De familie Sterling krijgt van een onbekende man een oude klok en ze geven het pronkstuk een plaatsje in de woonkamer. Helaas weten ze niet dat de klok afkomstig is uit het legendarische Amityville-huis en dat er een gevaarlijke vloek op rust.
Nee, helaas is Amityville 1992: It's About Time nog niet beschikbaar op Netflix in Nederland.
| Writing | Christopher DeFaria | Writer |
| Writing | Antonio Toro | Writer |
| Directing | Tony Randel | Director |
| Sound | Daniel Licht | Original Music Composer |
| Production | Christopher DeFaria | Producer |
| Directing | Franklin A. Vallette | Second Assistant Director |
| Writing | John G. Jones | Book |
| Art | Natalie Pope | Set Decoration |
| Camera | Christopher Taylor | Director of Photography |
| Crew | Tony Hugghins | Stunts |
| Crew | Gary Paul | Stunt Coordinator |
| Crew | Millie Novak | Stunts |
| Costume & Make-Up | Randall Thropp | Costume Design |
| Directing | Tom Milo | First Assistant Director |
| Costume & Make-Up | Susan Reiner | Key Makeup Artist |
| Editing | Rick Finney | Editor |
| Crew | Brad Overturf | Stunts |
| Art | Kim Hix | Production Design |
| Production | Robin Monroe | Casting |
| Production | Steve White | Executive Producer |
| Production | Barry Bernardi | Executive Producer |
| Production | John G. Jones | Co-Producer |
| Production | Debbie Hayn-Cass | Unit Production Manager |
| Camera | Steven Kline | Assistant Camera |
| Camera | Steven Wagner | Second Assistant Camera |
| Camera | Christian Lamb | Camera Loader |
| Art | Nikki Hevesy | Art Department Coordinator |
| Art | Glenn M. Carrere | Leadman |
| Crew | Caroline Good | Scenic Artist |
| Crew | Rosel Weedn | Scenic Artist |
| Art | Peter Gum | Property Master |
| Art | Michael Kauffman | Props |
| Lighting | Adam Jones | Gaffer |
| Lighting | Joseph P. Clem | Best Boy Electric |
| Lighting | Donell Wiley | Electrician |
| Lighting | Patti Lee | Electrician |
| Lighting | Darryl Cowherd Jr. | Electrician |
| Sound | Claude Riggins | Sound Mixer |
| Sound | Arthur Jackson | Boom Operator |
| Camera | Denis Hann | Key Grip |
| Camera | Joseph Dianda | Best Boy Grip |
| Camera | Klaus Hoch | Dolly Grip |
| Camera | William McDevitt | Grip |
| Camera | Dennis Wong | Grip |
| Costume & Make-Up | Susan Reiner | Key Hair Stylist |
| Costume & Make-Up | Brenda Blatt | Makeup & Hair |
| Costume & Make-Up | Esther Eun | Wardrobe Assistant |
| Crew | Ben Rivera | Transportation Coordinator |
| Directing | Steve Gehrke | Script Supervisor |
| Production | Toni Maier | Location Manager |
| Crew | B.J. Witz | Craft Service |
| Crew | Luis G. Benavides | Craft Service |
| Production | Edward Flotard | Executive In Charge Of Production |
| Production | Jenny Fitzgibbons | Associate Producer |
| Production | Kathryn Takis | Production Coordinator |
| Production | Diane Cornell | Accountant |
| Production | Alan Berman | Casting Associate |
| Editing | Sidney Wolinsky | Additional Editing |
| Editing | Tony Mizgalski | Associate Editor |
| Editing | Barry Zetlin | Associate Editor |
| Sound | Joseph Zappala | Sound Designer |
| Sound | Ingeborg Larson | Sound Editor |
| Sound | Melissa Peabody | Sound Editor |
| Sound | Sabrina Stephenson | Sound Editor |
| Sound | Phil Norden | Sound Editor |
| Sound | Kris Campbell | ADR Mixer |
| Sound | Steve Jaszkowiak | Foley Mixer |
| Sound | Lisa Storr Hoenack | Foley Artist |
| Sound | Ellen Heuer | Foley Artist |
| Visual Effects | Peter Kuran | Visual Effects |
| Visual Effects | Hank Carlson | Modeling |
