De Amerikaanse diamantliefhebber Wanda en haar vriendje Otto zijn in Engeland om samen met George en Ken een diamantroof voor te bereiden. Wanda en Otto willen de buit voor zichzelf houden, en informeren de politie over George. Ze weten echter niet dat hij de diamanten al op een geheimde plek verborgen heeft. Wanda denkt dat de beste manier om achter de verstopplaats te komen is om aan te pappen met George's advocaat Archie Leach.
Nee, helaas is A Fish Called Wanda nog niet beschikbaar op Netflix in Nederland.
| Directing | Charles Crichton | Director |
| Art | John Wood | Art Direction |
| Production | Priscilla John | Casting |
| Sound | Jonathan Bates | Sound Editor |
| Sound | John Du Prez | Original Music Composer |
| Editing | John Jympson | Editor |
| Sound | Colin Wood | Boom Operator |
| Art | Stephenie McMillan | Set Decoration |
| Costume & Make-Up | Hazel Pethig | Costume Design |
| Production | John Cleese | Executive Producer |
| Camera | Alan Hume | Director of Photography |
| Art | Roger Murray-Leach | Production Design |
| Production | Steve Abbott | Executive Producer |
| Production | Michael Shamberg | Producer |
| Production | Yvonne Heeks | Assistant Accountant |
| Lighting | Bobby Bremner | Gaffer |
| Camera | Simon Hume | Focus Puller |
| Costume & Make-Up | Lynda Armstrong | Makeup Artist |
| Costume & Make-Up | Ray Usher | Wardrobe Master |
| Production | Peter Byck | Producer's Assistant |
| Lighting | Bill Thornhill | Best Boy Electric |
| Production | Sophie Clarke-Jervoise | Executive Producer's Assistant |
| Production | Nick Daubeny | Location Manager |
| Production | Liz Lehmans | Production Assistant |
| Camera | Jimmy Waters | Grip |
| Costume & Make-Up | Barry Richardson | Hairdresser |
| Production | Christopher Knowles | Assistant Location Manager |
| Art | Roy Evans | Construction Manager |
| Art | Brian Read | Property Buyer |
| Directing | Melvin Lind | Second Assistant Director |
| Production | Alexandra Stone | Producer's Assistant |
| Costume & Make-Up | Jenny Hawkins | Wardrobe Assistant |
| Camera | Neil Binney | Camera Operator |
| Editing | William Webb | Assistant Editor |
| Production | William Lang | Location Manager |
| Costume & Make-Up | Steve Cornish | Wardrobe Assistant |
| Camera | Graham Hall | Clapper Loader |
| Directing | David Skynner | Third Assistant Director |
| Production | Ralph Kamp | Production Assistant |
| Production | Andy Birmingham | Production Accountant |
| Art | Alfie Smith | Standby Property Master |
| Sound | Peter Holt | Music Editor |
| Sound | Chris Munro | Sound Recordist |
| Crew | Romo Gorrara | Stunt Coordinator |
| Production | Janine Modder | Production Coordinator |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Camera | David James | Still Photographer |
| Directing | Diana Dill | Continuity |
| Production | John Comfort | Associate Producer |
| Costume & Make-Up | Paul Engelen | Makeup Supervisor |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Art | Bruce Bigg | Property Master |
| Art | David Allday | Set Designer |
| Writing | John Cleese | Story |
| Writing | Charles Crichton | Story |
| Writing | John Cleese | Screenplay |
