Het is 1896 en de geruchtmakende Can-Can dans is verboden in Parijs. Dat weerhoudt een café eigenaresse er niet van de dans toch op te voeren, dit tot groot genoegen van haar gasten. Zij weet op slinkse wijze de wet te omzeilen, daar haar advocaat de corrupte rechter in zijn macht heeft.
Nee, helaas is Can-Can nog niet beschikbaar op Netflix in Nederland.
| Writing | Dorothy Kingsley | Screenplay |
| Writing | Charles Lederer | Screenplay |
| Directing | Walter Lang | Director |
| Camera | William H. Daniels | Director of Photography |
| Crew | Hermes Pan | Choreographer |
| Writing | Abe Burrows | Theatre Play |
| Production | Jack Cummings | Producer |
| Sound | Nelson Riddle | Conductor |
| Sound | Nelson Riddle | Music Arranger |
| Sound | Bobby Tucker | Vocal Coach |
| Costume & Make-Up | Irene Sharaff | Costume Design |
| Art | Lyle R. Wheeler | Art Direction |
| Art | Jack Martin Smith | Art Direction |
| Art | Walter M. Scott | Set Decoration |
| Art | Paul S. Fox | Set Decoration |
| Editing | Robert L. Simpson | Editor |
| Directing | Joseph E. Rickards | Assistant Director |
| Costume & Make-Up | Myrl Stoltz | Hairstylist |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Art | Tom Keogh | Title Designer |
| Sound | Fred Hynes | Recording Supervision |
| Sound | W. D. Flick | Sound |
| Costume & Make-Up | Tony Duquette | Costume Consultant |
| Camera | Leonard Doss | Other |
| Production | Saul Chaplin | Associate Producer |
| Writing | Cole Porter | Lyricist |
| Sound | Cole Porter | Music |
| Sound | Cole Porter | Songs |
