Rechercheur Hazel Micallef (Sarandon) woont al haar hele leven in Port Dundas, een Canadees stadje waar normaal gesproken nooit iets gebeurt. Wanneer het lichaam van een vermoorde bejaarde vrouw gevonden wordt, neemt rechercheur Hazel de leiding van het onderzoek op zich. Het spoor leidt naar een meedogenloze seriemoordenaar die gedreven wordt door een hogere macht.
Nee, helaas is The Calling nog niet beschikbaar op Netflix in Nederland.
| Writing | Scott Abramovitch | Screenplay |
| Directing | Jason Stone | Director |
| Writing | Inger Ash Wolfe | Novel |
| Sound | Andrew Tay | Sound Re-Recording Mixer |
| Sound | Katie Halliday | Sound Effects Editor |
| Editing | Aaron Marshall | Editor |
| Art | Christina Kuhnigk | Set Decoration |
| Costume & Make-Up | Sandy Sokolowski | Hairstylist |
| Crew | Chris Bridges | Makeup Effects |
| Camera | David Robert Jones | Director of Photography |
| Lighting | Dave Owen | Gaffer |
| Production | Robin D. Cook | Casting |
| Production | Nicholas Tabarrok | Producer |
| Costume & Make-Up | Ma Kalaadevi Ananda | Makeup Department Head |
| Sound | Adam Stein | Sound Effects Editor |
| Sound | Brad Zoern | Sound Re-Recording Mixer |
| Crew | Kim Yu | Unit Publicist |
| Production | Andrew Gainor | Location Manager |
| Camera | Kerry Hayes | Still Photographer |
| Production | Lonny Dubrofsky | Producer |
| Art | Oleg M. Savytski | Production Design |
| Crew | Mark Van Alstyne | Transportation Coordinator |
| Directing | Lisa Burling | Script Supervisor |
| Costume & Make-Up | Jenny Arbour | Hairstylist |
| Editing | Robert Doyle | First Assistant Editor |
| Art | Michele Brady | Art Direction |
| Sound | Goro Koyama | Foley |
| Production | Scott Abramovitch | Producer |
| Art | Bill Vance | Construction Coordinator |
| Costume & Make-Up | Georgina Yarhi | Costume Design |
| Art | Rebecca Zhao | Assistant Art Director |
| Camera | Iain Baird | Steadicam Operator |
| Crew | Matt Birman | Stunt Coordinator |
| Sound | Mark Gingras | Supervising Sound Editor |
| Crew | Billy Buttery | Second Unit Cinematographer |
| Crew | Bill Boyd | Picture Car Coordinator |
| Sound | Grayson Matthews | Original Music Composer |
| Production | Randy Manis | Producer |
| Production | Lisa Perone | Production Coordinator |
| Directing | Pierre Ouellet | First Assistant Director |
| Costume & Make-Up | Robyn Rosenberg | Costume Supervisor |
| Camera | Rudolf Mammitzsch | Assistant Camera |
| Lighting | Alex Lawrence | Lighting Technician |
| Camera | Adam McDonald | Key Grip |
| Camera | Mikhail Ramtahal | Grip |
| Costume & Make-Up | Alastair Muir | Key Makeup Artist |
| Art | David Joseph | Assistant Set Decoration |
| Camera | Michael Yablonski | Camera Trainee |
| Art | Kerry Spurrell | Property Master |
| Camera | Marc Forand | Digital Imaging Technician |
| Camera | Mark Giles | First Assistant Camera |
| Sound | Jack Bourdon | Boom Operator |
| Sound | Dorian Williamson | Boom Operator |
| Sound | Thomas Hidderley | Sound Mixer |
| Visual Effects | Darren Locke | VFX Artist |
| Visual Effects | Rex Alerta | VFX Artist |
| Production | Jonathan Oliveira | Casting Associate |
| Production | Ashley Gray | Casting Assistant |
| Sound | Emilie Boucek | Assistant Sound Editor |
| Editing | Peter Armstrong | Digital Intermediate Producer |
| Sound | Tom Ryan | ADR Mixer |
| Editing | Dave Muscat | Digital Intermediate Editor |
| Editing | Pietro Gallo | Online Editor |
