De dagen van grote roem zijn voorbij voor de 72-jarige Buddy Young Jr.. In de jaren 60 een groot komiek met een eigen TV show, maar tegenwoordig slechts optredend voor een handjevol bejaardendie hem nog kennen uit zijn glorie-tijd. Wanneer zijn broer Stan, die al die jaren zijn manager is geweest, besluit om met pensioen te gaan, staat Buddy er helemaal alleen voor. De hevig teleurgestelde Buddy is echter niet van plan om bij de pakken neer te gaan zitten, en stelt alles in het werk om nog eenmaal voor het grote publiek te schitteren.
Nee, helaas is Mr. Saturday Night nog niet beschikbaar op Netflix in Nederland.
| Directing | Billy Crystal | Director |
| Writing | Billy Crystal | Writer |
| Writing | Babaloo Mandel | Writer |
| Writing | Lowell Ganz | Writer |
| Camera | Michael Anderson | Grip |
| Camera | Donald Peterman | Director of Photography |
| Directing | Marion Tumen | Script Supervisor |
| Production | Billy Crystal | Producer |
| Editing | Kent Beyda | Editor |
| Crew | Brian Burrows | Stunt Coordinator |
| Crew | Bernardo Hiller | Dialogue Coach |
| Directing | David Cass Jr. | Second Assistant Director |
| Art | Albert Brenner | Production Design |
| Production | Peter Schindler | Co-Producer |
| Production | Lowell Ganz | Executive Producer |
| Production | Pam Dixon | Casting |
| Costume & Make-Up | Ruth Myers | Costume Design |
| Production | Babaloo Mandel | Executive Producer |
| Costume & Make-Up | Peter Montagna | Hair Designer |
| Art | Carol Winstead Wood | Art Direction |
| Costume & Make-Up | Richard Sabre | Hairstylist |
| Costume & Make-Up | Chuck Velasco | Costume Supervisor |
| Art | Steve A. Hagberg | Construction Coordinator |
| Art | Dalia Taft | Art Department Coordinator |
| Costume & Make-Up | William A. Farley | Hair Designer |
| Costume & Make-Up | Steve LaPorte | Hair Designer |
| Costume & Make-Up | William A. Farley | Makeup Designer |
| Sound | Steve Bowerman | Boom Operator |
| Sound | Robert Grieve | Supervising Sound Editor |
| Camera | Calvin Sterry | Key Grip |
| Costume & Make-Up | Hazel Catmull | Hairstylist |
| Production | Deborah Houtsma | Post Production Accountant |
| Crew | Scott Crabbe | Video Assist Operator |
| Production | Caryn Richmond | Casting Assistant |
| Sound | Marc Shaiman | Original Music Composer |
| Editing | Wilt Henderson | Assistant Editor |
| Costume & Make-Up | Peter Montagna | Makeup Designer |
| Camera | Brad Peterman | Second Assistant Camera |
| Art | C.J. Maguire | Property Master |
| Visual Effects | David P. Kelsey | Special Effects Supervisor |
| Production | Gail Martin-Sheridan | Production Accountant |
| Lighting | Larry Freeman | Electrician |
| Production | Huw Davies | Location Manager |
| Camera | Randy Nolen | Steadicam Operator |
| Directing | Sean Hobin | Second Second Assistant Director |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Production | Cindy Franke | Assistant Production Coordinator |
| Crew | Robert Hunter Jr. | Transportation Coordinator |
| Crew | Jim Chesney | Driver |
| Costume & Make-Up | Steve LaPorte | Makeup Designer |
| Camera | Jay Peterman | First Assistant Camera |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Lighting | Kal Manning | Gaffer |
| Production | Joe Keeper | Post Production Accountant |
| Camera | Keith Peterman | Camera Operator |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Art | Douglas E. Maxwell | Leadman |
| Costume & Make-Up | Todd McIntosh | Makeup Artist |
| Costume & Make-Up | Marcie Olivi | Costumer |
| Camera | Donald L. Hartley | Dolly Grip |
| Art | Harold Fuhrman | Set Designer |
| Camera | Armando Contreras | Best Boy Grip |
| Crew | Michael Avallon | Driver |
| Sound | Stu Bernstein | Sound Editor |
| Sound | Michael Dressel | Sound Editor |
| Sound | Hummie Mann | Music Supervisor |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Costume & Make-Up | Robin Borman-Wizan | Costumer |
| Art | Arthur Gelb | Graphic Designer |
| Lighting | Randy Burgess | Rigging Grip |
| Production | Kelly Van Horn | Production Manager |
| Directing | Jim Chory | First Assistant Director |
| Art | Kathe Klopp | Set Decoration |
| Sound | Jeff Wexler | Production Sound Mixer |
| Costume & Make-Up | Richard Alonzo | Makeup Artist |
| Directing | Peter Schindler | Second Unit Director |
| Lighting | Ken M. Suzuki | Best Boy Electric |
| Lighting | Richard Hartley | Electrician |
| Editing | Thomas Calderon | Assistant Editor |
| Costume & Make-Up | Armand Coutu | Costumer |
| Camera | Bruce McBroom | Still Photographer |
| Lighting | Francis X. Valdez III | Rigging Gaffer |
| Crew | Ken Bellanca | Transportation Captain |
| Crew | James M. Dunne | Driver |
| Sound | Sherman Waze | Dialogue Editor |
| Sound | Jeanine Schaack | First Assistant Sound Editor |
| Sound | Madeleine Swift | Assistant Sound Editor |
| Sound | Mark McKenzie | Orchestrator |
| Sound | James Ashwill | Foley Mixer |
| Camera | Jay Michael Pearce | Grip |
| Camera | Tyrone Jackson | Grip |
| Crew | Craig T. Crowell | Transportation Captain |
| Editing | Mary Nelson | Negative Cutter |
| Sound | John Murray | Foley Supervisor |
| Sound | Scott Stambler | Music Supervisor |
| Crew | George Alden | Driver |
| Sound | Steve Mann | Sound Editor |
| Sound | Jessica Gallavan | Supervising ADR Editor |
| Sound | Rich Steven | Dialogue Editor |
| Sound | Roy Seeger | Assistant Sound Editor |
| Sound | Jonathan Klein | ADR Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Lighting | Rick Wilhoit | Electrician |
| Sound | Jennifer Portman | Apprentice Sound Editor |
| Sound | Robert L. Sephton | Sound Editor |
| Sound | Artie Kane | Conductor |
| Sound | Nerses Gezalyan | Foley Recordist |
| Camera | Traci Lashbrook | Camera Loader |
| Sound | David Jobe | ADR Recordist |
| Sound | Matt Patterson | Sound Recordist |
| Editing | Dale E. Grahn | Color Timer |
| Production | Lauren Ross | Location Manager |
| Art | Saul Bass | Title Designer |
