De mollige weldoeners Donna en Nicole gaan op pad om de gestolen Alexa-diamant terug te halen uit zijn schuilplaats in Rusland... maar komen hun aartsvijand, Martin Kane, tegen.
Nee, helaas is Fit to Kill nog niet beschikbaar op Netflix in Nederland.
| Directing | Andy Sidaris | Director |
| Sound | Richard Lyons | Original Music Composer |
| Art | Bill Pryor | Art Direction |
| Editing | Craig Stewart | Editor |
| Writing | Andy Sidaris | Writer |
| Production | Arlene Sidaris | Producer |
| Art | Cherie Day Ledwith | Production Design |
| Camera | Mark Morris | Director of Photography |
| Costume & Make-Up | Danielle Launzel | Wardrobe Supervisor |
| Directing | Melanie Chapman | Assistant Director |
| Production | Barbara Mannion | Production Coordinator |
| Production | Marjie 'Murph' Murphy | Location Manager |
| Art | Wess Shannon Rahn | Property Master |
| Crew | Christian Drew Sidaris | Stunt Coordinator |
| Lighting | Ron Cicero | Lighting Design |
| Sound | Mike Hall | Production Sound Mixer |
| Production | Beebe Smilow | Production Accountant |
| Crew | Eddie Surkin | Special Effects |
| Sound | Anton Holden | Sound Effects Editor |
| Camera | David Parks | Assistant Camera |
| Costume & Make-Up | Judy Mathai | Makeup Designer |
| Sound | Tommy Goodwin | Foley Mixer |
| Costume & Make-Up | Warden Neil | Costume Design |
| Sound | Catherine Rowe | Foley Artist |
| Art | Bill Pryor | Main Title Designer |
| Editing | Eric A. Lewy | Assistant Editor |
| Sound | Tami Treadwell | ADR Recordist |
| Sound | Tami Treadwell | Foley Recordist |
| Sound | Mike Gitman | Sound Re-Recording Mixer |
| Camera | Craig Stewart | Assistant Camera |
| Directing | David Avallone | Script Supervisor |
| Sound | David Hadder | Boom Operator |
| Sound | Joan Rowe | Foley Artist |
| Costume & Make-Up | Judy Mathai | Hair Designer |
| Sound | Tommy Goodwin | ADR Mixer |