Al jaren maakt Houtsnijder Meneer Meacham kinderen blij met zijn verhalen over een woeste draak die diep in de donkere bossen van de Pacific Northwest woont. Zijn dochter Grace, die werkt als boswachter, vindt die verhalen maar ongeloofwaardig. Totdat zij Peter ontmoet, een mysterieuze jongen zonder huis en familie die samen beweert te leven met een gigantische, groene draak genaamd Elliott. De beschrijvingen die Peter over de draak vertelt, lijken verdacht veel op de draak uit de verhalen van Meneer Meacham. Daarom gaat Grace samen met haar vriendin Natalie op zoek naar de waarheid.
Nee, helaas is Peter en de Draak nog niet beschikbaar op Netflix in Nederland.
| Crew | Annette van Moorsel | Stunt Driver |
| Directing | David Lowery | Director |
| Visual Effects | Graham Binding | Senior Animator |
| Sound | Kevin Kaska | Orchestrator |
| Art | Jenny Morgan | Art Department Coordinator |
| Sound | Mark Jan Wlodarkiewicz | Music Editor |
| Sound | Dustin Cawood | Sound Effects Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Costume & Make-Up | Amanda Neale | Costume Design |
| Camera | Eric Zachanowich | Still Photographer |
| Sound | Ryan J. Frias | Sound Effects Editor |
| Sound | J.R. Grubbs | Sound Effects Editor |
| Costume & Make-Up | Jane O'Kane | Hair Designer |
| Sound | Dmitri Makarov | Sound Effects Editor |
| Costume & Make-Up | Pip Lingard | Costume Supervisor |
| Crew | Karl Chisholm | Special Effects Coordinator |
| Sound | Jonathan Borland | Sound Effects Editor |
| Art | Ken Turner | Art Direction |
| Art | Simon Bright | Set Decoration |
| Sound | Doug Winningham | Sound Effects Editor |
| Sound | Daniel Hart | Original Music Composer |
| Production | Debra Zane | Casting |
| Art | Kim Sinclair | Supervising Art Director |
| Sound | Pascal Garneau | Sound Effects Editor |
| Production | Jim Whitaker | Producer |
| Editing | Lisa Zeno Churgin | Editor |
| Visual Effects | Arthur Windus | Visual Effects Producer |
| Sound | Gwendolyn Yates Whittle | Supervising Sound Editor |
| Camera | Bojan Bazelli | Director of Photography |
| Costume & Make-Up | Katherine Milne | Assistant Costume Designer |
| Art | Jade Healy | Production Design |
| Visual Effects | Eric Saindon | Visual Effects Supervisor |
| Crew | Augie Davis | Stunt Coordinator |
| Costume & Make-Up | Stefan Knight | Key Makeup Artist |
| Sound | Christopher Boyes | Supervising Sound Editor |
| Writing | Toby Halbrooks | Screenplay |
| Directing | Joe Nolan | First Assistant Director |
| Writing | Malcolm Marmorstein | Original Film Writer |
| Crew | Allen E. Taylor | Production Controller |
| Costume & Make-Up | Catherine Maguire | Makeup & Hair |
| Production | Barrie M. Osborne | Executive Producer |
| Art | Rosie Guthrie | Assistant Art Director |
| Costume & Make-Up | Annell Brodeur | Costume Assistant |
| Camera | Andrew McGeorge | "B" Camera Operator |
| Camera | Garth Michael | Second Assistant "A" Camera |
| Camera | Lewis Garland | Camera Trainee |
| Directing | Bruno Du Bois | Second Assistant Director |
| Costume & Make-Up | Jane O'Kane | Makeup Designer |
| Costume & Make-Up | Kendal Ferguson | Makeup & Hair |
| Costume & Make-Up | Michael Krehl | Makeup & Hair |
| Sound | Tony Johnson | Sound Mixer |
| Production | Carthew Neal | Associate Producer |
| Camera | Cameron McLean | "A" Camera Operator |
| Production | Angela Heald | Production Coordinator |
| Sound | John Simpson | Foley Editor |
| Sound | Ronni Brown | Foley Artist |
| Art | Ben Whale | Set Dresser |
| Production | Jill Soper | Production Supervisor |
| Sound | Kent Sparling | Sound Designer |
| Sound | Lisa Simpson | Foley Mixer |
| Camera | Tony Keddy | Key Grip |
