Op Aarde is ruim 95% van de mensheid omgekomen. De overgebleven 5% proberen met behulp van gigantische robots de Aarde (voornamelijk Japan) te verdedigen tegen aanvallen van de gevaarlijke Angels.
Nee, helaas is Shin Seiki Evangelion Gekijô-ban: Shito Shinsei nog niet beschikbaar op Netflix in Nederland.
Directing | Tensai Okamura | Director |
Visual Effects | Tensai Okamura | Key Animation |
Production | Mitsuhisa Ishikawa | Producer |
Camera | Hisao Shirai | Director of Photography |
Visual Effects | Kazuchika Kise | Animation Director |
Sound | Shiro Sagisu | Original Music Composer |
Directing | Seiji Mizushima | Director |
Writing | Hideaki Anno | Screenplay |
Directing | Hideaki Anno | Director |
Writing | Hideaki Anno | Writer |
Visual Effects | Hideaki Anno | Animation Director |
Visual Effects | Hideaki Anno | Key Animation |
Art | Hideaki Anno | Storyboard Artist |
Writing | Hideaki Anno | Original Film Writer |
Directing | Kazuya Tsurumaki | Director |
Art | Kazuya Tsurumaki | Storyboard Artist |
Directing | Masayuki | Director |
Visual Effects | Masayuki | Animation Director |
Visual Effects | Masayuki | Key Animation |
Art | Masayuki | Storyboard Artist |
Directing | Shoichi Masuo | Director |
Visual Effects | Shoichi Masuo | Key Animation |
Writing | Shinji Higuchi | Screenplay |
Visual Effects | Hiroyuki Imaishi | Key Animation |
Visual Effects | Yoh Yoshinari | Key Animation |
Visual Effects | Yoshiyuki Sadamoto | Animation Director |
Visual Effects | Yoshiyuki Sadamoto | Character Designer |
Visual Effects | Yoshiyuki Sadamoto | Key Animation |
Writing | Hiroshi Yamaguchi | Screenplay |
Writing | Akio Satsukawa | Screenplay |
Writing | Akio Satsukawa | Writer |
Visual Effects | Atsushi Takeuchi | Key Animation |
Directing | Ken Ando | Director |
Directing | Minoru Ohara | Director |
Directing | Tetsuya Watanabe | Director |
Production | Marvin Gleicher | Executive Producer |
Directing | Masahiko Otsuka | Director |
Writing | Yoji Enokido | Screenplay |
Visual Effects | Masahiko Ohkura | Key Animation |
Directing | Hiroyuki Ishido | Director |
Directing | Tsuyoshi Kaga | Director |
Writing | Mitsuo Iso | Screenplay |
Art | Okama | Production Design |
Production | Margo Coughlin Zimmerman | Line Producer |
Visual Effects | Takayuki Goto | Key Animation |
Visual Effects | Takeshi Honda | Animation Director |
Visual Effects | Toshio Kawaguchi | Key Animation |
Visual Effects | Takehiro Noda | Key Animation |
Visual Effects | Tadashi Hiramatsu | Key Animation |
Visual Effects | Isamu Imakake | Key Animation |
Visual Effects | Yasushi Muraki | Key Animation |
Visual Effects | Takeshi Ito | Key Animation |
Sound | Hideyuki Tanaka | Sound Director |
Visual Effects | Takuya Nonaka | Key Animation |
Visual Effects | Akiharu Ishii | Key Animation |
Visual Effects | Miyako Yatsu | Key Animation |
Directing | Naoyasu Habu | Director |
Visual Effects | Masahiro Sekiguchi | Key Animation |
Visual Effects | Hidenori Fukuoka | Key Animation |
Visual Effects | Kazuya Miura | Key Animation |
Visual Effects | Katsuichi Nakayama | Key Animation |
Visual Effects | Masayuki Sato | Key Animation |
Visual Effects | Hisaki Furukawa | Key Animation |
Visual Effects | Kayoko Nabeta | Key Animation |
Visual Effects | Manabu Tanzawa | Key Animation |
Directing | Akira Takamura | Director |
Visual Effects | Kenji Irie | Key Animation |
Visual Effects | Shigeki Sunada | Key Animation |
Visual Effects | Kenji Shinohara | Key Animation |
Directing | Keiichi Sugiyama | Director |