Steve Thompson vertrekt naar Los Angeles om zijn geliefde Anna terug te winnen. Anna bevindt zich inmiddels in het criminele circuit en Steve wordt door zijn vrouw meegesleurd in het duistere wereldje van misdaad en geweld.
Nee, helaas is Criss Cross nog niet beschikbaar op Netflix in Nederland.
| Directing | Robert Siodmak | Director |
| Writing | Don Tracy | Novel |
| Production | Michael Kraike | Producer |
| Camera | Franz Planer | Director of Photography |
| Editing | Ted J. Kent | Editor |
| Art | Bernard Herzbrun | Art Direction |
| Art | Boris Leven | Art Direction |
| Art | Oliver Emert | Set Decoration |
| Art | Russell A. Gausman | Set Decoration |
| Costume & Make-Up | Yvonne Wood | Costume Design |
| Costume & Make-Up | Carmen Dirigo | Hairstylist |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Costume & Make-Up | Gale McGarry | Hairstylist |
| Costume & Make-Up | Ernie Young | Makeup Artist |
| Directing | Fred Frank | Assistant Director |
| Directing | Jack Hively | Second Unit Director |
| Directing | Seward Webb | Assistant Director |
| Sound | Leslie I. Carey | Sound |
| Sound | Richard DeWeese | Sound |
| Camera | David S. Horsley | Additional Photography |
| Camera | Bert Anderson | Still Photographer |
| Camera | Stanley Guliver | Grip |
| Camera | Paul Ivano | Second Unit Director of Photography |
| Lighting | Norton Kurland | Gaffer |
| Sound | Ethmer Roten | Musician |
| Sound | Eugene Zador | Orchestrator |
| Directing | Connie Earl | Script Supervisor |
| Crew | Dave Webb | Dialogue Coach |
| Production | Keith Weeks | Production Manager |
| Camera | Dave Ragin | Camera Operator |
| Writing | Daniel Fuchs | Screenplay |
| Writing | William Bowers | Writer |
| Sound | Miklós Rózsa | Original Music Composer |
