Linda Bronco heeft pech: ze is haar job en haar man kwijt en haar zoon werd net met zijn vriend gearresteerd. De jongen heeft zeker kansen om te slagen aan de universiteit, maar met een strafblad kan hij zijn studiebeurs wel vergeten. Linda heeft er dan ook alles voor over om hem te helpen, ook al moet ze daarvoor een misdaad plegen.
Nee, helaas is Poor White Trash nog niet beschikbaar op Netflix in Nederland.
| Editing | Tom McArdle | Editor |
| Production | Mark Roberts | Producer |
| Production | Lorena David | Producer |
| Writing | Tony Urban | Story |
| Art | Clare Brown | Production Design |
| Directing | Michael Addis | Director |
| Camera | Peter B. Kowalski | Director of Photography |
| Sound | Tree Adams | Original Music Composer |
| Production | Justin H. Conley | Co-Producer |
| Writing | Michael Addis | Story |
| Writing | Michael Addis | Writer |
| Production | Michael Lawrence | Executive Producer |
| Costume & Make-Up | LuEllyn Harper | Costume Designer |
| Production | Russell S. Kutrosky | Associate Producer |
| Camera | Joe White | Still Photographer |
| Camera | Michael Bell | Grip |
| Camera | Michael Stuart Clark | Best Boy Grip |
| Camera | Nick Lancaster | Grip |
| Costume & Make-Up | Bethany Klubek | Wardrobe Assistant |
| Art | Stacey Adamski | Set Dresser |
| Production | Bryan Wake | Production Coordinator |
| Production | Enrique Rosas | Associate Producer |
| Camera | Mike McEveety | Camera Operator |
| Art | Devorah Herbert | Art Direction |
| Costume & Make-Up | Theresa Miller | Key Hair Stylist |
| Directing | Bryan Wake | Second Second Assistant Director |
| Camera | Bryan Delorenzo | Second Assistant Camera |
| Camera | John Schultz | Key Grip |
| Camera | Quinton Jenkins | Grip |
| Production | Moira R. Fitzmaurice | Casting Associate |
| Art | Jamie Colboth | Set Dresser |
| Costume & Make-Up | Alana Conley Day | Makeup & Hair Assistant |
| Crew | Dan Sokolowski | Pyrotechnician |
| Crew | Donny Parison | Pyrotechnician |
| Camera | Jennifer Booth | Still Photographer |
| Camera | Cameron Cutler | Additional Photography |
| Production | Matt Malkovich | Location Manager |
| Camera | Matt Credle | First Assistant Camera |
| Sound | Matt Knudsen | Boom Operator |
| Directing | Craig Borden | Second Assistant Director |
| Production | Sarah L. Sterling | Production Coordinator |
| Production | Erin O'Shaughnessy | Casting Assistant |
| Production | Ashley Wellman | Location Manager |
| Costume & Make-Up | Theresa Miller | Key Makeup Artist |
| Lighting | Carlos M. Torres | Gaffer |
| Production | Jennifer Booth | Unit Production Manager |
| Lighting | Nathan Roberts | Best Boy Electric |
| Editing | Adrian Hinds | Assistant Editor |
| Costume & Make-Up | Michael Mosher | Makeup Designer |
| Costume & Make-Up | Carsa Bundren | Makeup & Hair Assistant |
| Production | Tracy Brouillette | Extras Casting |
| Crew | Chris Howell | Stunts |
| Sound | Martin Lopez | Supervising Sound Editor |
| Directing | Heather Wood | Script Supervisor |
| Costume & Make-Up | Jennifer Abbott | Makeup & Hair Assistant |
| Crew | Julie Michaels | Stunts |
| Sound | Steve Weiss | Sound Mixer |
| Art | Cliff Spencer | Art Direction |
| Sound | Brian Smith | Foley Editor |
| Crew | Dale Gibson | Stunt Coordinator |
| Sound | Martin Lopez | Sound Re-Recording Mixer |
| Crew | Stacey Howell-Brown | Stunts |
| Sound | Charles Maynes | Sound Effects Editor |
| Editing | Dave Whitten | Color Timer |
| Sound | Stephanie Urcheck | Music Coordinator |
| Production | Katy Wallin | Casting |
| Directing | Clinton Canada | First Assistant Director |
