New York, 1952. Carol is elegant, verfijnd, rijk en getrouwd. Theresa staat aan het begin van haar leven, onzeker over wie ze wil worden. Uit een toevallige ontmoeting in een warenhuis in Manhattan ontstaat een bijzondere vriendschap tussen deze twee vrouwen. Carol nodigt Therese uit om te ontsnappen en ze ondernemen een spontane reis door Amerika.
Nee, helaas is Carol nog niet beschikbaar op Netflix in Nederland.
| Directing | Todd Haynes | Director |
| Production | Dorothy Berwin | Executive Producer |
| Production | Elizabeth Karlsen | Producer |
| Production | Christine Vachon | Producer |
| Production | Stephen Woolley | Producer |
| Art | Judy Becker | Production Design |
| Art | Heather Loeffler | Set Decoration |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Production | Gwen Bialic | Line Producer |
| Writing | Patricia Highsmith | Novel |
| Writing | Phyllis Nagy | Screenplay |
| Camera | Edward Lachman | Director of Photography |
| Editing | Affonso Gonçalves | Editor |
| Production | Laura Rosenthal | Casting |
| Sound | Randall Poster | Music Supervisor |
| Production | Thorsten Schumacher | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
| Production | Harvey Weinstein | Executive Producer |
| Production | Danny Perkins | Executive Producer |
| Production | Cate Blanchett | Executive Producer |
| Production | Andrew Upton | Executive Producer |
| Sound | Carter Burwell | Original Music Composer |
| Production | Tessa Ross | Producer |
| Art | Jesse Rosenthal | Art Direction |
| Camera | Wilson Webb | Still Photographer |
| Directing | Belle Francisco | Script Supervisor |
| Costume & Make-Up | David Davenport | Costume Supervisor |
| Costume & Make-Up | Jerry DeCarlo | Hair Department Head |
| Costume & Make-Up | Patricia Regan | Makeup Department Head |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Sound | Todd Kasow | Music Editor |
| Camera | Craig Haagensen | Camera Operator |
| Costume & Make-Up | John Jack Curtin | Key Hair Stylist |
| Costume & Make-Up | Jeni Lee Dinkel | Makeup Artist |
| Costume & Make-Up | Anne Taylor | Makeup Artist |
| Crew | Gretchen McGowan | Post Production Supervisor |
| Directing | Jesse Nye | First Assistant Director |
| Art | Francis Link Boysie | Construction Foreman |
| Art | Daniel Fisher | Property Master |
| Art | Eric Johns | Greensman |
| Crew | Luke Nye | Prop Maker |
| Art | Paul Peabody | Construction Coordinator |
| Art | Bob Smith | Leadman |
| Art | Christopher Walters | Leadman |
| Art | Joel Weaver | Property Master |
| Sound | Nigel Maxwell | Boom Operator |
| Sound | James David Redding III | Supervising Sound Effects Editor |
| Sound | Lidia Tamplenizza | Foley Editor |
| Crew | Kenneth Coulman | Special Effects Coordinator |
| Crew | Kelly Laufenberg | Special Effects Coordinator |
| Visual Effects | Chris Haney | Visual Effects Producer |
| Visual Effects | Chris Haney | Visual Effects Supervisor |
| Camera | Jeff Barklage | Camera Operator |
| Camera | Tom Cherry | First Assistant Camera |
| Lighting | John W. DeBlau | Gaffer |
| Lighting | Mike Dickman | Rigging Grip |
| Camera | Alex Esber | First Assistant Camera |
| Camera | Amy Faust | First Assistant Camera |
| Lighting | Russ Faust | Best Boy Electric |
| Lighting | Jeff Fisher | Rigging Grip |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Lighting | Scott Lipez | Rigging Gaffer |
| Camera | James McMillan | Key Grip |
| Camera | Chris Salamone | Dolly Grip |
| Lighting | Lucas Staley | Rigging Grip |
| Lighting | Thomas William Vincent | Rigging Grip |
| Camera | Adam N. White | Steadicam Operator |
| Lighting | John Zanardelli | Rigging Grip |
| Costume & Make-Up | Susan Bakula | Tailor |
| Costume & Make-Up | Christine Lee | Seamstress |
| Costume & Make-Up | Megan McGilvery | Seamstress |
| Costume & Make-Up | Jenn McLaren | Costume Coordinator |
| Costume & Make-Up | Martha Smith | Key Costumer |
| Production | Deirdre Costa | Location Manager |
| Production | Alan Forbes | Location Manager |
| Art | Marlene McCarty | Title Designer |
| Crew | Carla Meyer | Dialect Coach |
| Production | Meredith Nunnikhoven | Production Coordinator |
| Crew | Kate Wilson | Dialect Coach |
| Sound | Eliza Paley | Supervising ADR Editor |
| Sound | Eliza Paley | Supervising Dialogue Editor |
| Sound | Tony Martinez | ADR Editor |
| Sound | Tony Martinez | Dialogue Editor |
| Sound | Geoff Maxwell | Sound Mixer |
| Costume & Make-Up | Morag Ross | Makeup Artist |
| Art | Amy Cluxton | Set Dresser |
| Art | Jon Griffith | Set Dresser |
| Art | Leyna Haller | Set Dresser |
| Visual Effects | Edson Williams | Visual Effects Supervisor |
| Visual Effects | Erik Werlin | Visual Effects |
| Visual Effects | Allison Paul | Visual Effects Producer |
| Costume & Make-Up | Gina Nalli | Set Costumer |
| Costume & Make-Up | Karen Young | Set Costumer |
| Crew | Kelly Reichardt | Thanks |
| Art | Sarah Young | Set Decoration Buyer |
| Crew | Mark Friedberg | Thanks |
