Tijdens de Koude Oorlog wordt een Amerikaanse nucleaire onderzeeër aangevallen, en zinkt naar de bodem van de oceaan. De marine vraagt de hulp van een aantal mensen die aan het werk zijn op een nabijgelegen olieplatform om de onderzeeër te lokaliseren.
Nee, helaas is The Abyss nog niet beschikbaar op Netflix in Nederland.
| Production | Howard Feuer | Casting |
| Production | Gale Anne Hurd | Producer |
| Production | Van Ling | Producer |
| Directing | James Cameron | Director |
| Art | Anne Kuljian | Set Decoration |
| Sound | Alan Silvestri | Original Music Composer |
| Camera | Mikael Salomon | Director of Photography |
| Art | Leslie Dilley | Production Design |
| Crew | Mike Johnson | Stunts |
| Editing | Howard E. Smith | Editor |
| Editing | Joel Goodman | Editor |
| Costume & Make-Up | Deena Appel | Costume Supervisor |
| Editing | Conrad Buff IV | Editor |
| Art | Joseph C. Nemec III | Art Direction |
| Costume & Make-Up | Kathryn Fenton | Makeup Artist |
| Art | Russell Christian | Art Direction |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Camera | Richard Foreman Jr. | Still Photographer |
| Crew | Chuck Clarke | Transportation Coordinator |
| Crew | Michael T. Daigle | Scenic Artist |
| Camera | George D. Dodge | Camera Operator |
| Camera | Paul C. Babin | Camera Operator |
| Sound | Joseph T. Sabella | Foley |
| Crew | Kathy Chasen-Hay | Visual Effects Editor |
| Visual Effects | Diana Shornstein | Visual Effects Producer |
| Art | Thomas P. Wilkins | Set Designer |
| Crew | Joe Viskocil | Special Effects Coordinator |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Art | Andrew Precht | Set Designer |
| Sound | John Roesch | Foley |
| Visual Effects | Steve Johnson | Visual Effects Supervisor |
| Art | Gershon Ginsburg | Set Designer |
| Sound | Blake Leyh | Sound Designer |
| Visual Effects | Ned Gorman | Visual Effects Producer |
| Lighting | Mark A. Shelton | Gaffer |
| Lighting | George S. Neil | Gaffer |
| Camera | Bob Gorelick | Steadicam Operator |
| Visual Effects | Walt Conti | Visual Effects Supervisor |
| Art | Brian Cole | Sculptor |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Crew | Dick Warlock | Stunt Coordinator |
| Art | Screaming Mad George | Sculptor |
| Sound | Dody Dorn | Supervising Sound Editor |
| Visual Effects | Laura Buff | Visual Effects Producer |
| Art | Mary Alice Palmer | Art Department Coordinator |
| Art | George Stokes | Construction Coordinator |
| Sound | Greg Orloff | Foley |
| Crew | Miller Drake | Visual Effects Editor |
| Camera | Jordan Klein Jr. | Underwater Camera |
| Art | Dan Webster | Assistant Art Director |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Sound | Kenneth Karman | Music Editor |
| Lighting | Dwight Campbell | Gaffer |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Crew | Steve Kelso | Stunts |
| Crew | Glory Fioramonti | Stunts |
| Crew | Marcia Holley | Stunts |
| Crew | Kerry Rossall | Stunts |
| Crew | Diane Hetfield | Stunts |
| Crew | Loren Janes | Stunts |
| Writing | James Cameron | Writer |
| Visual Effects | Christopher Warren | Visual Effects Production Assistant |
| Camera | J. Michael Muro | Steadicam Operator |
| Crew | Pat Romano | Stunts |
| Sound | Lee Orloff | Sound mixer |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Camera | Bobby Huber | Key Grip |
| Art | Karen Steward | Painter |
| Camera | Robert Hoelen | Grip |
| Crew | Brian Delahanty | Transportation Captain |
| Art | Ron Cobb | Conceptual Design |
| Camera | Ian Fox | First Assistant Camera |
| Crew | Dominic Jack Pizzo, Sr. | Stand In |
| Art | Tom Jones Jr. | Construction Foreman |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Crew | Stephan Schultze | Craft Service |
| Lighting | W.D. Hill | Rigging Grip |
| Costume & Make-Up | General Fermon Judd Jr. | Set Dressing Artist |
| Lighting | Vince Pace | Electrician |
