De Amerikaanse diamantliefhebber Wanda en haar vriendje Otto zijn in Engeland om samen met George en Ken een diamantroof voor te bereiden. Wanda en Otto willen de buit voor zichzelf houden, en informeren de politie over George. Ze weten echter niet dat hij de diamanten al op een geheimde plek verborgen heeft. Wanda denkt dat de beste manier om achter de verstopplaats te komen is om aan te pappen met George's advocaat Archie Leach.
Nee, helaas is A Fish Called Wanda nog niet beschikbaar op Netflix in Nederland.
| Directing | Charles Crichton | Director |
| Production | Steve Abbott | Executive Producer |
| Production | John Cleese | Executive Producer |
| Production | Michael Shamberg | Producer |
| Sound | John Du Prez | Original Music Composer |
| Camera | Alan Hume | Director of Photography |
| Editing | John Jympson | Editor |
| Production | Priscilla John | Casting |
| Art | Roger Murray-Leach | Production Design |
| Art | Stephenie McMillan | Set Decoration |
| Costume & Make-Up | Hazel Pethig | Costume Design |
| Sound | Jonathan Bates | Sound Editor |
| Sound | Colin Wood | Boom Operator |
| Art | John Wood | Art Direction |
| Camera | Neil Binney | Camera Operator |
| Camera | Simon Hume | Focus Puller |
| Camera | Jimmy Waters | Grip |
| Camera | Graham Hall | Clapper Loader |
| Editing | William Webb | Assistant Editor |
| Costume & Make-Up | Ray Usher | Wardrobe Master |
| Costume & Make-Up | Steve Cornish | Wardrobe Assistant |
| Costume & Make-Up | Jenny Hawkins | Wardrobe Assistant |
| Costume & Make-Up | Lynda Armstrong | Makeup Artist |
| Costume & Make-Up | Barry Richardson | Hairdresser |
| Directing | Melvin Lind | Second Assistant Director |
| Directing | David Skynner | Third Assistant Director |
| Production | Sophie Clarke-Jervoise | Executive Producer's Assistant |
| Production | Alexandra Stone | Producer's Assistant |
| Production | Peter Byck | Producer's Assistant |
| Production | Ralph Kamp | Production Assistant |
| Production | Liz Lehmans | Production Assistant |
| Production | Andy Birmingham | Production Accountant |
| Production | Yvonne Heeks | Assistant Accountant |
| Production | William Lang | Location Manager |
| Production | Christopher Knowles | Assistant Location Manager |
| Production | Nick Daubeny | Location Manager |
| Art | Roy Evans | Construction Manager |
| Art | Alfie Smith | Standby Property Master |
| Art | Brian Read | Property Buyer |
| Lighting | Bobby Bremner | Gaffer |
| Lighting | Bill Thornhill | Best Boy Electric |
| Writing | John Cleese | Writer |
| Writing | Charles Crichton | Story |
| Sound | Chris Munro | Sound Recordist |
| Camera | David James | Still Photographer |
| Directing | Diana Dill | Continuity |
| Production | Janine Modder | Production Coordinator |
| Sound | Peter Holt | Music Editor |
| Crew | Romo Gorrara | Stunt Coordinator |
| Costume & Make-Up | Paul Engelen | Makeup Supervisor |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Production | John Comfort | Associate Producer |
| Art | Bruce Bigg | Property Master |
| Art | David Allday | Set Designer |
