Kelly Carter werkt in Parijs als garderobe-medewerkster voor de beroemde mode-ontwerper Francesco. Stiekem droomt ze ervan schoenen voor hem te ontwerpen, maar hij weet nauwelijks van haar bestaan af. Dan ontmoet ze een goede fee, die haar schoenen zo betovert dat ze wanneer ze het paar aantrekt, verandert in het fotomodel Prudence. Op het bal dat Francesco geeft, valt ze hem onmiddellijk op, maar hoe kan ze hem van haar echte persoon laten houden?
Nee, helaas is If the Shoe Fits nog niet beschikbaar op Netflix in Nederland.
| Directing | Tom Clegg | Director |
| Writing | Madeline Di Maggio | Writer |
| Writing | Pamela Wallace | Writer |
| Directing | Fabienne Borie | Second Assistant Director Trainee |
| Camera | Jean-René Duveau | Clapper Loader |
| Camera | Jane-Louise Buillard | Still Photographer |
| Production | Celina Blanc-Lacombe | Extras Casting |
| Directing | Sophie Baren | Script Supervisor |
| Sound | Emmanuel Augeard | Assistant Sound Editor |
| Sound | Sid Ali Kasmi | Assistant Sound Editor |
| Production | Vanessa Jerrom | Publicist |
| Production | Françoise Menidrey | Casting Director |
| Production | Françoise Lehérissey | Production Supervisor |
| Production | Jean-François Pierrard | Production Manager |
| Camera | Yves Chahuneau | Focus Puller |
| Sound | Henri Humbert | Sound Effects |
| Art | Robert Le Corre | Set Decoration |
| Sound | Dominique Schmit | Assistant Sound Editor |
| Directing | Marie Guiraud | Second Assistant Director |
| Directing | Charlotte Ane | Second Assistant Director Trainee |
| Sound | Sam Cohen | Boom Operator |
| Lighting | Erick Caillet | Gaffer |
| Sound | Martine Mory | Sound Editor |
| Art | Frederik Dajas | Art Department Trainee |
| Sound | Patricia Yvanes | Assistant Sound Editor |
| Sound | Alain Curvelier | Sound Engineer |
| Camera | Yvon Sausseau | Key Grip |
| Costume & Make-Up | Jean-Charles Bachelier | Hairstylist |
| Production | Pierrick Le Pochat | Assistant Location Manager |
| Production | Florence Maugeais | Production Accountant |
| Crew | Roger Baltzer | Post Production Supervisor |
| Art | Coyotte | Props |
| Costume & Make-Up | Carole Lasnier | Makeup Trainee |
| Sound | Neil Walwer | Sound Mixer |
| Art | Nathalie Bonnet | Art Department Trainee |
| Sound | Hubert Bougis | Orchestrator |
| Lighting | Pascal Naudin | Best Boy Electric |
| Lighting | Lionel Bailly | Best Boy Electric |
| Crew | Michel Boissy | Generator Operator |
| Crew | Jean-Paul Gaultier | Thanks |
| Art | Claude Bouvard | Art Direction |
| Production | Sylvie Pesch | Production Trainee |
| Lighting | Mikaël Monod | Best Boy Electric |
| Costume & Make-Up | Virginia Vogwill | Costumer |
| Costume & Make-Up | Catherine Damiani | Makeup Artist |
| Camera | Michel Anquetil | Grip |
| Editing | Suzanne Lang-Willar | Editor |
| Editing | Magalie Tate | Assistant Editor |
| Crew | Henri Habans | Lighting Camera |
| Production | Danielle Brunschwig | Production Secretary |
| Crew | Jean-Claude Lagniez | Stunts |
| Directing | Pascal Deux | First Assistant Director |
| Art | Jean-Pierre Chevalier | Swing |
| Production | Bruno Hervieu | Location Manager |
| Writing | Timothy Prager | Screenplay |
| Sound | Didier Vasseur | Original Music Composer |
| Production | Daniel Marquet | Executive Producer |
| Production | Monique Annaud | Producer |
| Costume & Make-Up | Lyvia D'Alche | Costume Designer |
| Costume & Make-Up | Claude Petin | Costume Designer |
