Op oudjaarsavond in hotel Mon Signor in Los Angeles staat bediende Ted (Tim Roth) er helemaal alleen voor. Plotseling raakt hij dan verwikkeld in vier vreemde situaties. Als eerste komt hij in een kamer waar een groep heksen een ritueel willen uitvoeren, maar ze missen sperma. Vervolgens komt Ted in een kamer terecht waarin een gewapende man zijn vrouw op het bed heeft vastgebonden.
Nee, helaas is Four Rooms nog niet beschikbaar op Netflix in Nederland.
| Camera | Andrzej Sekuła | Director of Photography |
| Production | Quentin Tarantino | Executive Producer |
| Writing | Quentin Tarantino | Writer |
| Production | Alexandre Rockwell | Executive Producer |
| Writing | Allison Anders | Writer |
| Production | Russell Gray | Casting |
| Art | Gary Frutkoff | Production Design |
| Directing | Robert Rodriguez | Director |
| Art | Mayne Berke | Art Direction |
| Camera | Guillermo Navarro | Director of Photography |
| Editing | Robert Rodriguez | Editor |
| Directing | Alexandre Rockwell | Director |
| Editing | Margaret Goodspeed | Editor |
| Camera | Rodrigo García | Director of Photography |
| Writing | Alexandre Rockwell | Writer |
| Editing | Sally Menke | Editor |
| Sound | Combustible Edison | Original Music Composer |
| Production | Lawrence Bender | Producer |
| Writing | Robert Rodriguez | Writer |
| Sound | Lance Brown | Sound Designer |
| Art | Sara Andrews | Set Decoration |
| Directing | Allison Anders | Director |
| Directing | Quentin Tarantino | Director |
| Editing | Elena Maganini | Editor |
| Camera | Phil Parmet | Director of Photography |
| Production | Scott Lambert | Co-Producer |
| Production | Heidi Vogel | Co-Producer |
| Production | Paul Hellerman | Co-Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Art | Carlos A. Chavez | Painter |
| Directing | Douglas Aarniokoski | First Assistant Director |
| Costume & Make-Up | Paul Starr | Makeup Artist |
| Editing | Mike Stanwick | Color Timer |
| Art | Marc Gillson | Lead Painter |
| Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
| Crew | Nick Roberts | Security |
| Crew | P. Gerald Knight | Transportation Coordinator |
| Sound | Bruce Fortune | Supervising Sound Editor |
| Crew | Darrell Dubovsky | Driver |
| Crew | Patrice Carbaugh | Set Medic |
| Crew | Nancy Willen | Unit Publicist |
| Directing | Fernando Altschul | First Assistant Director |
| Costume & Make-Up | Susan L. Bertram | Costume Design |
| Costume & Make-Up | Thomas G. Marquez | Costume Supervisor |
| Crew | Sissy Boyd | Choreographer |
| Production | Debbie Hayn-Cass | Unit Production Manager |
| Crew | Derek Hurd | Craft Service |
| Crew | Ben Parker | Post Production Assistant |
| Art | Lynda Reiss | Property Master |
| Crew | Michael Boyce Harris | Stand In |
| Editing | Erik C. Andersen | First Assistant Editor |
| Costume & Make-Up | Ermahn Ospina | Key Hair Stylist |
| Crew | Jan D. Tys | Studio Teachers |
| Costume & Make-Up | Mary Claire Hannan | Costume Design |
| Art | Marisol Jiménez | Art Department Coordinator |
| Art | T.D. Donnelly | Standby Painter |
| Camera | Elizabeth Bolden | Grip |
| Directing | Jayne-Ann Tenggren | Script Supervisor |
| Editing | Bob Allen | First Assistant Editor |
| Production | Paul Hellerman | Production Manager |
| Sound | Paul Koronkiewicz | Boom Operator |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Camera | Ziad Doueiri | First Assistant Camera |
| Camera | Jonathan Brown | Steadicam Operator |
| Crew | Paul Taglianetti | Special Effects Coordinator |
| Crew | Dotti Thompson | Transportation Captain |
| Camera | Rick Stribling | Key Grip |
| Lighting | Chuck Smith | Gaffer |
| Lighting | Marcel DeJure | Electrician |
| Production | Randi Hiller | Casting Associate |
| Production | Deborah Hebert | Production Accountant |
| Sound | Pawel Wdowczak | Production Sound Mixer |
| Crew | Victor Iorillo | Special Sound Effects |
| Sound | Tim Tuchrello | First Assistant Sound Editor |
| Sound | Jay Nierenberg | Sound Editor |
| Crew | Chuck Jones | Creative Consultant |
| Lighting | Edgar Arellano | Best Boy Electric |
| Production | Robert Earl Craft | Location Manager |
| Sound | Denise Okimoto | Music Editor |
| Production | Debbie Hayn-Cass | Production Supervisor |
| Art | Brian Markey | Construction Coordinator |
| Costume & Make-Up | Orlando | Hairstylist |
| Crew | James C. Beeson | Carpenter |
| Crew | Ben Parker | Set Production Assistant |
| Crew | Kane Hodder | Stunts |
| Art | Joseph W. Grafmuller | Swing |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Production | Heidrun M. Williams | Assistant Accountant |
| Sound | Christina Tucker | ADR Mixer |
| Crew | Christy Sumner | Special Effects Assistant |
| Editing | Jeff Ervin | Assistant Editor |
| Crew | Tiffanie DeBartolo | Intern |
| Production | Dawn Todd Curfman | Post Production Coordinator |
| Directing | Brian Bettwy | Second Assistant Director |
| Sound | Kristen Becht | Music Coordinator |
| Art | Andrew King | Assistant Property Master |
| Production | Barbara Harris | ADR Voice Casting |
| Costume & Make-Up | Mynka Draper | Costumer |
| Sound | Zack Davis | ADR Editor |
| Camera | Gregory C. Smith | Assistant Camera |
| Art | Mary Patvaldnieks | Assistant Decorator |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Vincent Cassaro | Second Assistant Sound |
| Costume & Make-Up | Toni G | Assistant Makeup Artist |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Camera | Bob Ivanjack | Dolly Grip |
| Camera | Bjørn Eivind Aarskog | Second Assistant Camera |
| Production | Kyle Oliver | Location Assistant |
| Sound | Mark Mothersbaugh | Music Producer |
| Art | Martin Charles | Graphic Designer |
| Sound | David Gertz | Foley Mixer |
| Production | Susan Noonan-Gero | Assistant Production Coordinator |
| Camera | James Irons | Best Boy Grip |
| Art | Ray Maxwell | Construction Foreman |
