De vrijgezelle broers Phil en George Burbank zijn welgestelde landeigenaren uit Montana. De een is een geleerde alleskunner, de ander een stille werker, maar beiden hebben gemeen dat ze alom gerespecteerd worden. Na een incident dat tot de dood van de lokale arts leidt, groeien diens weduwe Rose en George naar elkaar toe. Het paar trouwt in het geheim waardoor de loyaliteit tussen de broers op de helling komt te staan.
Ja! de film The Power of the Dog is nu beschikbaar om te kijken op Netflix in Nederland.
| Directing | Jane Campion | Director |
| Writing | Thomas Savage | Novel |
| Production | Tanya Seghatchian | Producer |
| Production | Emile Sherman | Producer |
| Production | Iain Canning | Producer |
| Production | Rose Garnett | Executive Producer |
| Production | Simon Gillis | Executive Producer |
| Production | John Woodward | Executive Producer |
| Sound | Jonny Greenwood | Original Music Composer |
| Production | Roger Frappier | Producer |
| Production | Jane Campion | Producer |
| Camera | Ari Wegner | Director of Photography |
| Editing | Peter Sciberras | Editor |
| Production | Nikki Barrett | Casting |
| Production | Tina Cleary | Casting |
| Production | Nina Gold | Casting |
| Art | Grant Major | Production Design |
| Art | Matt Austin | Art Direction |
| Art | Nick Connor | Art Direction |
| Art | George Hamilton | Art Direction |
| Art | Mark Robins | Supervising Art Director |
| Art | Amber Richards | Set Decoration |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Sound | Richard Flynn | Sound Mixer |
| Sound | Dave Whitehead | Sound Designer |
| Sound | Mario Vaccaro | Foley Artist |
| Sound | Robert Mackenzie | Supervising Sound Editor |
| Sound | Owen Grieve | ADR Recordist |
| Visual Effects | Rui Li | Visual Effects |
| Visual Effects | Jason Hawkins | Visual Effects Supervisor |
| Sound | Tara Webb | Sound Effects Editor |
| Visual Effects | Alison Ingram | Visual Effects Producer |
| Art | Ben Whale | Set Dresser |
| Sound | Mick Boraso | Sound Editor |
| Visual Effects | Flavia Dias Riley | Visual Effects Producer |
| Costume & Make-Up | Alice Baker | Costume Supervisor |
| Art | Sarah Cathie | Set Designer |
| Art | Daniel Koene | Set Designer |
| Art | Peter Long | Title Designer |
| Directing | Phil Jones | First Assistant Director |
| Directing | Renata Blaich | Second Assistant Director |
| Directing | Matt Johnston | Second Second Assistant Director |
| Crew | Ben Ruffell | Drone Operator |
| Camera | Kirsty Griffin | Still Photographer |
| Camera | Daniel Foeldes | First Assistant "A" Camera |
| Crew | Bryan Haas | Thanks |
| Production | Libby Sharpe | Co-Producer |
| Production | Chloe Smith | Co-Producer |
| Production | Phil Jones | Associate Producer |
| Costume & Make-Up | Noriko Watanabe | Makeup Designer |
| Costume & Make-Up | Noriko Watanabe | Hair Designer |
| Production | Chloe Smith | Line Producer |
| Production | Moira Grant | Unit Production Manager |
| Directing | Kathleen Thomas | Script Supervisor |
| Production | Steven McKinnon | Finance |
| Crew | Colleen Clarke | Post Production Supervisor |
| Camera | Grant Adams | Steadicam Operator |
| Camera | Grant Adams | Camera Operator |
| Camera | Grant Adams | Second Unit Director of Photography |
| Camera | Ben Rowsell | First Assistant "A" Camera |
| Camera | Henry West | First Assistant "B" Camera |
| Camera | Nick Willoughby | Second Assistant "A" Camera |
| Camera | Jimmy Bollinger | Second Assistant "B" Camera |
| Sound | Sandy Wakefield | Boom Operator |
| Lighting | Thad Lawrence | Gaffer |
| Lighting | Nicholas Riini | Best Boy Electric |
| Lighting | Merlin Wilford | Best Boy Electric |
| Lighting | Cilly Lawrence | Rigging Gaffer |
| Writing | Tanya Seghatchian | Script Consultant |
| Production | Carmen Cuba | Casting Consultant |
| Production | Linda Fenwick | Production Coordinator |
| Writing | Jane Campion | Writer |
