Vertelt het verhaal van de Amerikaanse oorlogsjournaliste Marie Colvin, werkzaam bij The Sunday Times, een Britse krant. Ver verwijderd van de frontlinie moet Colvin een persoonlijke strijd uitvechten wanneer ze te maken krijgt met een posttraumatische stressstoornis.
Nee, helaas is A Private War nog niet beschikbaar op Netflix in Nederland.
| Editing | Jason Rayton | Assistant Editor |
| Production | Nicole Alexandra Shipley | Executive Producer |
| Production | Andrew Chapman | Line Producer |
| Production | Tim Cole | Line Producer |
| Writing | Arash Amel | Screenplay |
| Directing | Matthew Heineman | Director |
| Crew | Elizabeth Donker Curtius | Stunt Double |
| Production | David Dinerstein | Executive Producer |
| Production | Arash Amel | Co-Producer |
| Production | Wayne Marc Godfrey | Executive Producer |
| Production | Jeff Rice | Executive Producer |
| Production | Charlize Theron | Producer |
| Production | Matthew George | Producer |
| Production | Basil Iwanyk | Producer |
| Production | Peter Lawson | Executive Producer |
| Production | Jonathan Fuhrman | Executive Producer |
| Production | Jason Resnick | Executive Producer |
| Production | Matthew Heineman | Producer |
| Production | Marissa McMahon | Producer |
| Production | Lee Broda | Executive Producer |
| Production | William Sadleir | Executive Producer |
| Production | Robert Jones | Executive Producer |
| Production | Erica Lee | Executive Producer |
| Camera | Robert Richardson | Director of Photography |
| Editing | Nick Fenton | Editor |
| Costume & Make-Up | Michael O'Connor | Costume Design |
| Art | Kiera Tudway | Art Direction |
| Art | Sophie Becher | Production Design |
| Art | Nasser Zoubi | Art Direction |
| Sound | H. Scott Salinas | Original Music Composer |
| Production | Jina Jay | Casting |
| Art | Keith Slote | Art Direction |
| Sound | Morgan Muse | Sound Effects Editor |
| Sound | Andrew Stirk | Sound Re-Recording Mixer |
| Sound | Bernard O'Reilly | Sound Designer |
| Sound | Andrew Stirk | Supervising Sound Editor |
| Art | Michael van Kesteren | Assistant Art Director |
| Costume & Make-Up | Phaedra Dahdaleh | Costume Supervisor |
| Costume & Make-Up | Denise Kum | Makeup Designer |
| Art | Matthew Hywel-Davies | Supervising Art Director |
| Visual Effects | Sebastian Barker | Visual Effects Supervisor |
| Sound | Paul Davies | Sound Designer |
| Visual Effects | Leila Nicotera | Visual Effects Producer |
| Sound | Gareth John | Production Sound Mixer |
| Camera | Jana Hojdová | Camera Operator |
| Camera | Shaun Cobley | Camera Operator |
| Camera | David Churchyard | First Assistant "B" Camera |
| Visual Effects | Alexander Gunn | Special Effects Supervisor |
| Art | Anas Balawi | Property Master |
| Crew | Ben Platts | Drone Operator |
| Camera | Warwick Drucker | Key Grip |
| Art | Sasha Doghjouqa | Art Department Coordinator |
| Camera | Peter Byrne | First Assistant "A" Camera |
| Camera | James Markwick | Camera Operator |
| Camera | Ayan Hatoqay | First Assistant "C" Camera |
| Lighting | Bruno Martins | Electrician |
| Camera | Sean Rogers | Libra Head Technician |
| Camera | Davide Tiraboschi | Aerial Camera |
| Lighting | Mark Taylor | Gaffer |
| Camera | Steve Quan | Drone Cinematographer |
| Camera | Chris Wilkinson | Drone Pilot |
| Crew | Daren Bailey | Marine Coordinator |
| Directing | Mariana Hellmund | Script Supervisor |
| Lighting | Ezz Isleem | Rigging Gaffer |
| Crew | Rob Partridge | Armorer |
| Production | Tala Olabi | Production Manager |
| Crew | Laura Pettitt | Unit Publicist |
| Camera | Alain Galès | Epk Director |
| Directing | Holly Johnson | Script Supervisor |
| Camera | Zaid Assaf | Third Assistant "B" Camera |
| Production | Emma Parsons | Production Secretary |
| Camera | Kat Spencer | Second Assistant "A" Camera |
| Lighting | Khaleel Qopti | Lighting Technician |
| Camera | Jonathan Prime | Still Photographer |
| Production | Sarah Carswell | Production Coordinator |
| Production | Fuad Khalil | Production Consultant |
| Camera | Keith Bernstein | Still Photographer |
| Camera | Ben Foat | Second Assistant "B" Camera |
| Lighting | Yazan Najem | Gaffer |
| Lighting | Ben Wilson | Rigging Gaffer |
| Crew | Dave Evans | Armorer |
| Production | Andrew Petrilak | Production Coordinator |
| Camera | Jared Kohler | Third Assistant "A" Camera |
| Costume & Make-Up | Anna Kot | Costume Supervisor |
| Costume & Make-Up | John Usher | Costume Assistant |
| Costume & Make-Up | Hayley Carreira | Truck Supervisor |
| Costume & Make-Up | Dana Shangerey | Assistant Costume Designer |
| Costume & Make-Up | Frances Roughton | Costume Assistant |
| Costume & Make-Up | Lucy Brookes | Set Costumer |
| Costume & Make-Up | Sharona Prior | Costume Assistant |
| Costume & Make-Up | Lloyd Middleton | Truck Supervisor |
| Costume & Make-Up | Denise Kum | Prosthetic Designer |
| Costume & Make-Up | Joanne Mosley | Assistant Costume Designer |
| Costume & Make-Up | Florence Chow | Costume Assistant |
| Editing | Giles Burgess | First Assistant Editor |
| Sound | Laura Katz | Music Co-Supervisor |
| Visual Effects | Malcolm Crowe | VFX Editor |
| Editing | Kim Honeyman | Digital Intermediate Producer |
| Production | Ben Frost | Location Manager |
| Production | Saeb Abul Ragheb | Location Manager |
| Editing | Matt Watson | Digital Intermediate Colorist |
| Crew | Laura Swift | Stunt Double |
| Editing | Yvan Lucas | Digital Colorist |
| Crew | Nicholas White | Set Production Assistant |
