'Mad' Mary McArdle keert na een korte periode in de gevangenis terug naar Drogheda voor iets dat ze liever vergeet. Thuis is alles en iedereen veranderd. Haar beste vriendin, Charlene, staat op het punt te trouwen en Mary is bruidsmeisje. Wanneer Charlene Mary een 'plus één' weigert op grond van het feit dat ze waarschijnlijk geen date kon vinden, is Mary vastbesloten om haar ongelijk te bewijzen.
Nee, helaas is A Date for Mad Mary nog niet beschikbaar op Netflix in Nederland.
| Crew | Emer O'Shea | Other |
| Directing | Darren Thornton | Director |
| Production | Louise Kiely | Casting |
| Camera | Ole Bratt Birkeland | Director of Photography |
| Production | Ed Guiney | Producer |
| Production | Juliette Bonass | Producer |
| Editing | Tony Cranstoun | Editor |
| Art | Kieran McNulty | Production Design |
| Editing | Juangus Dinsmore | Editor |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Art | Michael Moynihan | Art Direction |
| Writing | Darren Thornton | Writer |
| Writing | Colin Thornton | Writer |
| Camera | Bernard Walsh | Still Photographer |
| Camera | Karl Roche | Key Grip |
| Costume & Make-Up | Sandra Kelly | Hair Department Head |
| Lighting | Addo Gallagher | Gaffer |
| Visual Effects | Andy Clarke | VFX Artist |
| Directing | Dave Moran | Script Supervisor |
| Camera | Patrick Redmond | Still Photographer |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Sound | Michelle Fingleton | Sound Effects Editor |
| Sound | Juliet Martin | Music Supervisor |
| Sound | Michelle McCormack | Foley Editor |
| Visual Effects | Kevin O'Brien | VFX Artist |
| Costume & Make-Up | Liz Byrne | Makeup Department Head |
| Production | Eva-Jane Gaffney | Casting Assistant |
| Costume & Make-Up | Clodagh Deegan | Costume Supervisor |
| Camera | Keith Durham | Steadicam Operator |
| Sound | Niall Brady | Supervising Sound Editor |
| Production | John Brady | Line Producer |
| Camera | Keith Durham | Camera Operator |
| Art | Sarah McLoughlin | Set Decoration |
| Lighting | Mark Lawless | Best Boy Electrician |
| Production | Mark Byrne | Executive Producer |
| Production | Rory Gilmartin | Executive Producer |
| Sound | Stephen Rennicks | Original Music Composer |
| Sound | Alan Scully | Boom Operator |
| Directing | Adrienne Greenhalgh | Second Assistant Director |
| Production | Pat Nangle | Location Manager |
| Editing | Anna Maria O'Flannagan | Additional Editing |
| Directing | Keith Barry | Third Assistant Director |
| Sound | Hugh Drumm | Original Music Composer |
| Production | Susan McDaid | Production Coordinator |
| Directing | Sandra Corbally | Third Assistant Director |
| Crew | Joe Condren | Stunt Coordinator |
| Sound | Patrick Hanlon | Sound Recordist |
| Lighting | James Doyle | Electrician |
| Production | Andrew Lowe | Executive Producer |
| Costume & Make-Up | Adelle Hickey | Assistant Costume Designer |
| Production | Ruth Power | Assistant Production Coordinator |
| Production | Evelyn McLoughlin | Production Accountant |
| Crew | Paul Cullen | Transportation Captain |
| Writing | Yasmine Akram | Original Story |
| Crew | Patrick Condren | Stunt Coordinator |
| Directing | Barry Keil | First Assistant Director |
| Production | Emma Norton | Executive Producer |
