Professor Parker neemt iedere dag de trein naar de universiteit. Op een dag ziet hij een schattige puppy zonder baasje in het station. Hij neemt het hondje mee naar huis en er ontstaat een zeer innige vriendschap tussen de twee.
Nee, helaas is Hachi: A Dog's Tale nog niet beschikbaar op Netflix in Nederland.
| Writing | Stephen P. Lindsey | Screenplay |
| Directing | Lasse Hallström | Director |
| Production | Bill Johnson | Producer |
| Editing | Kristina Boden | Editor |
| Production | Paul A. Levin | Associate Producer |
| Production | Tom Luse | Co-Executive Producer |
| Sound | Jan A. P. Kaczmarek | Original Music Composer |
| Production | Stewart McMichael | Executive Producer |
| Production | Jim Seibel | Executive Producer |
| Production | Jeff Abberley | Executive Producer |
| Production | Julia Blackman | Executive Producer |
| Production | Paul Mason | Executive Producer |
| Camera | Ron Fortunato | Director of Photography |
| Production | Warren T. Goz | Executive Producer |
| Production | Rick Montgomery | Casting |
| Production | Richard Gere | Producer |
| Production | Shin Torisawa | Producer |
| Visual Effects | David Isyomin | Visual Effects Supervisor |
| Crew | John Ruggieri | Special Effects Coordinator |
| Production | Robert Ortiz | Unit Production Manager |
| Costume & Make-Up | LuAnn Claps | Makeup Department Head |
| Sound | Roberto Cappannelli | Sound Re-Recording Mixer |
| Sound | Damian Volpe | Sound Effects Editor |
| Camera | Francis Spieldenner | Steadicam Operator |
| Lighting | Craig Gleason | Electrician |
| Camera | Bruce MacCallum | Camera Operator |
| Directing | Robin Squibb | Script Supervisor |
| Costume & Make-Up | Deborah Newhall | Costume Design |
| Crew | Cammeron Truesdale | Scenic Artist |
| Costume & Make-Up | Lyndell Quiyou | Key Hair Stylist |
| Costume & Make-Up | Nichole Pleau | Makeup Artist |
| Crew | Caspar von Winterfeldt | Thanks |
| Lighting | John W. DeBlau | Gaffer |
| Writing | Jason Mayoh | Storyboard |
| Sound | Dave Paterson | Supervising Sound Editor |
| Camera | Joseph Battista | Grip |
| Sound | Liz Gallacher | Music Supervisor |
| Sound | Gioia Birkett-Foa | Boom Operator |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Camera | Eric Engler | Grip |
| Camera | William L. Flanagan | Grip |
| Crew | Steven Feinberg | Thanks |
| Art | Peter Wilcox | Construction Coordinator |
| Sound | Sally Swisher | Music Editor |
| Directing | Cara Giallanza | First Assistant Director |
| Sound | Mary Ellen Porto | Dialogue Editor |
| Art | Aimee Butterfield | Set Dresser |
| Sound | Anton Gold | Sound Mixer |
| Sound | Sylvia Menno | Dialogue Editor |
| Sound | Mary Ellen Porto | ADR Editor |
| Sound | Matthew Haasch | Foley Editor |
| Sound | Sondra James | Loop Group Coordinator |
| Sound | Rachel Chancey | Foley Supervisor |
| Writing | Kaneto Shindō | Original Film Writer |
| Production | Dwight Opperman | Associate Producer |
| Production | Dean Schnider | Co-Producer |
| Production | Michael Viner | Associate Producer |
| Art | Chad Detwiller | Production Design |
| Production | Steph Accetta | Unit Production Manager |
| Production | Vicki Shigekuni Wong | Producer |
| Production | Julie Chrystyn | Associate Producer |
| Production | Samuel H. Frankel | Co-Executive Producer |
| Directing | Stephen E. Hagen | Second Assistant Director |
| Crew | Skip Shea | Stand In |
