound Mixer |
| Sound | Olivier Thys | Foley Artist |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Crew | Olivier Bisback | Stunt Coordinator |
| Crew | Barbara Hellemans | Stunt Double |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Directing | Lucile Hadzihalilovic | Director |
| Writing | Brian Catling | Novel |
| Production | Jean des Forêts | Producer |
| Production | Andrew Starke | Producer |
