De wereld van Bert begint op zijn vijfendertigste verjaardag te wankelen: de waarden die tot dan toe golden worden ter discussie gesteld door zijn 'kleine jongen', die zich sprekend met zijn leven gaat bemoeien.
Nee, helaas is Hij en Ik nog niet beschikbaar op Netflix in Nederland.
| Production | Diana Pokorny | Production Manager |
| Directing | Howard McMaster | First Assistant Director |
| Directing | Julie A. Bloom | Second Assistant Director |
| Directing | Carolyn Jacobs | Script Supervisor |
| Production | Blair Bellis Mohr | Production Coordinator |
| Production | Ilse Schwarzwald | Production Coordinator |
| Production | Jane Rosenberg | Assistant Production Coordinator |
| Production | Sam Goldrich | Production Consultant |
| Production | Walter Pucker | Post Production Coordinator |
| Art | Debbie DeVilla | Assistant Art Director |
| Art | Gretchen Rau | Set Decoration |
| Art | David Gulick | Set Dresser |
| Art | Jennifer Ingram | Set Dresser |
| Art | Victor J. Zolfo | Set Dresser |
| Art | Tommy Allen | Property Master |
| Art | Jem Cohen | Props |
| Art | Timothy Main | Construction Coordinator |
| Camera | Steve Drellich | Camera Operator |
| Camera | Holly Heinzmann | First Assistant Camera |
| Camera | Jamie Maxtone-Graham | Second Assistant Camera |
| Camera | Steve Sands | Still Photographer |
| Sound | Felipe Borrero | Sound Mixer |
| Sound | Alexandra Baltarzuk | Boom Operator |
| Sound | Anthony Starbuck | Boom Operator |
| Lighting | Morris Flam | Gaffer |
| Lighting | Mike Papadopoulos | Best Boy Electric |
| Lighting | Kevin Murphy | Electrician |
| Camera | John McElwain | Key Grip |
| Camera | Arthur Blum | Dolly Grip |
| Camera | James Boniece | Grip |
| Costume & Make-Up | Kathryn Bihr | Makeup Artist |
| Costume & Make-Up | Kathryn Bihr | Hairstylist |
| Costume & Make-Up | Elizabeth Hickox | Wardrobe Supervisor |
| Costume & Make-Up | Barbara Palmer | Wardrobe Supervisor |
| Editing | Tova Barth | Editor |
| Editing | Joanna Jimenez | Assistant Editor |
| Sound | Lilli von Otting | Sound Editor |
| Sound | Babette Fürbringer | Foley Editor |
| Editing | Iris Kracher | Assistant Editor |
| Sound | Willi Kluth | Sound Effects |
| Sound | Hans-Walter Kramski | Sound Effects |
| Sound | Bernd Schmiedl | Sound Effects |
| Sound | Milan Bor | Sound Re-Recording Mixer |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Visual Effects | Paul Rivoche | Matte Painter |
| Sound | Nora York | Music Consultant |
| Crew | Barbara Allen | Choreographer |
| Production | Annie Stewart | Location Manager |
| Production | Ellen Lewis | Casting |
| Production | Bonnie Finnegan | Casting |
| Sound | Klaus Doldinger | Original Music Composer |
| Editing | Raimund Barthelmes | Editor |
| Costume & Make-Up | Eugenie Bafaloukos | Costume Designer |
| Art | Suzanne Cavedon | Production Design |
| Camera | Helge Weindler | Director of Photography |
| Production | G. Mac Brown | Line Producer |
| Production | Dieter Meyer | Production Supervisor |
| Writing | Alberto Moravia | Novel |
| Writing | Doris Dörrie | Adaptation |
| Writing | Michael Juncker | Adaptation |
| Writing | Warren Leight | Screenstory |
| Writing | Warren Leight | Screenplay |
| Directing | Doris Dörrie | Director |
