Tijdens de Amerikaanse Burgeroorlog hebben de gunfighter Blondie (‘The Good’) en de gezochte Mexicaanse outlaw Tuco (‘The Ugly’) een deal gesloten: Blondie levert Tuco aan een sheriff uit, strijkt de hoge beloning op, redt hem dan op het nippertje van de strop en slaan vervolgens op de vlucht.
Nee, helaas is The Good, the Bad and the Ugly nog niet beschikbaar op Netflix in Nederland.
| Directing | Sergio Leone | Director |
| Production | Alberto Grimaldi | Producer |
| Sound | Ennio Morricone | Original Music Composer |
| Camera | Tonino Delli Colli | Director of Photography |
| Editing | Eugenio Alabiso | Editor |
| Editing | Nino Baragli | Editor |
| Costume & Make-Up | Carlo Simi | Costume Design |
| Writing | Luciano Vincenzoni | Screenplay |
| Writing | Sergio Leone | Screenplay |
| Writing | Agenore Incrocci | Screenplay |
| Writing | Furio Scarpelli | Screenplay |
| Writing | Luciano Vincenzoni | Story |
| Writing | Sergio Leone | Story |
| Costume & Make-Up | Rino Carboni | Makeup Artist |
| Art | Carlo Leva | Assistant Art Director |
| Art | Carlo Simi | Production Design |
| Crew | Eros Bacciucchi | Special Effects |
| Crew | Román Ariznavarreta | Stunts |
| Crew | Giovanni Corridori | Special Effects |
| Production | Aldo Pomilia | Production Supervisor |
| Production | José Antonio Pérez Giner | Production Manager |
| Production | Gray Frederickson | Production Manager |
| Directing | Fabrizio Gianni | Assistant Director |
| Crew | John Landis | Stunts |
| Crew | Benito Stefanelli | Stunts |
| Crew | Fabio Testi | Stunts |
| Camera | Franco Di Giacomo | Camera Operator |
| Camera | Sergio Salvati | First Assistant Camera |
| Camera | Angelo Novi | Still Photographer |
| Crew | Sergio Donati | Additional Dialogue |
| Sound | Bruno Nicolai | Music Director |
| Crew | Luigi Ciavarro | Stunts |
| Crew | Romano Puppo | Stunts |
| Costume & Make-Up | Rino Todero | Hairdresser |
| Production | Fernando Cinquini | Production Manager |
| Directing | Giancarlo Santi | Assistant Director |
| Sound | Aldo Ciorba | Foley Artist |
| Sound | Vittorio De Sisti | Sound Engineer |
| Sound | Elio Pacella | Sound Engineer |
| Sound | Fausto Ancillai | Sound Mixer |
| Crew | Antonio Baquero | Special Effects |
| Crew | Valentino Pelizzi | Stunts |
| Crew | Benito Stefanelli | Stunt Coordinator |
| Camera | Domenico Parrello | Grip |
| Editing | Nazzareno Neri | Colorist |
| Sound | Cantori Moderni Di Alessandroni | Musician |
| Sound | Franco Cosacchi | Musician |
| Sound | Nino Dei | Musician |
| Sound | Edda Dell'Orso | Musician |
| Sound | Enzo Gioieni | Musician |
| Sound | Gianna Spagnolo | Musician |
| Sound | Alessandro Alessandroni | Music Arranger |
| Sound | Alessandro Alessandroni | Musician |
| Sound | Bruno Battisti D'Amario | Musician |
| Sound | Italo Cammarota | Musician |
| Sound | Francesco Catania | Musician |
| Sound | Franco De Gemini | Musician |
| Sound | E. Wolf Ferrari | Musician |
| Sound | Michele Lacerenza | Musician |
| Sound | John O'Neill | Musician |
| Sound | Vincenzo Restuccia | Musician |
| Sound | Nicola Samale | Musician |
| Directing | Serena Canevari | Script Supervisor |
| Production | Carlo Bartolini | Production Assistant |
| Production | Luigi Corbo | Production Secretary |
| Art | Igino Lardani | Title Designer |
| Production | Antonio Palombi | Production Secretary |
| Production | Federico Tofi | Production Assistant |
| Writing | Mickey Knox | Dialogue |
