Luik, de jaren 30. De vijftiger Albert neemt beroepshalve de zorg over de twaalfjarige Mia op zich. Voornamelijk haar gebit vergt meerdere keren per dag extra aandacht. De twee leven alleen in een groot appartement waar Mia zich 24 uur per dag ophoudt en waar de rolluiken steeds neergelaten zijn. Elk dag is hetzelfde, net als de wekelijkse telefoontjes van een man die naar de gezondheid van het meisje vraagt. Maar op een dag krijgt Albert het verzoek om het meisje naar Parijs te brengen.
Nee, helaas is Earwig nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Anne Moralis | Makeup Designer |
| Visual Effects | Denis Bedlow | VFX Editor |
| Sound | Ken Yasumoto | Sound Designer |
| Sound | Benoît Biral | Sound Re-Recording Mixer |
| Writing | Geoff Cox | Screenplay |
| Writing | Lucile Hadzihalilovic | Screenplay |
| Editing | Adam Finch | Editor |
| Camera | Jonathan Ricquebourg | Director of Photography |
| Art | Julien Dubourg | Art Direction |
| Production | Amélie Jacquis | Producer |
| Production | Christophe Hollebeke | Executive Producer |
| Art | Julia Irribarria | Art Direction |
| Costume & Make-Up | Jackye Fauconnier | Costume Design |
| Art | Julia Irribarria | Production Design |
| Art | Jeanne Fonsny | Set Decoration |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Serge Catoire | Production Manager |
| Art | Emilie Nelis-Culot | Decorator |
| Visual Effects | Murray Barber | Special Effects Supervisor |
| Visual Effects | Robin Stuart Cape | Compositing Supervisor |
| Directing | Charlène Sales | Second Assistant Director |
| Art | Louise Toby | Assistant Property Master |
| Costume & Make-Up | Mathilde Wallez | Makeup Artist |
| Sound | Warren Ellis | Original Music Composer |
| Production | Anne-Laure Declerck | Production Assistant |
| Production | Sebastiàn Moradiellos | Casting |
| Art | Laurent Gooris | Construction Manager |
| Sound | Bruno Schweisguth | Sound Mixer |
| Visual Effects | MJ Cunha | Rotoscoping Artist |
| Sound | Jo Masset | ADR Supervisor |
| Costume & Make-Up | Robert Smedt | Key Hair Stylist |
| Sound | Matt Coster | ADR Recordist |
| Sound | Laurence Morel | Boom Operator |
| Art | Amandine Grafé | Graphic Designer |
| Sound | Olivier Thys | Foley Artist |
| Visual Effects | Sefian Benssalem | Special Effects Supervisor |
| Visual Effects | Sam Lucas | Modelling Supervisor |
| Production | Cassandre Warnauts | Co-Producer |
| Sound | Nicolas Becker | Original Music Composer |
| Costume & Make-Up | Roz Gomersall | Prosthetic Supervisor |
| Art | Théodore Brisset | Props |
| Art | Julien Dubourg | Assistant Art Director |
| Visual Effects | Henning Glabbart | Digital Compositor |
| Costume & Make-Up | Lionel Le | Special Effects Makeup Artist |
| Directing | Celine Jacqmin | Additional Second Assistant Director |
| Visual Effects | Murray Barber | Visual Effects Supervisor |
| Directing | Maéva Buisse | First Assistant Director |
| Sound | Augustin Viard | Original Music Composer |
| Directing | Adèle Edwards | Third Assistant Director |
| Crew | Barbara Hellemans | Stunt Double |
| Production | Nanw Rowlands | Casting |
| Crew | Olivier Bisback | Stunt Coordinator |
| Visual Effects | Amy Felce | Matchmove Supervisor |
| Costume & Make-Up | Dan Martin | Prosthetic Designer |
| Crew | Gaspar Noé | Thanks |
| Directing | Lucile Hadzihalilovic | Director |
| Production | Andrew Starke | Producer |
| Production | Jean des Forêts | Producer |
| Writing | Brian Catling | Novel |
