Het is 1855 en een vrouwelijke pionier besluit samen met een man op te trekken om een wagen met een aantal vrouwen van Nebraska naar Iowa te leiden. De meereizende vrouwen zijn gek geworden van de gruwelheden die ze aan de bijna onbewoonde grens hebben moeten doorstaan en moeten daarom zo snel mogelijk terug naar de bewoonde wereld, richting het oosten. Ze blijken echter niet zomaar meteen van alle ellende te zijn verlost.
Nee, helaas is The Homesman nog niet beschikbaar op Netflix in Nederland.
| Directing | Tommy Lee Jones | Director |
| Writing | Wesley Oliver | Writer |
| Writing | Tommy Lee Jones | Writer |
| Writing | Kieran Fitzgerald | Writer |
| Production | Brian Kennedy | Producer |
| Writing | Glendon Swarthout | Novel |
| Production | Deborah Dobson Bach | Executive Producer |
| Production | Richard Romero | Executive Producer |
| Costume & Make-Up | Lahly Poore | Costume Design |
| Art | Guy Barnes | Art Direction |
| Sound | Marco Beltrami | Original Music Composer |
| Art | Merideth Boswell | Production Design |
| Production | Luc Besson | Producer |
| Production | Jeanne McCarthy | Casting |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Production | G. Hughes Abell | Executive Producer |
| Production | Tommy Lee Jones | Executive Producer |
| Production | Michael Fitzgerald | Executive Producer |
| Production | Peter Brant | Producer |
| Editing | Roberto Silvi | Editor |
| Sound | Phil Barrie | Sound Effects Editor |
| Crew | William H. Burton Sr. | Stunt Coordinator |
| Lighting | Greg Davis | Rigging Gaffer |
| Editing | Loan Phan | Digital Intermediate |
| Sound | Jim Schultz | Sound Re-Recording Mixer |
| Costume & Make-Up | Emily Egge | Costume Supervisor |
| Art | Johnny Long | Greensman |
| Visual Effects | Félix Bergés | Visual Effects Supervisor |
| Editing | Devon Miller | Digital Intermediate |
| Art | Severino Gonzales | Leadman |
| Sound | David Bach | Supervising Sound Editor |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Camera | Robert Presley | Steadicam Operator |
| Costume & Make-Up | Mara Herdmann | Set Costumer |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Art | Dennis Riewerts | Leadman |
| Crew | Allegro Hopkins | Studio Teachers |
| Crew | Patrick A. Reynolds Jr. | Transportation Coordinator |
| Visual Effects | Helen Martí Donoghue | Visual Effects Producer |
| Directing | Pam Fuller | Script Supervisor |
| Costume & Make-Up | David Atherton | Makeup Department Head |
| Lighting | Lamarr Gray | Rigging Gaffer |
| Costume & Make-Up | Claire Sandrin | Set Costumer |
| Art | Rosario Provenza | Assistant Art Director |
| Art | Heidi Mayfield | Set Decoration Buyer |
| Sound | Derek Vanderhorst | Sound Designer |
| Costume & Make-Up | Melissa Yonkey | Hairstylist |
| Costume & Make-Up | Vivian Baker | Makeup Department Head |
| Art | James Duddy | Greensman |
| Sound | Matt Kunau | Dolby Consultant |
| Crew | Juan Luis Gorjon | CGI Supervisor |
| Camera | Dawn Jones | Still Photographer |
| Production | Rebecca Puck Stair | Location Manager |
| Camera | Rodrigo Prieto | Director of Photography |
| Crew | Blair Foord | Special Effects Coordinator |
| Crew | Lucas Moore | Studio Teachers |
| Art | Paul Judges | Greensman |
| Sound | Mike Horton | Foley |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Sound | Jim Schultz | Music Editor |
| Sound | Walter Spencer | Foley Artist |
| Art | Keith Walters | Property Master |
| Crew | Heather Burton | Stunts |
| Directing | Kevin Black | Second Second Assistant Director |
