Dertig jaar na zijn eerste aanval keert Godzilla terug om Tokio voor de zoveelste keer in zak en as te leggen. Deze keer heeft de mensheid echter een gepast wapen tegen het monster: de hyper-geavanceerde straaljager Super X.
Nee, helaas is Gojira nog niet beschikbaar op Netflix in Nederland.
| Production | 金澤清美 | Producer |
| Production | Tony Randel | Producer |
| Directing | R.J. Kizer | Director |
| Production | Norio Hayashi | Producer |
| Directing | 橋本幸治 | Director |
| Art | Akio Tashiro | Set Decoration |
| Production | Danny Goldman | Casting |
| Writing | 田中友幸 | Story |
| Camera | 原一民 | Director of Photography |
| Art | 櫻木晶 | Art Direction |
| Costume & Make-Up | Kenji Kawasaki | Costume Design |
| Production | 田中文雄 | Associate Producer |
| Production | 田中友幸 | Executive Producer |
| Crew | 中野昭慶 | Special Effects |
| Editing | 黒岩義民 | Editor |
| Art | 櫻木晶 | Production Design |
| Writing | Lisa Tomei | Screenplay |
| Sound | 小六禮次郎 | Original Music Composer |
| Production | 田中忠雄 | Casting |
| Directing | Lee Berger | Assistant Director |
| Directing | 三好邦夫 | First Assistant Director |
| Production | Andrea Barshov Stern | Associate Producer |
| Directing | 山下賢章 | Assistant Director |
| Lighting | Shinji Kojima | Lighting Technician |
| Sound | Christopher Young | Music |
| Camera | Steven Dubin | Director of Photography |
| Editing | Michael Spence | Editor |
| Costume & Make-Up | 安丸信行 | Prosthetics |
| Directing | 大河原孝夫 | First Assistant Director |
| Crew | Mitsuo Miyakawa | Special Effects |
| Crew | Hideo Aoki | Military Consultant |
| Crew | Kohji Matsumoto | Special Effects |
| Crew | Tadaaki Watanabe | Pyrotechnician |
| Visual Effects | Yoshikazu Manoda | Visual Effects Camera |
| Crew | Eiichi Asada | Special Effects |
| Crew | 樋口真嗣 | Special Effects |
| Sound | Nobuyuki Tanaka | Sound Recordist |
| Visual Effects | Yoshikazu Manoda | Visual Effects |
| Visual Effects | Takeshi Yamamoto | VFX Director of Photography |
| Visual Effects | Takeaki Tsukada | Visual Effects Camera |
| Visual Effects | Kohhei Mikami | VFX Lighting Artist |
| Crew | Kohhei Mikami | Special Effects |
| Visual Effects | Takeaki Tsukada | Visual Effects |
| Visual Effects | Yoshio Ishii | Visual Effects Camera |
| Production | 森知貴秀 | Production Manager |
| Visual Effects | Takeshi Miyanishi | Visual Effects |
| Visual Effects | 中野昭慶 | Visual Effects Director |
| Visual Effects | Masayuki Ikeda | Visual Effects Production Manager |
| Visual Effects | Takeshi Miyanishi | Visual Effects Camera |
| Directing | Veronica Flynn | Script Supervisor |
| Camera | Takashi Nakao | Still Photographer |
| Visual Effects | Yoshio Ishii | Visual Effects |
| Crew | Kiyotaka Matsumoto | Special Effects |
| Crew | Mamoru Kume | Pyrotechnician |
| Visual Effects | 中野昭慶 | Visual Effects |
| Sound | Glenn E. Berkovitz | Boom Operator |
| Sound | Bob Biggart | Sound |
| Sound | Mark Sheret | Sound Mixer |
| Visual Effects | Bret Mixon | Visual Effects |
| Visual Effects | Toshimitsu Oneda | VFX Director of Photography |
| Camera | Samuel Buddy Fries | Assistant Camera |
| Production | James Melkonian | Post Production Coordinator |
| Editing | Diana Jackson | Negative Cutter |
| Lighting | Amy C. Halpern | Gaffer |
| Costume & Make-Up | Kathryn Sparks | Wardrobe Assistant |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Crew | Christopher Ward Trott | Driver |
| Sound | Bob Biggart | Supervising Sound Editor |
| Editing | Mehran Salamati | Assistant Editor |
| Sound | Lee Chaloukian | Sound Director |
| Crew | David Millheiser | Thanks |
| Art | Carol Christine Clements | Art Direction |
| Production | Lisa M. Dannenbaum | Production Assistant |
| Sound | Richard D. Rogers | ADR Mixer |
| Editing | Kevin Sewelson | Assistant Editor |
| Sound | Katsuaki Nakaya | Conductor |
| Crew | Robert Hamlin | Thanks |
| Camera | Tracy Neftzger | Key Grip |
| Art | Gregg Lacy | Assistant Art Director |
| Art | Ernest D. Farino | Main Title Designer |
| Writing | Straw Weisman | Writer |
| Costume & Make-Up | Carol Christine Clements | Hairstylist |
| Production | Ann Marie Trulove | Production Secretary |
| Sound | Joseph D. Citarella | Sound Re-Recording Mixer |
| Crew | Cynthia T. Lewis | Thanks |
| Visual Effects | Ernest D. Farino | Visual Effects |
| Art | Pam Moffat | Set Decoration |
| Production | Christopher Ward Trott | Production Assistant |
| Costume & Make-Up | Mary Michael George | Makeup & Hair |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Sound | 森幹生 | Dolby Consultant |
| Visual Effects | Yutaka Tsuchiya | Visual Effects |
| Editing | Fusako Takahashi | Negative Cutter |
| Camera | 石月美徳 | Still Photographer |
| Crew | 田原総一朗 | Thanks |
| Camera | Lewis A. Weinberg | Best Boy Grip |
| Camera | Paul S. Isiki | Best Boy Grip |
| Sound | Noboru Ikeda | Assistant Sound Engineer |
| Costume & Make-Up | Fumio Umezawa | Makeup Artist |
| Directing | Hiroko Kajiyama | Continuity |
| Directing | Hitoshi Hoshino | Second Assistant Director |
| Camera | Shunji Yokota | Grip |
| Costume & Make-Up | 安丸信行 | Costume Design |
| Art | Richard Kuhn | Swing |
| Art | Mutsumi Toyoshima | Production Design |
| Art | 井上 泰幸 | Production Design |
| Art | Yoshiki Kasahara | Construction Coordinator |
| Lighting | Akira Oba | Lighting Technician |
| Costume & Make-Up | 小林知己 | Costume Design |
| Costume & Make-Up | 小林知己 | Assistant Costume Designer |
| Writing | Raymond Burr | Writer |
| Writing | Tony Randel | Adaptation |
| Writing | 永原秀一 | Screenplay |
| Crew | Straw Weisman | Creative Consultant |
