Trish's vrienden regelen een blind date voor haar, maar wanneer ze vergeet haar klokken aan te passen ter compensatie van de zomertijd, laat ze per ongeluk haar potentiële geliefde in de steek. In plaats daarvan arriveert ze op de locatie en ontmoet ze Parker, een zachtaardige maar onrustige paramedicus die besluit mee te spelen met de zich niet bewuste Trish. Het klikt tussen de twee, maar hun veelbelovende romance wordt bedreigd wanneer de zaak van identiteitsverwisseling aan het licht komt.
Nee, helaas is An Hour Behind nog niet beschikbaar op Netflix in Nederland.
| Crew | Matthew Fladell | Legal Services |
| Crew | Bryan Thompson | Post Production Supervisor |
| Directing | Lee Andrews | Second Assistant Director |
| Editing | Alex Bryant | Colorist |
| Production | Kent Staheli | Production Assistant |
| Directing | Alex Bryant | First Assistant Director |
| Editing | Bryan Anderson | Online Editor |
| Crew | Isaac Oates | Production Intern |
| Crew | Brett Miller | Transportation Coordinator |
| Crew | Jason Kelly | Driver |
| Sound | James Schafer | Original Music Composer |
| Visual Effects | Anthony Straga | VFX Artist |
| Editing | Brian Brough | Editor |
| Costume & Make-Up | Sonja N. Harris | Costume Designer |
| Production | Elisa Jan | Executive Producer |
| Art | Anthony Straga | Production Design |
| Camera | John Lyde | Director of Photography |
| Production | Pierre-Andre Rochat | Executive Producer |
| Production | AJC Pennyworth | Executive Producer |
| Production | Brian Brough | Producer |
| Production | Anthony Straga | Producer |
| Writing | Brittany Wiscombe | Screenplay |
| Directing | Brian Brough | Director |
| Production | Melanie Burningham | Production Accountant |
| Camera | Kevin Woodward | Key Grip |
| Art | Keston Wing | Props |
| Directing | BrookeLynn Millard | Second Second Assistant Director |
| Camera | John Lyde | "A" Camera Operator |
| Visual Effects | Anthony Straga | Visual Effects Supervisor |
| Sound | Paul D. Hunt | Boom Operator |
| Camera | Paul D. Green | First Assistant "A" Camera |
| Production | B.J. Alexander | Unit Production Manager |
| Camera | Scott Schaertl | First Assistant "B" Camera |
| Camera | Kevin Lyde | Second Assistant Camera |
| Art | Arielle Wing | Props |
| Sound | Paul D. Hunt | Sound Mixer |
| Lighting | Dan Haskell | Best Boy Electric |
| Production | Gregory K. Brough | Accountant |
| Editing | Anthony Straga | Assistant Editor |
| Lighting | Steven Madsen | Gaffer |
| Art | Monet Devilliers | Set Decoration |
| Art | Bruce Wing | Property Master |
| Costume & Make-Up | Leslie Kidman | Key Hair Stylist |
| Production | Emily Bitter | Production Coordinator |
| Directing | Emily Bitter | Script Supervisor |
| Camera | Brian Brough | "B" Camera Operator |
| Camera | KeAlii Johnson | Best Boy Grip |
| Art | Bryce Bishop | Set Dresser |
| Costume & Make-Up | Danielle Donahue | Key Makeup Artist |
| Sound | China Khoral | Sound Effects Editor |
| Sound | James Schafer | Orchestrator |
| Sound | Nate Hoffman | Supervising Sound Editor |
| Sound | Nate Hoffman | Foley Artist |
| Sound | Nate Hoffman | Sound Re-Recording Mixer |
| Sound | Nate Hoffman | Dialogue Editor |
| Writing | Brittany Wiscombe | Writer |
