Sara ontmoet de drukke zakenman Nelson, en doet hem het voorstel om voor 1 maand bij haar in te trekken. Nelson accepteert het aanbod, en na een tijdje realiseert hij zich dat er bepaalde dingen misten aan z'n drukke leven.
Nee, helaas is Sweet November nog niet beschikbaar op Netflix in Nederland.
Writing | Herman Raucher | Original Film Writer |
Directing | Pat O'Connor | Director |
Writing | Kurt Voelker | Screenplay |
Sound | Christopher Young | Original Music Composer |
Camera | Edward Lachman | Director of Photography |
Editing | Anne V. Coates | Editor |
Art | Naomi Shohan | Production Design |
Art | Kevin Constant | Art Direction |
Art | Bob Kensinger | Set Decoration |
Costume & Make-Up | Shay Cunliffe | Costume Design |
Production | Elliott Kastner | Producer |
Production | Steven Reuther | Producer |
Production | Deborah Stoff | Producer |
Production | Erwin Stoff | Producer |
Production | Wendy Wanderman | Executive Producer |
Production | Marty P. Ewing | Co-Producer |
Production | Risa Bramon Garcia | Casting |
Production | Randi Hiller | Casting |
Production | Marty P. Ewing | Unit Production Manager |
Directing | Jonathan Watson | First Assistant Director |
Directing | John M. Morse | Second Assistant Director |
Crew | Webster Whinery | Stunt Coordinator |
Production | Jodi Ehrlich | Associate Producer |
Art | Michael E. Goldman | Assistant Art Director |
Editing | Robb Sullivan | First Assistant Editor |
Camera | Mitch Dubin | Camera Operator |
Camera | Kirk R. Gardner | Steadicam Operator |
Camera | Paul Sanchez | First Assistant "A" Camera |
Sound | Nelson Stoll | Sound Mixer |
Sound | Fred Runner | Boom Operator |
Production | Noelle Chapin | Production Coordinator |
Production | Donald H. Walker | Production Accountant |
Production | Ellen Lent | Location Manager |
Production | Gail Stempler | Location Manager |
Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
Costume & Make-Up | David Atherton | Key Makeup Artist |
Costume & Make-Up | Peter Robb-King | Makeup Artist |
Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
Costume & Make-Up | Nina Paskowitz | Hairstylist |
Lighting | John W. DeBlau | Gaffer |
Lighting | Terry Sullivan | Best Boy Electric |
Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
Camera | Dave Childers | Key Grip |
Camera | Orlando Orona | Dolly Grip |
Art | Rodney Armanino | Construction Coordinator |
Art | Rich Clot | Construction Foreman |
Crew | Rod M. Janusch | Special Effects Coordinator |
Sound | Bruce Stambler | Supervising Sound Editor |
Sound | Brian Best | Sound Effects Editor |
Sound | Steven F. Nelson | Sound Effects Editor |
Sound | Tim Walston | Sound Designer |
Sound | Becky Sullivan | Supervising ADR Editor |
Sound | Donald L. Warner Jr. | Dialogue Editor |
Sound | Mildred Iatrou | Dialogue Editor |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Sound | Tom O'Connell | ADR Mixer |
Sound | Michael Dressel | Foley Supervisor |
Sound | Mark Pappas | Foley Editor |
Sound | Eric Thompson | Foley Mixer |
Sound | Sean Rowe | Foley Artist |
Sound | Laura Macias | Foley Artist |
Sound | Gregg Barbanell | Foley Artist |
Sound | John Michael Fanaris | Sound Editor |
Sound | Paul Aulicino | First Assistant Sound Editor |
Sound | Rick Hart | Sound Re-Recording Mixer |
Sound | Steve Pederson | Sound Re-Recording Mixer |
Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
Camera | Merie Weismiller Wallace | Still Photographer |
Editing | Mo Henry | Negative Cutter |
Editing | Dana Ross | Color Timer |
Writing | Paul Yurick | Story |
Costume & Make-Up | Wayne Herndon | Hairstylist |
Directing | Leslie Park | Script Supervisor |
Sound | G. Marq Roswell | Music Supervisor |
Sound | John Finklea | Music Editor |
Sound | Tanya Noel Hill | Music Editor |
Sound | Curtis Roush | Music Editor |
Crew | Robin Bonaccorsi | Stunts |