Cheech en Chong werken kort bij een autowasserette en als muzikanten, alvorens ze worden ingehuurd om een auto te besturen van Chicago naar Las Vegas. Maar wat ze niet weten is dat hun werkgevers 5 miljoen dollar aan zwart geld bij zich hebben.
Nee, helaas is Things Are Tough All Over nog niet beschikbaar op Netflix in Nederland.
| Sound | Gaye Delorme | Original Music Composer |
| Production | Shelby Chong | Associate Producer |
| Writing | Cheech Marin | Writer |
| Camera | Bobby Byrne | Director of Photography |
| Production | Fern Champion | Casting |
| Directing | Thomas K. Avildsen | Director |
| Art | Richard Sawyer | Production Design |
| Production | Deborah Mannis | Associate Producer |
| Production | Pamela Basker | Casting |
| Editing | Dennis Dolan | Editor |
| Writing | Tommy Chong | Writer |
| Production | Howard Brown | Producer |
| Art | Kenneth D. Westcott | Property Master |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Camera | Bruce D. Spellman | Best Boy Grip |
| Costume & Make-Up | Marilyn Patricia Phillips | Hairstylist |
| Sound | Jules Strasser | Boom Operator |
| Camera | Kirk Bales | Dolly Grip |
| Costume & Make-Up | Rick Sharp | Key Makeup Artist |
| Sound | James J. Klinger | Supervising Sound Editor |
| Camera | Ted T. Sugura | Camera Operator |
| Costume & Make-Up | Patricia Bean | Wardrobe Supervisor |
| Camera | Alan R. Disler | Assistant Camera |
| Crew | Dick Cross | Special Effects |
| Production | Claude Binyon Jr. | Unit Production Manager |
| Camera | Eric Engler | Assistant Camera |
| Camera | Dale Alexander | Grip |
| Sound | Tom Beckert | Sound Re-Recording Mixer |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Directing | June Samson | Script Supervisor |
| Camera | Charles Saldaña III | Key Grip |
| Lighting | James F. Boyle | Gaffer |
| Crew | Phil Cory | Special Effects |
| Production | Jerry Anderson | Casting Assistant |
| Editing | Don Brochu | Assistant Editor |
| Sound | Else Blangsted | Music Editor |
| Production | Dean O'Brien | Unit Production Manager |
| Crew | Thomas R. Ward | Special Effects |
| Art | Kenneth E. Riley | Assistant Property Master |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Sound | Don Johnson | Production Sound Mixer |
| Production | Robert Maharis | Location Manager |
| Sound | Jas Klinger | Assistant Sound Editor |
| Camera | William Birch | Second Unit Director of Photography |
| Costume & Make-Up | Christina Smith | Makeup Artist |
| Production | Mary Cay Hollander | Production Coordinator |
| Sound | Skip Macdonald | Assistant Sound Editor |
| Lighting | John Hawn | Rigging Gaffer |
| Crew | Hans Metz | Special Effects |
| Costume & Make-Up | Terri Cannon | Key Hair Stylist |
| Art | Kevin Conlin | Construction Foreman |
| Directing | Bob Roe | Second Assistant Director |
| Art | Gary Moreno | Set Decoration |
| Costume & Make-Up | Linda Matthews | Wardrobe Assistant |
| Costume & Make-Up | George L. Little | Wardrobe Assistant |
| Directing | Pat Kehoe | First Assistant Director |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Editing | Roger Greene | Assistant Editor |
| Camera | Mark Simon | Assistant Camera |
| Sound | Frank White | Sound Editor |
| Camera | Peter Kuttner | Assistant Camera |
