Steve Thompson vertrekt naar Los Angeles om zijn geliefde Anna terug te winnen. Anna bevindt zich inmiddels in het criminele circuit en Steve wordt door zijn vrouw meegesleurd in het duistere wereldje van misdaad en geweld.
Nee, helaas is Criss Cross nog niet beschikbaar op Netflix in Nederland.
| Directing | Robert Siodmak | Director |
| Writing | Don Tracy | Novel |
| Camera | Franz Planer | Director of Photography |
| Editing | Ted J. Kent | Editor |
| Production | Michael Kraike | Producer |
| Costume & Make-Up | Yvonne Wood | Costume Design |
| Art | Bernard Herzbrun | Art Direction |
| Art | Boris Leven | Art Direction |
| Art | Oliver Emert | Set Decoration |
| Art | Russell A. Gausman | Set Decoration |
| Costume & Make-Up | Ernie Young | Makeup Artist |
| Sound | Eugene Zador | Orchestrator |
| Lighting | Norton Kurland | Gaffer |
| Sound | Richard DeWeese | Sound |
| Camera | Paul Ivano | Second Unit Director of Photography |
| Directing | Connie Earl | Script Supervisor |
| Camera | David S. Horsley | Additional Photography |
| Costume & Make-Up | Carmen Dirigo | Hairstylist |
| Sound | Ethmer Roten | Musician |
| Directing | Seward Webb | Assistant Director |
| Camera | Bert Anderson | Still Photographer |
| Crew | Dave Webb | Dialogue Coach |
| Costume & Make-Up | Gale McGarry | Hairstylist |
| Camera | Stanley Guliver | Grip |
| Directing | Jack Hively | Second Unit Director |
| Sound | Leslie I. Carey | Sound |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Directing | Fred Frank | Assistant Director |
| Production | Keith Weeks | Production Manager |
| Camera | Dave Ragin | Camera Operator |
| Writing | William Bowers | Writer |
| Writing | Daniel Fuchs | Screenplay |
| Sound | Miklós Rózsa | Original Music Composer |