| Production | Vince Heileson | Production Accountant |
| Art | Joe Cooper | Standby Painter |
| Art | Michele Moen | Production Illustrator |
| Lighting | James M. McEwen | Best Boy Electric |
| Production | Dennis Osborne | Casting Associate |
| Crew | Robert Garrett | Additional Music |
| Editing | Bob Hagans | Color Timer |
| Production | Andrew Chapman | Location Manager |
| Art | John D. Kretschmer | Leadman |
| Production | Charles Skouras III | Production Manager |
| Crew | Nancy Blewer | Set Production Assistant |
| Crew | John Anderson | Driver |
| Crew | Anne Marie Stein | Unit Publicist |
| Lighting | Richard Mula | Lighting Supervisor |
| Crew | Neil Gahm | Propmaker |
| Production | Paul Tivers | Production Supervisor |
| Sound | George Leong | Boom Operator |
| Visual Effects | Mike Chambers | Visual Effects Coordinator |
| Sound | Stuart Copely | Sound Editor |
| Visual Effects | Jeff Burks | Animation Supervisor |
| Crew | Jack Cornish | Carpenter |
| Crew | Clay Boss | Stunts |
| Crew | David Schmalz | Video Assist Operator |
| Production | Laura Greenlee | Production Coordinator |
| Sound | Howell Gibbens | Assistant Sound Editor |
| Sound | James B. Campbell | Orchestrator |
| Crew | Frank Lloyd | Stunts |
| Crew | Rick Avery | Stunts |
| Art | Emily Yudell | Property Master |
| Sound | Robert Renga | Sound Recordist |
| Sound | Joe Dorn | ADR Editor |
| Directing | Newt Arnold | First Assistant Director |
| Art | Charles Stewart | Property Master |
| Visual Effects | John Bruno | Visual Effects Supervisor |
| Crew | Denney Pierce | Stunts |
| Crew | Michael Cassidy | Stunts |
| Art | Ernest Farino | Title Designer |
| Visual Effects | Erik Henry | Visual Effects Assistant Editor |
| Crew | Jon H. Epstein | Stunt Double |
| Sound | Carolyn Tapp | Foley Recordist |
| Crew | Donn Markel | Special Effects Technician |
| Sound | Kevin Bartnof | Foley Artist |
| Sound | Marian Wilde | Foley Supervisor |
| Visual Effects | Kristina Birkmayer | Visual Effects Production Manager |
| Art | Linda Waxman | Assistant Property Master |
| Sound | Roy Seeger | Apprentice Sound Editor |
| Camera | Michael Griffin | Assistant Camera |
| Art | Charlotte Patterson | Construction Buyer |
| Art | Phillip Norwood | Storyboard Artist |
| Art | Jean Giraud | Concept Artist |
| Sound | Marilyn Graf | Foley Mixer |
| Camera | David Luckenbach | Additional Second Assistant Camera |
| Sound | David Jobe | ADR Recordist |
| Camera | Scott R. Davis | Best Boy Grip |
| Sound | Robert Deschaine | ADR Mixer |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Patrick Murray | Underwater Gaffer |
| Editing | Jim English | Project Manager |
| Camera | Marc Brown | Second Assistant Camera |
| Production | Jennifer C. Bell | Production Secretary |
| Crew | Gene Witham | Technical Advisor |
| Production | Hilbert Hakim | Key Set Production Assistant |
| Lighting | Charles 'Tom' Hinson | Key Rigging Grip |
| Crew | Randy E. Moore | Weapons Master |
| Production | Matt Brown | Production Assistant |
| Production | Beth DePatie | Assistant Production Coordinator |
| Crew | Timothy Greenwood | Editorial Staff |
| Visual Effects | Larz Anderson | Effects Supervisor |
| Costume & Make-Up | Joshua Keep | Wardrobe Assistant |
| Production | Robert Gordon | Assistant Accountant |
| Directing | Verónica González Rubio | Second Assistant Director |
| Camera | Jimmy Leavens | Dolly Grip |
| Editing | Christopher Koefoed | Assistant Editor |
| Production | Tekin Cetinkaya | Assistant Unit Manager |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Art | Peter Childs | Supervising Art Director |
| Editing | Steven Quale | Editor |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Crew | Wilson Tang | Visual Effects Art Director |
| Sound | Ralph Williams | Musician |
| Visual Effects | Steve Williams | CG Artist |
| Visual Effects | Julia Gibson | Visual Effects Producer |
