In de nabije toekomst hebben wetenschappers en biologen via gentechnologie een plant gecreëerd. De zaadjes ervan zorgen ervoor dat in alle levende wezens die ermee in contact komen op psychologisch vlak veranderingen gewaar worden.
Nee, helaas is Little Joe nog niet beschikbaar op Netflix in Nederland.
| Production | Jessica Hausner | Producer |
| Directing | Jessica Hausner | Director |
| Production | Martin Gschlacht | Producer |
| Editing | Karina Ressler | Editor |
| Production | Bruno Wagner | Producer |
| Writing | Géraldine Bajard | Screenplay |
| Production | Jina Jay | Casting |
| Art | Katharina Wöppermann | Production Design |
| Camera | Martin Gschlacht | Director of Photography |
| Writing | Jessica Hausner | Screenplay |
| Sound | Erik Mischijew | Sound Designer |
| Costume & Make-Up | Tanja Hausner | Costume Designer |
| Production | Jessie Frost | Casting |
| Costume & Make-Up | Heiko Schmidt | Makeup Designer |
| Sound | Tobias Fleig | Sound Re-Recording Mixer |
| Sound | Malcolm Cromie | Sound Engineer |
| Sound | Matz Müller | Sound Designer |
| Art | Marko Waschke | Graphic Designer |
| Costume & Make-Up | Heiko Schmidt | Hair Designer |
| Sound | Martin Langenbach | Foley Artist |
| Directing | Florian Engelhardt | First Assistant Director |
| Art | Jessica Lind | Creative Director |
| Directing | Tanja Wolf | Script Supervisor |
| Camera | Stephan Ludescher | Grip |
| Art | Tom Kratz | Property Master |
| Sound | Matthias Kassmannhuber | Boom Operator |
| Production | Franziska Rauch | Production Coordinator |
| Costume & Make-Up | Martha Ruess | Makeup Artist |
| Lighting | Werner Stibitz | Gaffer |
| Art | David Myers | Property Master |
| Crew | Martin Repka | Post Production Supervisor |
| Visual Effects | Markus Kircher | Visual Effects Supervisor |
| Art | Anna-Maria Thönelt | Standby Property Master |
| Production | Lloyda Lawson | Production Coordinator |
| Production | Deborah Aston | Production Manager |
| Production | Rose Garnett | Executive Producer |
| Camera | Georg Schober | Dolly Grip |
| Art | Natalie Preston | Graphic Designer |
| Costume & Make-Up | Stephanie Elkins | Makeup Artist |
| Directing | Martin Joss | Second Assistant Director |
| Production | Jessica Lind | Researcher |
| Camera | Georg Schober | Grip |
| Art | Martin Butterworth | Property Master |
| Production | Ian Vasey | Location Manager |
| Directing | Heidi Gower | Third Assistant Director |
| Costume & Make-Up | Monika Fischer-Vorauer | Makeup Artist |
| Camera | Petro Domenigg | Still Photographer |
| Camera | Christa Armadea | Still Photographer |
| Art | Catiana Becker | Standby Property Master |
| Production | Vincent Gadelle | Executive Producer |
| Production | Neil Jones | Line Producer |
| Production | Mary Burke | Executive Producer |
| Art | Francesca Massariol | Art Direction |
| Crew | Elaine Ford | Stunt Coordinator |
| Production | Bertrand Faivre | Producer |
| Production | Michel Merkt | Executive Producer |
| Production | Philippe Bober | Producer |
| Camera | Stephan Ludescher | Dolly Grip |
| Camera | Chris Harris | Still Photographer |
| Production | Gerardine O'Flynn | Producer |
| Production | Marina Perales Marhuenda | Executive Producer |
| Art | Conrad Moritz Reinhardt | Art Direction |
| Art | Johann Wagner | Set Decoration |
| Production | Felix Wagner | Location Manager |
| Costume & Make-Up | Andi Meixner | Makeup Artist |
| Sound | Daff Parry | Boom Operator |
