De koning van Bratenberg heeft de arme Tommi naar zijn hof gedeporteerd om voortaan de slaaf te zijn van zijn verwende zoon prins Boris. Als Tommi hoort dat zijn zus onschuldig gevangen zit, ontsnapt hij samen met prins Boris om haar te redden. Onderweg vallen de twee jongens in de klauwen van twee gemene schurken.
Nee, helaas is The Whipping Boy nog niet beschikbaar op Netflix in Nederland.
| Production | Gerhard Schmidt | Producer |
| Directing | Sydney Macartney | Director |
| Production | Marty Eli Schwartz | Line Producer |
| Costume & Make-Up | Birger Laube | Makeup Artist |
| Art | John Blezard | Production Design |
| Production | Andreas Bodenstein | Unit Production Manager |
| Production | Frank Döhmann | Executive In Charge Of Production |
| Production | Georges Campana | Co-Producer |
| Production | Jean-Claude Marchant | Line Producer |
| Crew | Rudolph Reinstadler | Scenic Artist |
| Production | Philip D. Fehrle | Executive Producer |
| Costume & Make-Up | Tiny Nicholls | Costume Design |
| Production | Carol Rubin | Executive In Charge Of Production |
| Sound | Mel Kutbay | Foley |
| Camera | Jeremy Hiles | Camera Operator |
| Lighting | Klaus Peter Venn | Gaffer |
| Production | Ursula Schlieper | Production Accountant |
| Writing | Albert Sidney Fleischman | Teleplay |
| Art | Norbert Scherer | Production Design |
| Writing | Albert Sidney Fleischman | Novel |
| Production | Glenn R. Jones | Executive Producer |
| Production | Gerhard Schmidt | Executive Producer |
| Art | Simon Wakefield | Set Decoration |
| Production | Andreas Grosch | Line Producer |
| Crew | Eliane Huss | Property Master |
| Production | Ellen Freyer | Producer |
| Sound | Lee Holdridge | Music |
| Camera | Clive Tickner | Director of Photography |
| Editing | Sean Barton | Editor |
| Production | Allan Foenander | Casting |
| Costume & Make-Up | Linda Mooney | Makeup Department Head |
| Camera | Klaus Liebertz | Steadicam Operator |
| Sound | Raymond Meyer | Boom Operator |
| Sound | Bernhard Maisch | Foley |
| Sound | Max Rammler-Rogall | Sound Re-Recording Mixer |
| Production | Anne-Marie Billon | Production Accountant |
| Editing | Andreas Lemke | Assistant Editor |
| Art | Heike Jödicke | Assistant Art Director |
| Sound | Joo Fürst | Foley |
| Sound | Lothar Segeler | Sound Effects Editor |
| Camera | Astrid Wirth | Still Photographer |
| Production | Sylvie Brocheré | Casting |
| Sound | Bettina McCall | ADR & Dubbing |
| Production | Margot Luneau | Location Manager |
| Crew | Andreas Well | Carpenter |
| Camera | Claus Dörner | Grip |
| Camera | Markus Später | Grip |
| Lighting | Andreas Theiner | Electrician |
| Editing | Hansjörg Weißbrich | Assistant Editor |
| Sound | Andrea Bella | Sound Editor |
| Sound | Wolfgang Wirtz | Sound Mixer |
| Editing | Hans-Gabriel Bergmann | Color Timer |
| Sound | Ira Hearshen | Orchestrator |
| Lighting | Bernd Niggeschulze | Electrician |
| Crew | Isabelle Gautier | Transportation Coordinator |
| Production | Pascal Maillard | Location Manager |
| Crew | Marty Eli Schwartz | Stunts |
| Lighting | Thomas Brügge | Electrician |
| Production | Dorothee Specht | Production Coordinator |
| Production | Horst Scheel | Casting |
