Mary McArdle keert terug naar Drogheda na een korte periode in de gevangenis gezeten te hebben voor iets wat ze liever wil vergeten. Terug thuis blijkt dat alles en iedereen veranderd is. Haar beste vriendin Charlene staat op het punt te trouwen en Mary is bruidsmeisje. Wanneer Charlene Mary een gunst weigert op grond van het feit dat ze waarschijnlijk geen date kan vinden, is Mary vastbesloten haar ongelijk te bewijzen. Maar haar pogingen voor een afpraakje te maken zijn een ramp en ze belandt steeds meer in het gevoel dat ze er alleen voor staat... totdat ze Jess ontmoet en alles verandert.
Nee, helaas is A Date for Mad Mary nog niet beschikbaar op Netflix in Nederland.
| Production | Ed Guiney | Producer |
| Production | Louise Kiely | Casting |
| Directing | Darren Thornton | Director |
| Production | Juliette Bonass | Producer |
| Editing | Juangus Dinsmore | Editor |
| Camera | Ole Bratt Birkeland | Director of Photography |
| Editing | Tony Cranstoun | Editor |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Art | Kieran McNulty | Production Design |
| Writing | Colin Thornton | Writer |
| Sound | Juliet Martin | Music Supervisor |
| Costume & Make-Up | Sandra Kelly | Hair Department Head |
| Production | Eva-Jane Gaffney | Casting Assistant |
| Camera | Patrick Redmond | Still Photographer |
| Directing | Dave Moran | Script Supervisor |
| Camera | Karl Roche | Key Grip |
| Sound | Michelle McCormack | Foley Editor |
| Sound | Michelle Fingleton | Sound Effects Editor |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Art | Michael Moynihan | Art Direction |
| Visual Effects | Andy Clarke | VFX Artist |
| Visual Effects | Kevin O'Brien | VFX Artist |
| Writing | Darren Thornton | Writer |
| Sound | Niall Brady | Supervising Sound Editor |
| Costume & Make-Up | Clodagh Deegan | Costume Supervisor |
| Camera | Keith Durham | Steadicam Operator |
| Costume & Make-Up | Liz Byrne | Makeup Department Head |
| Lighting | Addo Gallagher | Gaffer |
| Camera | Bernard Walsh | Still Photographer |
| Writing | Yasmine Akram | Original Story |
| Production | Ruth Power | Assistant Production Coordinator |
| Crew | Paul Cullen | Transportation Captain |
| Editing | Anna Maria O'Flannagan | Additional Editing |
| Directing | Barry Keil | First Assistant Director |
| Production | Andrew Lowe | Executive Producer |
| Crew | Patrick Condren | Stunt Coordinator |
| Production | Rory Gilmartin | Executive Producer |
| Sound | Hugh Drumm | Original Music Composer |
| Sound | Stephen Rennicks | Original Music Composer |
| Sound | Alan Scully | Boom Operator |
| Lighting | Mark Lawless | Best Boy Electrician |
| Production | Mark Byrne | Executive Producer |
| Sound | Patrick Hanlon | Sound Recordist |
| Directing | Adrienne Greenhalgh | Second Assistant Director |
| Art | Sarah McLoughlin | Set Decoration |
| Crew | Joe Condren | Stunt Coordinator |
| Production | Pat Nangle | Location Manager |
| Production | Susan McDaid | Production Coordinator |
| Production | Evelyn McLoughlin | Production Accountant |
| Directing | Keith Barry | Third Assistant Director |
| Directing | Sandra Corbally | Third Assistant Director |
| Costume & Make-Up | Adelle Hickey | Assistant Costume Designer |
| Lighting | James Doyle | Electrician |
| Camera | Keith Durham | Camera Operator |
| Production | John Brady | Line Producer |
| Production | Emma Norton | Executive Producer |
| Crew | Emer O'Shea | Other |
