Het is 1855 en een vrouwelijke pionier besluit samen met een man op te trekken om een wagen met een aantal vrouwen van Nebraska naar Iowa te leiden. De meereizende vrouwen zijn gek geworden van de gruwelheden die ze aan de bijna onbewoonde grens hebben moeten doorstaan en moeten daarom zo snel mogelijk terug naar de bewoonde wereld, richting het oosten. Ze blijken echter niet zomaar meteen van alle ellende te zijn verlost.
Nee, helaas is The Homesman nog niet beschikbaar op Netflix in Nederland.
| Directing | Tommy Lee Jones | Director |
| Writing | Tommy Lee Jones | Writer |
| Writing | Kieran Fitzgerald | Writer |
| Writing | Wesley Oliver | Writer |
| Writing | Glendon Swarthout | Novel |
| Production | Luc Besson | Producer |
| Production | Peter Brant | Producer |
| Production | Brian Kennedy | Producer |
| Production | G. Hughes Abell | Executive Producer |
| Production | Deborah Dobson Bach | Executive Producer |
| Production | Michael Fitzgerald | Executive Producer |
| Production | Tommy Lee Jones | Executive Producer |
| Production | Richard Romero | Executive Producer |
| Sound | Marco Beltrami | Original Music Composer |
| Editing | Roberto Silvi | Editor |
| Production | Jeanne McCarthy | Casting |
| Art | Merideth Boswell | Production Design |
| Art | Guy Barnes | Art Direction |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Costume & Make-Up | Lahly Poore | Costume Design |
| Camera | Rodrigo Prieto | Director of Photography |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Costume & Make-Up | Melissa Yonkey | Hairstylist |
| Costume & Make-Up | Vivian Baker | Makeup Department Head |
| Costume & Make-Up | David Atherton | Makeup Department Head |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Art | Rosario Provenza | Assistant Art Director |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Art | Paul Judges | Greensman |
| Art | Johnny Long | Greensman |
| Art | James Duddy | Greensman |
| Art | Severino Gonzales | Leadman |
| Art | Dennis Riewerts | Leadman |
| Art | Heidi Mayfield | Set Decoration Buyer |
| Sound | Matt Kunau | Dolby Consultant |
| Sound | Mike Horton | Foley |
| Sound | Phil Barrie | Sound Effects Editor |
| Sound | Derek Vanderhorst | Sound Designer |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Jim Schultz | Sound Re-Recording Mixer |
| Sound | David Bach | Supervising Sound Editor |
| Crew | Blair Foord | Special Effects Coordinator |
| Crew | Juan Luis Gorjon | CGI Supervisor |
| Visual Effects | Helen Martí Donoghue | Visual Effects Producer |
| Visual Effects | Félix Bergés | Visual Effects Supervisor |
| Crew | William H. Burton Sr. | Stunt Coordinator |
| Camera | Robert Presley | Steadicam Operator |
| Camera | Dawn Jones | Still Photographer |
| Lighting | Lamarr Gray | Rigging Gaffer |
| Lighting | Greg Davis | Rigging Gaffer |
| Costume & Make-Up | Emily Egge | Costume Supervisor |
| Costume & Make-Up | Mara Herdmann | Set Costumer |
| Costume & Make-Up | Claire Sandrin | Set Costumer |
| Editing | Devon Miller | Digital Intermediate |
| Editing | Loan Phan | Digital Intermediate |
| Sound | Jim Schultz | Music Editor |
| Crew | Patrick A. Reynolds Jr. | Transportation Coordinator |
| Directing | Pam Fuller | Script Supervisor |
| Production | Rebecca Puck Stair | Location Manager |
| Crew | Allegro Hopkins | Studio Teachers |
| Crew | Lucas Moore | Studio Teachers |
| Art | Keith Walters | Property Master |
| Directing | Kevin Black | Second Second Assistant Director |
| Crew | Heather Burton | Stunts |
| Sound | Walter Spencer | Foley Artist |
| Production | Faith Strongheart | Production Coordinator |
