De Amerikaanse diamantliefhebber Wanda en haar vriendje Otto zijn in Engeland om samen met George en Ken een diamantroof voor te bereiden. Wanda en Otto willen de buit voor zichzelf houden, en informeren de politie over George. Ze weten echter niet dat hij de diamanten al op een geheimde plek verborgen heeft. Wanda denkt dat de beste manier om achter de verstopplaats te komen is om aan te pappen met George's advocaat Archie Leach.
Nee, helaas is A Fish Called Wanda nog niet beschikbaar op Netflix in Nederland.
| Directing | Charles Crichton | Director |
| Editing | John Jympson | Editor |
| Production | Michael Shamberg | Producer |
| Sound | John Du Prez | Original Music Composer |
| Production | Priscilla John | Casting |
| Sound | Jonathan Bates | Sound Editor |
| Costume & Make-Up | Hazel Pethig | Costume Design |
| Sound | Colin Wood | Boom Operator |
| Art | Stephenie McMillan | Set Decoration |
| Production | Steve Abbott | Executive Producer |
| Art | Roger Murray-Leach | Production Design |
| Art | John Wood | Art Direction |
| Production | John Cleese | Executive Producer |
| Camera | Alan Hume | Director of Photography |
| Production | Nick Daubeny | Location Manager |
| Costume & Make-Up | Ray Usher | Wardrobe Master |
| Costume & Make-Up | Jenny Hawkins | Wardrobe Assistant |
| Directing | Melvin Lind | Second Assistant Director |
| Camera | Simon Hume | Focus Puller |
| Camera | Neil Binney | Camera Operator |
| Production | Peter Byck | Producer's Assistant |
| Production | Liz Lehmans | Production Assistant |
| Editing | William Webb | Assistant Editor |
| Directing | David Skynner | Third Assistant Director |
| Camera | Jimmy Waters | Grip |
| Costume & Make-Up | Lynda Armstrong | Makeup Artist |
| Production | Christopher Knowles | Assistant Location Manager |
| Art | Roy Evans | Construction Manager |
| Art | Brian Read | Property Buyer |
| Lighting | Bill Thornhill | Best Boy Electric |
| Production | Andy Birmingham | Production Accountant |
| Lighting | Bobby Bremner | Gaffer |
| Art | Alfie Smith | Standby Property Master |
| Costume & Make-Up | Barry Richardson | Hairdresser |
| Production | Ralph Kamp | Production Assistant |
| Camera | Graham Hall | Clapper Loader |
| Production | Alexandra Stone | Producer's Assistant |
| Production | William Lang | Location Manager |
| Costume & Make-Up | Steve Cornish | Wardrobe Assistant |
| Production | Sophie Clarke-Jervoise | Executive Producer's Assistant |
| Production | Yvonne Heeks | Assistant Accountant |
| Writing | John Cleese | Writer |
| Writing | Charles Crichton | Story |
| Sound | Chris Munro | Sound Recordist |
| Camera | David James | Still Photographer |
| Production | Janine Modder | Production Coordinator |
| Sound | Peter Holt | Music Editor |
| Directing | Diana Dill | Continuity |
| Crew | Romo Gorrara | Stunt Coordinator |
| Art | Bruce Bigg | Property Master |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Production | John Comfort | Associate Producer |
| Costume & Make-Up | Paul Engelen | Makeup Supervisor |
| Art | David Allday | Set Designer |