| Art | Amber Richards | Lead Set Dresser |
| Costume & Make-Up | Tamara Eyre | Makeup & Hair |
| Editing | Greg Daniels | Assistant Editor |
| Sound | Marilyn McCoppen | ADR Supervisor |
| Sound | Steve Bissinger | Foley Editor |
| Sound | Jamie Branquinho | Assistant Sound Editor |
| Sound | Doc Kane | ADR Mixer |
| Art | Gillian West-Walker | Set Dresser |
| Production | Holly Keeman | Production Secretary |
| Art | Mark Vena | Storyboard Artist |
| Costume & Make-Up | Stefan Knight | Key Hair Stylist |
| Visual Effects | Ethan B. Henerey | VFX Editor |
| Sound | Luke Dunn Gielmuda | Additional Sound Re-Recording Mixer |
| Lighting | David Brown | Gaffer |
| Lighting | David Brown | Rigging Gaffer |
| Art | Jess Bauer | Set Dresser |
| Production | Dylan Jury | Casting Associate |
| Production | Kathryn Mueller | Casting Assistant |
| Sound | Kevin Kaska | Conductor |
| Production | Adam Borba | Co-Producer |
| Art | Jill Cormack | Art Direction |
| Camera | George Hennah | First Assistant "B" Camera |
| Camera | Peter McCaffrey | Additional Camera |
| Sound | Corrin Ellingford | Boom Operator |
| Lighting | Byron Sparrow | Best Boy Electric |
| Crew | Jai Ingram | Special Effects Assistant |
| Art | Yvonne Yip | Set Designer |
| Art | Electra Sinclair | Graphic Designer |
| Writing | David Lowery | Screenplay |
| Production | Margaret Hilliard | Unit Production Manager |
| Sound | Andrea Gard | Foley Editor |
| Crew | Jacque Drew | Dialect Coach |
| Sound | Frank Rinella | Foley Mixer |
| Sound | Judy Kirschner | Foley Mixer |
| Crew | Amber Wakefield | Transportation Coordinator |
| Sound | Jeff Gersh | ADR Mixer |
| Art | Robin Jones | Set Dresser |
| Camera | Dean Morin | First Assistant "A" Camera |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Margie O'Malley | Foley Artist |
| Sound | Steve Finnigan | ADR Recordist |
| Production | Liz Mullane | Local Casting |
| Costume & Make-Up | Gemma Hinchey | Costume Assistant |
| Camera | Cameron McLean | Steadicam Operator |
| Camera | Dusty Millar | Second Assistant "B" Camera |
| Directing | Dianne Moffatt | Script Supervisor |
| Crew | Heidi Vogel | Post Production Supervisor |
| Editing | Craig Dewey | First Assistant Editor |
| Sound | Jeanette Browning | ADR Recordist |
| Art | Sandy Burton-Davis | Art Department Assistant |
| Crew | Andrew Lipschultz | Unit Publicist |
| Visual Effects | Tracy L. Kettler | Visual Effects Production Manager |
| Editing | Emily Wallin | 3D Editor |
| Sound | Kent Sparling | Additional Sound Re-Recording Mixer |
| Sound | Casey Langfelder | Assistant Sound Editor |
| Production | Margaux Susi | Casting Assistant |
| Visual Effects | C.J. LePage | Visual Effects Coordinator |
| Lighting | Jonathan Spencer | Chief Lighting Technician |
| Production | Clayton Tikao | Location Manager |
| Sound | Gary Rizzo | Additional Sound Re-Recording Mixer |
| Sound | John Simpson | Foley Artist |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Tasha Lang | Property Master |
| Visual Effects | Steve Ingram | Special Effects Supervisor |
| Production | Shayna Markowitz | Casting Associate |
| Production | Ashley Lambert | ADR Voice Casting |
| Crew | Andrew Cottle | Stunt Double |
| Crew | Michael Homick | Stunt Driver |
| Crew | Mark Trotter | Stunt Double |
| Crew | Noel Atley | Stunt Driver |
| Crew | Bronson Steele | Stunt Double |
| Crew | Siosa Fonua | Stunt Double |
| Visual Effects | Ronan Binding | Animation |
| Art | Adam Willis | Set Decoration |
| Writing | Seton I. Miller | Short Story |
| Writing | S.S. Field | Short Story |
| Visual Effects | Oliver Ferguson | Visual Effects Technical Director |
