Wanneer Will na een gewelddadige vechtpartij een mobiele telefoon vindt, verandert zijn leven geleidelijk aan in een nachtmerrie. Hij besluit de telefoon te houden totdat de rechtmatige eigenaar terugkeert en alles zal veranderen.
| Visual Effects | Brooke Lyndon-Stanford | Visual Effects Supervisor |
| Directing | Babak Anvari | Director |
| Production | Brian Pitt | Executive Producer |
| Production | Babak Anvari | Producer |
| Editing | Christopher Barwell | Editor |
| Production | Andrew Harvey | Executive Producer |
| Production | Christopher Kopp | Producer |
| Production | Lucan Toh | Producer |
| Production | Jillian Longnecker | Executive Producer |
| Visual Effects | Peter A. Chevako | Mechanical Designer |
| Costume & Make-Up | Meagan McLaughlin | Costume Design |
| Art | Kevin C. Lang | Art Direction |
| Writing | Babak Anvari | Writer |
| Art | Adam Willis | Set Decoration |
| Production | Mark Bennett | Casting |
| Art | Chad Keith | Production Design |
| Camera | Kit Fraser | Director of Photography |
| Production | Megan Ellison | Executive Producer |
| Costume & Make-Up | Vicki Vacca | Key Makeup Artist |
| Costume & Make-Up | Jennifer Jane | Key Hair Stylist |
| Costume & Make-Up | Ashley Treadaway | Makeup Department Head |
| Writing | Nathan Ballingrud | Author |
| Costume & Make-Up | Natalie Christine Johnson | Key Makeup Artist |
| Costume & Make-Up | Crystal Wells | Hair Department Head |
| Costume & Make-Up | Joe Hagg | On Set Dresser |
| Art | Adele Plauche | Set Designer |
| Crew | Kevin Beard | Stunt Coordinator |
| Camera | Michael Applebaum | Camera Operator |
| Lighting | Nick Kramer | Best Boy Electric |
| Crew | Zac Frognowski | Thanks |
| Art | Paulo DeFreitas Jr. | Storyboard Artist |
| Sound | Anna Sulley | Foley Recordist |
| Directing | Tiffany Tavares | Script Supervisor |
| Sound | Jack Bigelow | Boom Operator |
| Production | Theresa Hernandez | Casting Associate |
| Costume & Make-Up | Heidi Bannon | Set Costumer |
| Art | Angela Gail Schroeder | Set Decoration Buyer |
| Costume & Make-Up | Heidi Bannon | Costumer |
| Production | Jimi Woods | Location Manager |
| Sound | Claudia Sanchez Torres | Sound Assistant |
| Crew | Chelsea Bruland | Stunt Driver |
| Sound | Robert C. Bigelow | Sound Mixer |
| Sound | Jamie Gamache | Foley Recordist |
| Art | Laurie Fewell | Painter |
| Art | Niko Zahlten | Property Master |
| Costume & Make-Up | Emma Villere | Key Costumer |
| Sound | Roland Heap | Sound Re-Recording Mixer |
| Crew | Gregg Brazzel | Stunt Driver |
| Lighting | Eduardo Urueña | Rigging Grip |
| Crew | Liam Cullen-Brooks | Thanks |
| Sound | Simon Haupt | Sound Effects Editor |
| Crew | Ted Barba | Stunt Driver |
| Art | Bobby Masson | Location Scout |
| Sound | Kobi Quist | Sound Re-Recording Mixer |
| Production | Edward Hewitt Jr. | Casting Assistant |
| Costume & Make-Up | Rodney Williamson | Set Costumer |
| Art | Kelly Sweeney | Set Dresser |
| Lighting | James Langdon | Electrician |
| Crew | Tom McComas | Stunt Double |
| Production | Meagan Lewis | Location Casting |
| Camera | John Richie | Second Assistant Camera |
| Camera | Michele K. Short | Still Photographer |
| Sound | Jamie Gamache | Foley Editor |
| Sound | Marc Specter | Dialogue Editor |
| Sound | Becky Bentham | Music Supervisor |
| Sound | Karolina Jedrzejczyk | Foley Artist |
| Crew | Sean T. Daily | Thanks |
