Vier decennia zijn verstreken sinds Arthur Kipps naar Eel Marsh House afreisde. Nu 40 jaar later komt een groep kinderen die geëvacueerd zijn uit de Tweede Wereldoorlog in Londen aan, wat er voor zorgt dat de meest duistere inwoners van het huis ontwaken.
Nee, helaas is The Woman in Black 2: Angel of Death nog niet beschikbaar op Netflix in Nederland.
| Sound | Jeff Richardson | Dialogue Editor |
| Writing | Susan Hill | Story |
| Writing | Jon Croker | Screenplay |
| Directing | Tom Harper | Director |
| Production | Tobin Armbrust | Producer |
| Production | Guy East | Executive Producer |
| Production | Jane Hooks | Co-Producer |
| Production | Marc Schipper | Executive Producer |
| Production | Julie Harkin | Casting |
| Production | Jillian Longnecker | Associate Producer |
| Production | Roy Lee | Executive Producer |
| Sound | Marcus Trumpp | Original Music Composer |
| Production | Simon Oakes | Producer |
| Production | Neil Dunn | Executive Producer |
| Sound | Marco Beltrami | Original Music Composer |
| Production | Nigel Sinclair | Executive Producer |
| Art | Jacqueline Abrahams | Production Design |
| Production | Richard Toussaint | Executive Producer |
| Editing | Mark Eckersley | Editor |
| Production | Ian Watermeier | Co-Producer |
| Production | Ben Holden | Producer |
| Production | Aliza James | Associate Producer |
| Production | Richard Jackson | Producer |
| Sound | Brandon Roberts | Original Music Composer |
| Costume & Make-Up | Vincent Dumas | Costume Supervisor |
| Writing | Susan Hill | Writer |
| Art | Toby Riches | Art Direction |
| Art | Claudio Campana | Art Direction |
| Directing | Marnie Paxton | Script Supervisor |
| Costume & Make-Up | Annie Symons | Costume Design |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Camera | Jon Beacham | Camera Operator |
| Lighting | Wick Finch | Gaffer |
| Production | Kevin Riddle | Casting Associate |
| Camera | George Steel | Director of Photography |
| Lighting | Dave Ridout | Rigging Gaffer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Costume & Make-Up | Samantha Kininmonth | Makeup Artist |
| Sound | Peter Burgis | Foley |
| Camera | Nick Wall | Still Photographer |
| Camera | Harry Bowers | First Assistant Camera |
| Camera | Tim Wooster | Underwater Camera |
| Sound | John Warhurst | Music Editor |
| Art | Jille Azis | Set Decoration |
| Sound | Andy Kennedy | Sound Designer |
| Costume & Make-Up | Cate Hall | Hair Designer |
| Camera | Richard Cornelius | Steadicam Operator |
| Visual Effects | Nick Rideout | Special Effects Supervisor |
| Sound | Stuart Hilliker | Sound Re-Recording Mixer |
| Editing | Tim Drewett | Digital Intermediate |
| Costume & Make-Up | Sophie Slotover | Hairstylist |
| Editing | Steven Worsley | First Assistant Editor |
| Editing | Tom Cairns | Digital Intermediate |
| Editing | Steve Owen | Digital Intermediate |
| Sound | Alex Ellerington | Sound Effects Editor |
| Costume & Make-Up | Hannah Edwards | Hairstylist |
| Costume & Make-Up | Cate Hall | Makeup Designer |
| Editing | Laura Daniel | Digital Intermediate |
| Sound | Forbes Noonan | Sound Re-Recording Mixer |
| Sound | Lee Walpole | Sound Designer |
| Sound | Joe Beal | Sound Effects Editor |
| Sound | Lee Walpole | Supervising Sound Editor |
| Editing | François Kamffer | Digital Intermediate |
| Art | Andrew Munro | Supervising Art Director |
| Crew | Andy Bennett | Stunt Coordinator |
| Sound | Andie Derrick | Foley |
| Crew | Justin Pearson | Stunt Double |
| Crew | Annabel Canaven | Stunt Double |
| Crew | Craig Garner | Stunt Double |
| Production | Ryan Kavanaugh | Executive Producer |
