Italië tijdens de Tweede Wereldoorlog. Plaats van handeling: een afgelegen landhuis aan het Gardameer. Een hertog, een bankier, een politicus en een geestelijke laten negen jongens en negen meisjes bijeenbrengen. Terwijl drie courtisanes scabreuze verhalen vertellen ter inspiratie, vergrijpen de mannen zich op allerlei manieren aan de gevangenen. Een scala van sadistische en scatologische perversiteiten passeert de revue, uitmondend in een gruwelijke moordpartij waarbij de achttien jongens en meisjes worden doodgemarteld, terwijl de mannen om beurten met een verrekijker toekijken.
Nee, helaas is Salò o le 120 giornate di Sodoma nog niet beschikbaar op Netflix in Nederland.
| Sound | Arnaldo Graziosi | Musician |
| Costume & Make-Up | Vanni Castellani | Costume Assistant |
| Sound | Giuseppina Sagliano | Boom Operator |
| Directing | Fiorella Infascelli | Second Assistant Director |
| Production | Antonio Girasante | Production Manager |
| Production | Alberto De Stefanis | Unit Manager |
| Editing | Ugo De Rossi | Assistant Editor |
| Sound | Domenico Pasqua Di Bisceglie | Sound |
| Sound | Giorgio Loviscek | Sound |
| Sound | Massimo Anzellotti | Sound Effects Editor |
| Production | Angelo Zemella | Production Supervisor |
| Editing | Nino Baragli | Editor |
| Crew | Alberto Grimaldi | Presenter |
| Art | Osvaldo Desideri | Set Decoration |
| Directing | Pier Paolo Pasolini | Director |
| Sound | Fausto Ancillai | Sound Mixer |
| Art | Maria Teresa Barbasso | Draughtsman |
| Production | Renzo David | Production Supervisor |
| Production | Nico Naldini | Publicist |
| Production | Enzo Ocone | Post Production Coordinator |
| Camera | Tonino Delli Colli | Director of Photography |
| Camera | Emilio Bestetti | Camera Operator |
| Crew | Alfredo Tiberi | Special Effects |
| Writing | Donatien Alphonse François de Sade | Novel |
| Editing | Alfredo Menchini | Assistant Editor |
| Costume & Make-Up | Giusy Bovino | Hairstylist |
| Production | Alberto De Stefanis | Producer |
| Writing | Pier Paolo Pasolini | Writer |
| Art | Italo Tomassi | Painter |
| Costume & Make-Up | Alfredo Tiberi | Makeup Artist |
| Camera | Carlo Tafani | Camera Operator |
| Camera | Sandro Battaglia | First Assistant Camera |
| Costume & Make-Up | Osvaldo Desideri | Makeup Artist |
| Production | Alberto Grimaldi | Producer |
| Directing | Beatrice Banfi | Script Supervisor |
| Camera | Deborah Imogen Beer | Still Photographer |
| Production | Antonio Girasante | Producer |
| Directing | Umberto Angelucci | First Assistant Director |
| Production | Alessandro Mattei | Production Supervisor |
| Camera | Giancarlo Granatelli | Second Assistant Camera |
| Writing | Pupi Avati | Writer |
| Writing | Sergio Citti | Writer |
| Art | Dante Ferretti | Production Design |
| Costume & Make-Up | Danilo Donati | Costume Design |
| Sound | Ennio Morricone | Music Consultant |
| Production | Maurizio Forti | Administration |
| Production | Pietro Innocenti | Administration |
| Crew | Roland Barthes | Thanks |
| Crew | Maurice Blanchot | Thanks |
| Crew | Simone de Beauvoir | Thanks |
| Crew | Pierre Klossowski | Thanks |
| Crew | Philippe Sollers | Thanks |
| Sound | Ennio Morricone | Original Music Composer |
