De Duitse soldaat Bernd Trautmann wordt tegen het einde van de Tweede Wereldoorlog gevangen genomen in Engeland. Tijdens een voetbalwedstrijd tussen de gevangenen wordt de keeper opgemerkt door Jack Friar, manager van een amateurclub. Trautmann, die gedwongen mee moet spelen bij het team, verrast hem zowel op als naast het veld.
Nee, helaas is Trautmann nog niet beschikbaar op Netflix in Nederland.
| Directing | Marcus H. Rosenmüller | Director |
| Writing | Nicholas J. Schofield | Writer |
| Writing | Marcus H. Rosenmüller | Writer |
| Production | Chris Curling | Producer |
| Production | Robert Marciniak | Producer |
| Production | Steve Milne | Producer |
| Production | Lars Wiebe | Co-Producer |
| Production | Tom Blieninger | Line Producer |
| Sound | Gerd Baumann | Music |
| Camera | Daniel Gottschalk | Director of Photography |
| Editing | Alexander Berner | Editor |
| Production | Dan Hubbard | Casting |
| Production | Daniela Tolkien | Casting |
| Art | Michael Binzer | Production Design |
| Art | Doerthe Komnick | Production Design |
| Art | Johannes Sternagel | Production Design |
| Art | Nigel Pollock | Art Direction |
| Art | Sarah Gerg | Set Decoration |
| Art | Áine McGuinness | Set Decoration |
| Art | Julia Panholzer | Set Decoration |
| Costume & Make-Up | Anke Winckler | Costume Design |
| Visual Effects | Michael Koch | Visual Effects |
| Costume & Make-Up | Tatjana Krauskopf | Hair Designer |
| Sound | Benjamin A. Rosenkind | Sound Re-Recording Mixer |
| Sound | Jeremy Price | Sound Editor |
| Visual Effects | David Laubsch | Visual Effects Supervisor |
| Production | Christian Eisenbeiss | Executive Producer |
| Directing | Benedict Hoermann | First Assistant Director |
| Directing | Benedict Hoermann | Second Unit Director |
| Directing | Anke Reichert | Script Supervisor |
| Production | Florian Erhard | Location Manager |
| Production | Florian Leonhardt | Unit Manager |
| Lighting | Florian Kopske | Electrician |
| Lighting | Vincent Wollinger | Genetator Operator |
| Camera | Florian Speer | Key Grip |
| Camera | Florian Speer | Dolly Grip |
| Camera | Glynn Harrison | Key Grip |
| Art | Miriam Müller | Assistant Production Design |
| Art | Lisa Staub | Assistant Production Design |
| Art | Carl Obereisenbuchner | Art Department Coordinator |
| Art | Hermann Größ | Property Master |
| Art | Mareen Golz | Assistant Property Master |
| Art | Florian Schafarschik | Construction Manager |
| Art | Nigel Pollock | Supervising Art Director |
| Costume & Make-Up | Anna Brandt | Assistant Costume Designer |
| Crew | Katja Jerabek | Stunt Coordinator |
| Crew | Donal O'Farrell | Stunt Coordinator |
| Crew | Alan Walsh | Stunts |
| Crew | William Willoughby | Stunts |
| Editing | Lukas Lerch | Assistant Editor |
| Sound | Jeremy Price | Supervising Sound Editor |
| Sound | Andy Shelley | Supervising Dialogue Editor |
| Sound | Barnaby Smyth | Foley Supervisor |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Oliver Brierley | ADR Mixer |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Michael Lauterbach | Orchestrator |
| Sound | Marc Tanzmann | Music Supervisor |
| Sound | Steve Bartlik | Music Supervisor |
| Costume & Make-Up | Tatjana Krauskopf | Makeup Designer |
