Roger heeft geen moeder meer en ziet zijn vader zelden. Net als zijn vriend J.P. is hij een grote fan van het honkbalteam Los Angeles Dodgers. De twee grootste wensen van Roger zijn dan ook dat hij bij een echte familie woont en dat de Dodgers het kampioenschap winnen. Plotseling verschijnen er een paar engelen om hem te helpen deze wensen in vervulling te laten gaan.
Nee, helaas is Angels in the Outfield nog niet beschikbaar op Netflix in Nederland.
| Production | Holly Goldberg Sloan | Associate Producer |
| Writing | George Wells | Screenplay |
| Production | Joe Roth | Producer |
| Directing | William Dear | Director |
| Production | Gary Stutman | Executive Producer |
| Production | Roger Birnbaum | Producer |
| Costume & Make-Up | Rosanna Norton | Costume Designer |
| Art | J. Dennis Washington | Production Design |
| Sound | Randy Edelman | Original Music Composer |
| Writing | Holly Goldberg Sloan | Screenplay |
| Production | Irby Smith | Producer |
| Writing | Dorothy Kingsley | Screenplay |
| Camera | Matthew F. Leonetti | Director of Photography |
| Editing | Bruce Green | Editor |
| Production | Pam Dixon | Casting |
| Visual Effects | Giedra Rackauskas | Visual Effects Supervisor |
| Costume & Make-Up | Darryl M. Athons | Costume Supervisor |
| Art | John Anderson | Set Decoration |
| Art | Peter Bankins | Property Master |
| Lighting | Pat Blymyer | Gaffer |
| Crew | Tim Meredith | Stunts |
| Sound | Marvin E. Lewis | Boom Operator |
| Production | Richard H. Prince | Associate Producer |
| Directing | L. Dean Jones Jr. | First Assistant Director |
| Crew | Carney Lansford | Technical Advisor |
| Crew | Johnny Martin | Stunts |
| Camera | Dean Williams | Still Photographer |
| Crew | Rocky Capella | Stunt Coordinator |
| Camera | Craig Peiffer | Key Grip |
| Costume & Make-Up | Diane Hammond | Key Makeup Artist |
| Crew | Frank W. Tarantino | Special Effects Coordinator |
| Art | Thomas T. Taylor | Art Direction |
| Costume & Make-Up | Paul Abascal | Key Hair Stylist |
| Crew | Lisa Dempsey | Stunts |
| Production | Richard H. Prince | Production Manager |
| Directing | Irby Smith | Second Unit Director |
| Sound | Willie D. Burton | Sound Mixer |
| Crew | Eversley Forte | Stunts |
| Camera | Robert LaBonge | Camera Operator |
| Directing | Jay Smith | Second Assistant Director |
| Directing | Joanie Blum | Script Supervisor |
| Sound | John A. Larsen | Supervising Sound Editor |
| Camera | David E. Diano | Camera Operator |
| Crew | Jeff Mosley | Stunts |
| Crew | Mike Martinez | Stunts |
| Costume & Make-Up | Scott H. Eddo | Key Makeup Artist |
| Crew | Jan Aaris | Special Effects Coordinator |
| Costume & Make-Up | Nancy Servin | Seamstress |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Kassal | Costumer |
| Costume & Make-Up | Renee Alaina Sacks | Set Costumer |
| Crew | Geoff Heron | Special Effects Assistant |
| Camera | Carmen Bailey | Second Assistant Camera |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Camera | Mark Santoni | Camera Loader |
| Production | Lark Bernini | Production Coordinator |
| Editing | Paul Cichocki | First Assistant Editor |
| Editing | Scott K. Wallace | Assistant Editor |
| Editing | Paul Dixon | Editor |
| Costume & Make-Up | Susan Nininger | Costume Designer |
| Production | Amy E. Gerber | Casting Associate |
| Production | Véronique Vowell | Location Manager |
| Editing | Deborah Cichocki | Assistant Editor |
| Crew | Suzanne Celeste | Dialect Coach |
| Camera | Peter Jensen | Steadicam Operator |
| Camera | Tim Metivier | Second Assistant Camera |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Costume & Make-Up | Joseph Roveto | Costumer |
| Camera | Robert Del Boccio | First Assistant Camera |
| Editing | Mark L. Levine | Assistant Editor |
| Editing | James A. Brewer | Editor |
| Costume & Make-Up | Andrea Cooper | Set Costumer |
| Camera | Robert Morey | First Assistant Camera |
| Directing | Robert J. Mooney | Second Unit First Assistant Director |
| Directing | Shannon Wilson | Second Assistant Director |
| Sound | Gidget Gallagher | Assistant Sound Editor |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Camera | Patrick Riley | First Assistant Camera |
| Sound | Susan Dudeck | Dialogue Editor |
| Sound | Harry B. Miller III | Sound Effects Editor |
| Editing | Dale E. Grahn | Color Timer |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Visual Effects | Jennifer Bell | Visual Effects Producer |
| Sound | Denise Horta | ADR Editor |
| Sound | Nancy Richardson | Foley Editor |
| Camera | Tom Connole | Camera Operator |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Sound | Joanie Diener | Music Editor |
| Sound | Bruce Lacey | Sound Effects Editor |
| Sound | David Jobe | Foley Mixer |
| Camera | Horace Jordan | Camera Operator |
| Sound | Jerelyn J. Harding | ADR Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Directing | Sazzy Lee Calhoun | Second Assistant Director |
| Camera | Claire Sutherland | Second Assistant Camera |
| Visual Effects | Andrew Adamson | Visual Effects Supervisor |
| Sound | Andy Kopetsky | Sound Effects Editor |
| Sound | John Edwards-Younger | Sound Effects Editor |
| Sound | Mark Pappas | Foley Editor |
| Sound | Thomas P. McNamara | Assistant Sound Editor |
| Camera | Robert LaBonge | Second Unit Director of Photography |
| Sound | Gordon Davidson | Sound Effects Editor |
| Sound | Donny Miele | Assistant Sound Editor |
| Camera | Gary Dunham | First Assistant Camera |
| Camera | Phillip B. Bowen | Second Assistant Camera |
| Sound | Jeff Courtie | ADR Mixer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Sound | Dennis Sands | Scoring Mixer |
| Art | Susan Bradley | Title Designer |
| Sound | Zane D. Bruce | Foley Artist |
| Crew | Kevin Bailey | Stunts |
| Art | Drew Struzan | Art Designer |
