Barry Munday (Patrick Wilson) staat bekend als een versierder en vrouwenverslinder. De wildste feesten zijn voor hem niet te gek. Toch kijkt Barry vreemd op als hij op een ochtend zonder zijn geslachtsdelen ontwaakt. Net op het moment dat Barry alle hoop heeft opgegeven om ooit nog kinderen te krijgen, krijgt hij bericht van een vrouw die hem meldt zijn kind te hebben gebaard. En dat terwijl Barry zich de vrouw totaal niet kan herinneren, laat staan met haar het bed gedeeld te hebben...
Nee, helaas is Barry Munday nog niet beschikbaar op Netflix in Nederland.
Directing | Chris D'Arienzo | Director |
Writing | Chris D'Arienzo | Screenplay |
Production | Mickey Barold | Producer |
Production | Marc Bell | Co-Executive Producer |
Production | Jeff Davis | Executive Producer |
Production | Stone Douglass | Producer |
Production | Casey Engelhardt | Producer |
Production | Casey Engelhardt | Associate Producer |
Production | Bradley M. Goodman | Associate Producer |
Production | Barry Habib | Executive Producer |
Production | Eric Kopeloff | Producer |
Production | Carl Levin | Executive Producer |
Production | Robert Ortiz | Executive Producer |
Production | Tom Pellegrini | Co-Producer |
Production | Scott Prisand | Executive Producer |
Production | Marcos Siega | Executive Producer |
Production | Matt Weaver | Producer |
Sound | Jude Christodal | Music |
Camera | Morgan Susser | Director of Photography |
Editing | Joan Sobel | Editor |
Production | J.C. Cantu | Casting |
Production | Venus Kanani | Casting |
Production | Mary Vernieu | Casting |
Art | Paul Oberman | Production Design |
Art | Ryan Welsch | Set Decoration |
Costume & Make-Up | Frank Helmer | Costume Design |
Production | Divi Crockett | Unit Production Manager |
Production | Casey Engelhardt | Unit Production Manager |
Crew | Bradley M. Goodman | Post Production Supervisor |
Production | Lindsay Graham Ahanonu | Casting Associate |
Production | Michelle Wade Byrd | Casting Assistant |
Production | George McDowell Agnew | Location Manager |
Production | Nate Cohen | Production Coordinator |
Art | Donavan McDougle | Title Designer |
Directing | Lina Shanklin | Script Supervisor |
Writing | Frank Turner Hollon | Novel |
Directing | Chad Rosen | First Assistant Director |
Directing | Tessa Lyn Stephenson | Second Assistant Director |
Crew | Lou Simon | Stunt Coordinator |
Art | Chris Carriveau | Leadman |
Art | Abigail Sheiner | Art Department Coordinator |
Camera | Charles M. Smallwood | Key Grip |
Camera | Richard Fezzey | Best Boy Grip |
Camera | Keith Talley | Dolly Grip |
Sound | Harrison D. Marsh | Production Sound Mixer |
Sound | Tom Fox | Boom Operator |
Sound | Peter Hanson | Utility Sound |
Costume & Make-Up | Ashley Fox | Key Makeup Artist |
Sound | Simon Chase | Supervising Sound Editor |
Sound | Lon Bender | Supervising Sound Editor |
Sound | Richard Fordham | Dialogue Editor |
Sound | Joe Barnett | Sound Re-Recording Mixer |
Sound | Mathew Waters | Sound Re-Recording Mixer |
Editing | Maxine Gervais | Digital Intermediate Colorist |
Sound | Lee Scott | Music Editor |
Sound | Ronald J. Webb | Music Editor |
Editing | Adam Ohl | Digital Intermediate Producer |
Sound | Kevin Penney | Sound Effects Editor |
Sound | David Mackie | Sound Effects Editor |
Sound | Dror Mohar | Sound Effects Editor |
Sound | Janet Billig Rich | Music Supervisor |